The purpose of this study is to criticize the system of voluntaristic interpretation of A Lover’s Silence centered on Han Yong-woon, according to the understanding of Korean lyricism and to concretize the unique lyrical characteristic of this text t... The purpose of this study is to criticize the system of voluntaristic interpretation of A Lover’s Silence centered on Han Yong-woon, according to the understanding of Korean lyricism and to concretize the unique lyrical characteristic of this text through perversion. Since the existing comprehension of lyricism is contributing to the narcissistic and perverted self-authenticity culture of today, the lyricism of A Lover’s Silence reviving the perversion can identify the present and refresh the possibility of overcoming it. The previous understanding of the 'lyricism' was based on the premise of the utopia for the restoration of identity from the formative phase of modern literature to the present and, as a result, there was lack of otherness. According to this understanding of Korean lyricism, it can be confirmed that A Lover’s Silence is being read pervertedly, because not only '-nim' but also the poet Han Yong-woon, as an ideal ego, become the subject of the narcissism and identification. In this way, A Lover’s Silence, which is discussed at the political level of the poet, can’t secure the autonomy of the arts, but falls into an enlightening prose which is helpless in the culture of self-authenticity. However, the discourse of poetic subject today can set forth the politics of poetry in which the relative autonomy of poetic language is vindicated, and in which the intrinsic elements of the text create a new world by operating the intersection with the present discourse. In addition, interpretation based on the 'tragic world view' and 'romantic world view' that maintains the otherness among previous research of A Lover’s Silence has the potential to transcend the voluntarist perspective based on the understanding of Korean lyricism. Therefore, in this , we tried to avoid the absolute self of the tragic world view and the romantic world view as the perverted self of perversion, and to read "A Lover’s Silence" as the revival of perversion that achieves certain mourning and lyricism in the impossibility of mourning. ，韩语毕业论文，韩语论文题目 |
