| 韩世忠、梁红玉伉俪是南宋初年的名臣,也是如今为人们所熟知和敬佩的南宋抗金豪杰。他们的故事从南宋时代开端传播,经由时期的变革,故事的原貌和内在曾经产生了变更。明清时代,韩梁故事从汗青故事成长为具有光鲜抗金宗旨的豪杰传奇故事,在清前期又涌现女性救国故事的偏向。从泼皮韩五到咸安郡王,从风尘侠妓到抗金女将,韩世忠、梁红玉这两位汗青人物经由文学著作的归纳,曾经转化为艺术典范。特别是梁红玉,逐渐成为韩梁故事的中间人物,成为后世钦慕的平易近族女豪杰。在这个进程中,时期身分、平易近间艺人和文人学者对韩梁故事的流传和接收起着伟大的作用,他们是若何作用韩梁故事的定型和人物抽象固定,本文将从流传与接收的角度对这个成绩停止商量。第一章重要梳理明清小说和戏曲流传中的韩梁故事,可以看到韩梁故事的流传重要集中在明中前期和明末清初。同时,明朝和清朝的韩梁故事在宗旨和人物抽象上都存在差别。第二章剖析韩梁故事的流传特点和变异景象,这类变异重要表示在故事特点和人物抽象方面。明朝流传的韩梁故事以汗青故事的形状传播,讲述了韩梁二人平生的起家变泰。清朝的韩梁故事具有光鲜的反侵犯政治颜色,以抗金豪杰的传奇故事传播于世。在流传进程中韩世忠的负面操行逐步被淡化,他的优良品德获得凸显。梁红玉抽象在明朝着重女性的阴优美,清朝则更侧重表示她的阳刚之美。第三章商量时期身分和分歧人群对韩梁故事的接收对故事的作用,以文人群体、平易近间通俗大众和妇女的接收为代表。文人在接收进程中将梁氏奉为品德偶像,朱颜亲信,对韩梁二人的立功立业和知难而退爱慕不已。平易近间则对韩梁二人由豪杰崇敬到神化。梁红玉在晚清成为女性的精力偶像和榜样。第四章提醒韩梁故事在流传与接收的进程中融入的多重思惟文明内在,本章将重要论及忠孝主题,抗敌御辱内在,士不遇情结和隐逸思惟,和女侠、战斗暗影下的女性自力认识等。 Abstract: Han Shizhong, Liang Hongyu and his wife is the Song Dynasty official, is now well known and admired the Song Dynasty Jin Haojie. Their story began to spread from the Southern Song Dynasty, through periods of change, the story of the original and inherent once has changed. The era of the Ming and Qing Dynasties, Han Liang's story grew from a historical story is with bright anti gold purpose hero legend, in the early Qing Dynasty and the emergence of female salvation story bias. From the scoundrel Han five to Prince Haman, from the dust chivalrous prostitute to anti female, Han Shizhong, lianggongyu the two historical figures through induction of literary works, once transformed model for the art. Especially Liang Hongyu, has gradually become the middle character of Han Liang story, people admire the nation later become the female hero. In this process, during the period of identity, plain in between artists and writers and scholars of Han Liang's story spread and received a great impact, they are how to affect the story of Han and Liang, the setting and character abstract fixed. In this paper, the from point of view of the spread and reception in this stop to discuss. The first chapter important sort of fiction of the Ming and Qing Dynasties and drama spread in Han Liang's story, you can see Han Liang's story spread mainly concentrated in the Ming Dynasty in early and late Ming Dynasty and early Qing Dynasty. At the same time, the Han Liang stories of the Ming Dynasty and Qing Dynasty were different from the objective and the characters. The second chapter analyzes the characteristics of the spread of the Han Liang story and the variation of the scene, which is important to show the characteristics of the story and characters in the abstract. The spread of the Han Liang story in the Ming Dynasty to the history of the story of the spread of the story about the Han Liang two people's life started to change. The story of Han Liang of the Qing Dynasty has distinct anti invasion political color, the legendary story spread anti Jin Haojie in the world. Han Shizhong in the air in the process of negative behavior was gradually faded, his excellent character was prominent. Liang Hongyu abstract in the Ming Dynasty on the female Yin Qing Dynasty is beautiful, more show her masculine beauty. The third chapter discuss the influence of the identity and the different groups on the story of Han Liang, which is represented by the literary group, the common people and women's reception. Literati in the receiving process will Liang Feng as a moral idol, brow cronies, Han Liang two meritorious founding and quit love unceasingly. Among the people of Han Liang from two to deified hero worship. In the late Qing Dynasty, Liang Hongyu became an idol and example for women. Chapter four remind the story of Han and Liang embodied in the process of spreading and received multiple ideological and cultural connotation, this chapter will be important deals with "loyalty" and "filial piety" theme, enemy Royal disgrace within Shibuyu complex and the hermit thought, and woman, fighting under the shadow of the female self understanding. 目录: |
