Park Mok-Weol was recommended by chung Ji-Yong, cho Ji-Hoon and Park Du-Jin in 1939, enterred a literary career through a journal "Mun Jang" and until he finished his literature's life in 1978, he made many works through the constant literature workin...
Park Mok-Weol was recommended by chung Ji-Yong, cho Ji-Hoon and Park Du-Jin in 1939, enterred a literary career through a journal "Mun Jang" and until he finished his literature's life in 1978, he made many works through the constant literature working for 40 years.
This study puts an emphasis on his career as a poet with children's mind rather than an adult's poet and puts an effort to seek the aspect of importance of children's literature.
Mok-Weol, a man with an optimistic way of thought, was an writer with children's mind.
The 1930's, when he began to write his literature was a dark colonial period. Nevertheless, his articles have always warming and promising point of view. The reason lies on his firm intention not to heritage children unbearable burden of tremendous area.
The main stream in his literature expressed warm children's mind. His literature world is the world of homesickness looking for far-distant hometown. It consists of good-natured animal images and many fantastic world-living characters. Mok-Weol wrote children's poem delightfully and its fountain of spirit was homesickness.
Mok-Weol rendered the image of homesickness, which accompanied peace, mainly with bright color words as white and blue color and he examined nature's ordinary phenomenons with an wonderous look like a child.
By the placement of father and mother in a row, he didn't stop at just beautification of cheerful children's purity and reached into a poetic space of well-harmonized family which demonstrated more static and constructive motive.
He used a variety of mimesis and onomatope of lightening image and when he used a loanword, he chose geographically designated loanwords of many countries for one poem so that it could make readers feel western culture vividly.
Mok-Weol wrote children's poem from his early-age and his early period poem "Chung Rok Jip" and "San Do Wha" showed the nature of children's poem.
In a matter of format, he solved literatural limit of children's poem, especially expressional limit through the composition of fantastic image like one of children's story and he gave children's poem independant potentiality which is different from any other verse's area.
Until that time 4.4 tune, 7.5 tune which was last poetic form, to be said as children's song orally handed down sloughed and his children's poem contributed greatly for its growth into a perfect poem, which posessed intrinsic tune and this brought about the approach of a level of children's poem to an level of adult's one.
His children's poem marked not only starting point of his literature but also an epoch-making milestone in Korean children's literature history.
He devoted his life for children's poem for children, holding children's mind himself and his steady effort as a humanist to suggest a positive side of life through his poet opened a new dimension in children's literature.
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