This study was carried out to plan for Korean traditional dance to help spread and continue the Korean wave as new traditional culture contents.
For this purpose, a quantitative study and a qualitative study were carried out: The quantitative study i...
This study was carried out to plan for Korean traditional dance to help spread and continue the Korean wave as new traditional culture contents.
For this purpose, a quantitative study and a qualitative study were carried out: The quantitative study investigated the impacts of an affinity with Korean wave on that with Korean traditional dance while the qualitative study suggested plans to create Korean wave of Korean traditional dance by conducting in-depth interviews with Japanese consumers of culture, who had learned Korean traditional dance by the direct/indirect influence of Korean wave on Korean traditional dance education in Japan, its relationship with the media, improvements of that and its globalization.
Plans to create Korean wave of Korean traditional dance summed up the results of the above research are as follows:
First, building and promoting an integrated education system.
Regarding improvements in the creation of Korean wave of Korean traditional dance, the lack of information about Korean traditional dance education should be solved, the educational facilities should be expanded and the terms of the dance should be standardized. As plans for these, consistent research and direction of Korean wave policy should be established through the integration and collaboration of Korean wave-related institutions, the department of traditional culture should be established in the integrated institution, and a more concrete and systematic Korean wave policy should be carried out by sharing information about Korean traditional dance education through constructing an on-line network by language area, standardizing the terms of Korean dance for foreigners and building a database of the status of Korean traditional dance educational institutions and instructors in Japan. In addition, along with promotions through the Internet, public relations by sex and age group in various methods should be done: e.g. promotions using posters or flyers at community centers in Japan, which older women often visit as in Korea.
Second, education and cultural exchange in terms of glocalization. It turned out that the increase of a preference for Korean wave culture led to the increase of that for Korean traditional dance, which also had an impact on Korean traditional dance education. According to this research result, it is necessary to expand Korean traditional dance educational facilities in Japan by area as a base for the creation of Korean wave of Korean traditional dance. To solve the lack of educational institutions and constraints due to distance, Korean traditional dance education should be revitalized by each area through Korean Residents Union formed all over Japan, and South Korean government should support related matters. The education through private organization may serve as a solution to the lack of the educational institutions and the constraints due to distance. Moreover, the state-level policy strategy for supporting the performances of Korean traditional dance as a composite art is necessary in order to spread the Korean traditional cultures including singing, dancing, music and Hanbok(the traditional Korean dress) by opening Korean traditional dance classes as liberal classes at the institutions where foreigners visit and receive education: e.g. Korean cultural centers throughout the world, King Sejong Institute and Korean Language Institute in South Korea.
In terms of glocalization, by utilizing the Japan’s advanced DVD culture, the production of Korean traditional dance DVDs for education can be used as a way to overcome the constraints due to distance.
Third, development of Korean traditional dance contents through intercultural convergence.
To globalize Korean traditional dance, it should be seen on TV and media in various ways through developing traditional culture contents that integrate Korean traditional dance, music and costume by means of its nature of a composite art.
Currently, in South Korea, ballet and modern dance are being seen through Product Placement(PPL) and used in films, dancing survival programs and comedy shows. New Korean dancing should be exposed through intercultural convergence: e.g. by giving Korean colors to Korean wave idol groups’ performances; exposing the image of Korean dance in pop culture to the public; choreographing dances; and propagating them on YouTube so as to imprint the image of Korean dance to a lot of people in the world as well as in South Korea.
It has been known through research results that foreigners often experience Korean traditional dance through Korean historical dramas and that their experience of watching that in the dramas led to learning it. It should be seen directly and indirectly in Korean dramas and music videos that are currently popular in Japan.
As collaboration for the findings discussed above, integrated planning and measures are necessary: e.g. introducing and describing the traditional dance in the TV dramas exported to Japan on a website specialized in Korean traditional dance; and training and supporting the dance in the dramas at the institutions such as Korean Residents Union, Korean cultural centers and King Sejong Institute.
All related environments should be created so that Korean traditional dance can be used as broadcast culture contents. To increase the quantity of Korean traditional dance in historical dramas on TV, a foundation should be established by preparing a chronological table of performances of traditional dance by period so that the producers of historical dramas can easily utilize the dance as an element of their dramas. In addition, there should be an active connection between management agencies and the integrated institution so that Korean idol groups will use the images of Korean dance in their performances, and along with more overseas performances of the traditional dance performing groups, there should be the government policy for the opening of Korean traditional dance classes at the institutions such as Korean cultural centers throughout the world, Nuri-Sejong Institute, Korean Language Institute in South Korea and Korean Residents Union, the government policy on by further revitalizing cultural exchange, and its support for Korean traditional dancing performances by the students.
If these plans drawn out in this study are practically used, Korean traditional dance will be able to contribute to continuing and developing Korean wave as one of its traditional culture contents.
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