| 家庭伦理剧自出生之日起，便以其奇特的叙事作风、浓浓的人文情怀深受宽大不雅众的爱好。与此同时，韩国电视剧异军崛起，不只在中国占领了必定的市场份额，韩语论文网站，并且在日本、西北亚甚至世界各地构成了走势微弱的所谓“韩流”。这不只给韩国带来了伟大的直吸收益，并且还带动了浩瀚的相干家当的成长。本文以家庭伦理剧的文明配景、叙事作风、序言生态情况作为切入点，对中韩家庭伦理剧中所包含的家庭伦理不雅念及构成这类不雅念的汗青渊源停止剖析和商量，进而比拟两者的差别及互相间的自创意义，并以此对中国度庭伦理剧的将来成长趋向做一前瞻性的瞻望。本文以为中韩固然同属华文化圈，两国受儒家文明的作用都极其深远，但相异的成长形式，注定儒家文明在两个国度开出的是分歧的花，结出的是分歧的果，也就天然而然构成了分歧的家庭伦理不雅念。另外，韩语论文范文，序言生态情况的差别也决议了中韩家庭伦理剧分歧的汗青走向。 Abstract: Family ethics drama since its birth date, with its unique narrative style and deep humanistic feelings by wide audience interest. At the same time, the South Korean TV drama free rise, not only in China to occupy a certain market share, and in Japan, Southeast Asia and around the world constitute the weak trend of the so-called "Korean wave". This is not only for South Korea brought great benefits and direct suction, but also led to the vast growth of related industries. Based on the family ethics drama of cultural background, narrative style, preface to the ecological environment as the breakthrough point, to South Korea family ethical play contains the family ethics concept and constitute the indecent read historical origins of the analysis and discussion and compare the difference and mutual reference, and so on, the future of Chinese family ethics drama growth tends to make a prospective outlook. This thought between China and South Korea although belong to the Chinese cultural circle, two countries is influenced by the Confucian civilization are far-reaching, but different growth forms, destined to floral divergence is opened from the Confucian civilization in two countries, bear the differences of fruit, also naturally constitute the differences of family ethics indecent read. In addition, the difference between the introduction of the ecological situation also determines the differences between China and South Korea family ethics drama history. 目录: 摘要 3-4 ABSTRACT 4 引言 7-9 第1章 家庭伦理剧概述 9-13 1.1 家庭伦理剧的界定 9-10 1.2 家庭伦理剧的题材特点 10-13 1.2.1 公共空间的私人化 10-11 1.2.2 关注普通人的生活和情感 11-13 第2章 家庭伦理剧的文化背景略论 13-27 2.1 传统的家庭伦理观 13-16 2.1.1 父慈子孝 14 2.1.2 夫义妇顺 14-16 2.1.3 兄友弟恭 16 2.2 家庭伦理观由传统向现代转变 16-20 2.2.1 从"家庭本位"到"以人为本"的转变 17-18 2.2.2 婚姻自由与家庭稳定的矛盾 18-19 2.2.3 市场功利价值与家庭情感价值的碰撞 19-20 2.3 中韩家庭伦理剧对文化价值观念的表达 20-27 2.3.1 中国:转型期的碰撞与冲突 21-23 2.3.2 韩国:传统观念与现代意识的融合 23-25 2.3.3 韩国家庭伦理剧的跨文化之旅 25-27 第3章 中韩家庭伦理剧的比较略论 27-36 3.1 创作理念之分 27-29 3.1.1 中国:冷静看世界,反映现实 27-28 3.1.2 韩国:温情看世界,超越现实 28-29 3.2 叙事风格之分 29-36 3.2.1 苦难叙事——正常表述 29-30 3.2.2 争斗叙事——和谐表述 30-33 3.2.3 责他情结——自我反省 33-36 第4章 中韩媒介生态环境对家庭伦理剧的作用 36-41 4.1 中韩的媒介生态环境 36-37 4.2 中韩的广播电视产业体制 37-38 4.3 媒介生态环境对家庭伦理剧创作的作用 38-41 结语 41-43 参考文献 43-45 附录 45-46 攻读学位期间的探讨成果 46-47 致谢 47 |
