| 1920-1930年月,跟着日本殖平易近统治的增强,韩国社会的经济、宗法轨制等各方面进一步瓦解,在家庭和社会层面涌现了一系列严重的成绩。穷苦女性作为其时社会中受榨取和危害最深的阶级,年夜多只能经由过程逝世亡来摆脱本身的实际苦楚。是以,有关“逝世亡”成绩在1920-1930年月的韩国古代小说中构成了一个主要的主题和潮水。本论文对有关女性人物的逝世亡措施停止了分类、剖析了其逝世亡的缘由,进而提醒女性人物的逝世亡在韩国古代小说史上的主要意义。在1920-1930年月的殖平易近地社会和关闭的家庭情况下,女性人物遭遇侧重年夜的波折和苦楚和各种危害,这类特别的情况迫使女性人物选择了腐化和逝世亡的最极真个措施。本论文在第二章经由过程对28篇小说中女性人物的逝世亡措施停止了体系地梳理和分类。个中9篇著作中的女性人物逝世于他杀,7篇著作中的女性人物逝世于自杀,12篇著作中的女性人物逝世于疾病。这些逝世亡措施中涌现的道具年夜多以平常生涯器具为主。腰带、镰刀、裙带等生涯器具在著作中都酿成了却束名贵性命的杀人对象。第三章剖析了小说中女性人物的逝世亡缘由。经由过程剖析发明,招致女性人物逝世亡的身分既有社会缘由,也有小我和其它缘由。1920-1930年月,韩国社会正处于日本的殖平易近统治之下,地盘被褫夺,人们的生涯堕入了贫苦。极端的贫苦直接招致了饿逝世、病逝世、冻逝世等分歧情势的肉体幻灭。同时,根深蒂固的封建思惟依然存在于社会的各个方面。著作中的女性人物因“家长制”生涯被歪曲,饱受“三从四德”等孔教思惟的熬煎,被褫夺了过正常人生涯的权力,这些社会成绩迫使女性人物以逝世来追求自在。女性人物逝世亡的小我缘由在于别人的非正常心思状况,物资与精力的抵触和认识与认识的抵触。第四章重点阐述了小说中女性人物的逝世亡在韩国古代小说史上的主要意义。起首,逝世亡表现了女性本体性的觉悟,这类女性本体性是女性人物在男权社会中逐步觉悟,发明自我、确立自我、强化自我的进程中取得和构成的。固然小说中的女性人物都是以逝世亡来解脱现状,然则她们主意自在战争、不畏波折、勇于向封建轨制挑衅的意志上是成心义的；其次,逝世亡表现了人格的觉悟。女性人物的逝世亡不只使男性人物从传统的家长制思想措施中解脱出来,并且更使他们作为一个真实的主体人格来觉悟和面临本身,面临社会；再次,著作中女性人物的逝世亡可算作是作者认识的另外一种表示。从情节的产生与成长构造来看,有些小说中的女性人物可以不选择逝世亡,但在客不雅情况傍边却难以解脱悲凉终局,而如许的终局是作者激烈的社会心识所形成的成果。也就是说著作中的女性人物“逝世”在作者笔下,作者经由过程人物的逝世亡来表示本身对社会的立场和创作认识。人类面临逝世亡,一方面怀着天性的恐怖,另外一方面也有着生计的愿望来妄图战胜逝世亡。现实上逝世亡是我们性命的必定归宿,是根植于我们性命中的器械,是弗成防止的。本论文经由过程剖析小说中女性人物的逝世亡成绩,从新略论人类生计的基本意义地点。研究文学著作中人物逝世亡的意义在于它可以扩展文学研究的规模,研究1920～1930年月韩国小说中女性人物的逝世亡,是为了更精确地懂得其时殖平易近地女性的有关社会成绩。经由过程剖析女性人物的逝世亡措施可以加深对殖平易近地社会的懂得,也能够经由过程研究逝世亡来从新熟悉平易近族文学史上的一些成长纪律。 Abstract: 1920-1930 years, with reinforcement of Japanese colonial rule, Korean Society of economy, the patriarchal system, and other various aspects disintegrate further, the family and social aspects has emerged a series of serious problems. Poor women as a class society at that time by squeezing and harm the deepest, mostly only through death to get rid of actual pain itself. Is to, the "death" in the 1920-1930 years in the Korean Ancient Novel constitutes a major theme and the tide. In this paper, the death of the female characters in the method of classification, analysis of the causes of death, and then to remind the death of the female characters in the history of the ancient Chinese novels of the main significance. The most extreme way of in 1920-1930 years of colonial society and close family, the female characters encounter focusing on the eve of the twists and turns and pain and harm, this kind of special situation forced female characters choice of decay and death. This paper in the second chapter through the process of the death of the female characters in the 28 novels of the system to sort out and classify. 9 of the female characters in the works died of suicide, 7 of the female characters in the works died of suicide, and the female characters in the 12 works died in the disease. Most of the props in the death methods are mostly used in the daily life. Belt, sickle, etc. instruments have become crony career and precious life in killing beam works. The third chapter analyzes the reasons for the death of the female characters in the novel. Through analysis of the process of the invention, resulting in the death of a woman's identity, there are social reasons, there are individuals and other reasons. The years 1920-1930, Korean society is in under the Japanese colonial rule, punishable site, people's career falling the poor. Extreme poverty led directly to starve to death, disease, death and so on different forms of flesh froze to death disillusionment. At the same time, the deep-rooted feudal ideology still exists in all aspects of the society. Works of female characters for "patriarchal" career are distorted, suffering from "three from the four virtues" Confucian thought, deprived of a normal life power, these social problems forced the female characters to die to the pursuit of freedom. The ego reason for the death of a female character lies in the fact that other people are not in a normal state of mind, the conflict between material and energy, and the conflict between knowledge and cognition. The fourth chapter focuses on the death of the female characters in the novel in the history of the history of ancient Chinese novels. First of all, the death of the performance of women's consciousness, this kind of female noumenon is the female characters in the patriarchal society gradually awakening, the invention of self, establish themselves, strengthen the process of self made and constitute. Although the women characters in the novel are to death to getting rid of the status quo, however their idea free war, despite twists and turns, the courage to to the will of the feudal system and provocation is mean to righteousness; secondly, the death of death showed personality consciousness. The death of female characters die not only make men free from the traditional patriarchal ways of thinking, and give them as a real subject personality consciousness and the face, face social; thirdly, the death of the female characters in the works can be counted as another expression that author's cognition. From the plot of the birth and growth of a structural point of view, the female characters in some novels can not death, but in the objective situation Bangbian is difficult to get rid of the sad ending, and such final is the intense social consciousness by the formation of the results. That works in the female characters "death" in the author's pen, the author through the process of the death of the characters to express their own position and creative understanding of the community. The human face of death, on the one hand with the nature of terror, and also has a desire to overcome the livelihood to death. In fact, death is the inevitable destination of our lives, is rooted in our sex hit the instrument, is put into prevention. Through the process of analysis of the death of the female characters in the novel, from the new analysis of the basic meaning of human life. Discussion of literary works in the character died dead significance is that it can expand the size of the literature research, research from 1920 to the female characters in Korean novel in the 1930s of death, in order to more accurately understand when the colonial women related social problems. Through the analysis of the death of the female characters, the method can deepen the understanding of the colonial society, but also through the process of research and death to the new familiar with the history of national literature, some of the growth discipline. 目录: |
