| 近几年来，中国的木版画开端构成了多元化的成长趋向，木版画著作也愈来愈惹起浩瀚国际外艺术界的存眷，相干的艺术交换运动也在频仍地停止，特别是与韩国间的艺术交换日趋频仍。因为中韩两国在人文地区、文明传统、经济成长程度的分歧，在古代木版画的教导思惟、表示情势等方面存在着必定的差别，有需要对此停止体系的比拟剖析。本论文彩取实际研究和理论创作相联合的措施，重要对中韩古代木版画的表示情势和教导思惟停止了较体系的比拟研究，其目标是从中汲取“养分”，并在自己的木版画创作著作中找到本身的创作说话，构成特性化的创风格格。这一研究可以或许弥补木版画研究范畴存在的缺乏的地方，也对自己往后的木版画创作打下坚实的实际基本和积聚理论经历。本论文起首论述了中韩木版画在20世纪50年月到80年月时代的成长进程，在此基本上侧重研究中韩两国因地区情况、教导思惟的差别带来的古代木版画表示情势上的差异。固然中韩两国事邻近国，但因地区情况、文明传统和教导思惟上的差别，在木版画创作的题材、内容、情势和特点上有必定的差距。经由过程中韩两国古代木版画创作范畴中的典范画家及其著作的比拟，可以懂得到分歧画家的创风格格的差别及其渊源。本论文的最初部门联合本身的木版画创作著作进一步论证了古代木版画所具有的奇特的表示情势，这一理论部门重要是从中韩两国木版画创作傍边接收了有价值的表示情势，免费韩语论文，尽力构成本身的特性化创作表示。现在，木版画的创作及其研究曾经构成了多元化、国际化的成长趋向，我们应当进一步懂得中韩两国木版画成长汗青与现状的基本上，稳固中韩两国木版画著作上表现出来的分歧的平易近族颜色说话，韩语论文，创作出既有平易近族特点又相符时期气味木版画著作。 Abstract: In recent years, Chinese woodblock prints start constitute the diversified development trend, wood engraving works is also getting more and more cause vast international art circles concern, coherent art exchange movement also frequent stop in, especially with South Korea art exchange are becoming more and more frequent. Because the ROK differences in regional cultural and traditional civilization, economic development level, in the ancient woodcut education thought, said the situation there is a certain degree of difference, there is a need to stop this system by comparative analysis. The color take method combined with the phase of theoretical research and creation theory, the important of woodcut painting of ancient China and South Korea said the situation and teaching thinking the more systematic comparative study, the goal is from draw nutrition, and in his woodcut works to find itself a talk, the structure characteristics of a wind princess. This research can may compensate for wood engraving research field by the lack of places and experience but also for their own future woodcut creation and lay a solid theoretical foundation and accumulation theory. This paper discusses the China ROK woodcut painting in the 20th century, 50 years to 80 years of age the growth process, on the basis of focused research between China and South Korea because area, teaching brings different ideas of ancient woodcut said the similarities and differences of the situation. Although China and South Korea. The neighboring countries, but due to the area, traditional culture and teach the ideological differences, in the woodcut creation theme, content, forms and characteristics of have a certain gap. Through comparing the process between China and South Korea ancient woodcut creation category model of painters and their works, can understand different artists create wind Princess of difference and its origin. The first sector of woodcut creation works jointly further demonstrates the ancient woodcut has peculiar said situation and theory, which is the important sector is from China and South Korea woodcut creation Bangbian received valuable said situation, trying to compose itself characteristic creation said. Now, woodcut creation and research has formed the diversification and internationalization of the development trend, we should further understand the ROK woodcut painting development history and current situation basically, firm ROK woodcuts of different ethnic talking about the color, to create both ethnic characteristics and in the corresponding period of odor woodcuts. 目录: 摘要 6-7 Abstract 7 第一章 绪论 9-11 1.1 课题背景 9 1.2 探讨目的及意义 9-10 1.3 探讨措施及内容 10-11 第二章 中韩现代木版画发展过程概述 11-15 2.1 中国现代木版画 11-12 2.2 韩国现代木版画 12-15 第三章 中韩现代木版画比较略论 15-22 3.1 地域环境 15 3.2 教育思想 15-16 3.3 表现形式 16-22 第四章 木版画创作与实践 22-26 4.1 线的表现 22-23 4.2 刀法的应用 23-24 4.3 色彩的应用 24 4.4 符号的引用 24-26 结论 26-27 参考文献 27-29 致谢 29-30 附录A (攻读学位期间发表论文目录) 30 |
