作 者：崔德军[1] CUI De-jun （ College of Foreign Languages＇, Yibin University, Yibin 644000, China） 机构地区：[1]宜宾大学外国语大学,四川宜宾644007 出 处：《宜宾大学学报》2017年第10期83-88,共6页 摘 要：许渊冲的“意美、音美、形美”翻译思想对日本俳句翻译具有—定的指导意义.“形美”是俳句翻译的首要前提条件,音韵是体现俳句“音美”的必要因素,而揣摩诗歌的意境、达到传神效果是使俳句升华到“意美”的关键所在.Xu Yuanchong＇ s translation thought of ＂beauty in meaning, beauty in sound and beauty in form＂ has es- tablished the directive significance for the translation of Japanese Haiku. ＂Beauty in form＂ should be the precondition of the translation of Haiku. Phonology becomes one essential factor to reflect ＂ beauty ment of artistic conceptions of poems to realize lifelikeness is proved to be the key to meaning＂. in sound＂ of Haiku. Entertain- Haiku to sublimate ＂beauty in 关 键 词：俳句 翻译美学 形美 音美 意美 分 类 号：H365.9[语言文字—日语] ，日语论文，日语毕业论文 |
