| 意年夜利文艺中兴活动发明了一种新的艺术不雅念和理论，因为法国和意年夜利在汗青地舆和文明方面的邻近性，意年夜利文艺中兴的美术不雅念对法国的美学理论发生了壮大的作用。这类作用属于文明交换和文明移入的领域，法语论文，它起首由法国王室和部队在乎年夜利战斗时代对意年夜利文艺中兴文明艺术的体验，和随之而来的意年夜利艺术家受雇于法国和意年夜利艺术咀嚼在法国的流传而产生。论文商量了从1494年起法国在乎年夜利的几回战斗阅历对法意文明艺术交换的作用，特殊提到了弗朗索瓦一世对文艺中兴艺术不雅念在法国的流传的进献。论文个中一部门评述了意年夜利艺术新不雅念对卢瓦尔河地域和巴黎地域的城堡修建作风的作用；另外一部门商量了意年夜利美术新不雅念对法国那时髦起的普罗旺斯画派、卢瓦尔画派和枫丹白露画派的作用。论文以为法国在自创意年夜利新的美术不雅念上建立了一个胜利的模范，她不只接收了意年夜利卓著的美学思惟，并且在此基本上，联合本国艺术传统，发明出加倍残暴的艺术情势。 Abstract: Italian Renaissance activities invented a new artistic concept and theory, because of the proximity of the French and Italian in historical geography and civilization, the Italian Renaissance art indecent read the aesthetic theory of France had strong influence. This kind of influence, belonging to the field of cultural exchange and cultural shifts in. It first and foremost by the French royal family and forces care of Italian Renaissance culture and art experience in the Italian war era, and the consequent of the Italian artist employed in French and Italian art to chew on the spread and produce. Papers discuss the from 1494 French care effects of Italy to combat experience of Italian culture and art exchange, special mention Francois I of Renaissance art indecent read in France circulated into the offer. The medium sector review of the Italian art new indecent read to the castle of the Loire River area and Paris regional architectural style influence; the other departments to discuss the Italian art new indecent concept of France then fashionable painting of Provence, Loire school and maple Dan White Dew painting effects. The thesis thought that France in the self creative Italy new art indecent concept established a successful model, she not only received Italian outstanding aesthetic thought, and on this basis, combined with its own art tradition invented double brutal forms of art. 目录: 论文摘要 4-5 Abstract 5 绪论 7-15 一、国内外探讨近况 7-12 二、探讨思路及视角 12-13 三、篇章结构 13-15 第一章：意大利文艺复兴艺术及其观念 15-27 一、文艺复兴运动的起源及特点 15-18 二、建筑艺术 18-20 三、绘画艺术 20-24 四、雕塑艺术 24-27 第二章：意大利与法国的政治、军事和文化交流 27-41 一、意大利战争对法国文化的作用 28-32 二、弗朗索瓦一世期间法意之间的艺术交流 32-41 第三章：意大利艺术观念对法国建筑的作用 41-50 一、卢瓦尔河流域的建筑 42-45 二、巴黎地区的建筑 45-50 第四章：意大利艺术观念对法国绘画艺术的作用 50-61 一、普罗旺斯画派 52-53 二、卢瓦尔画派 53-54 三、枫丹白露画派 54-61 结语 61-62 参考文献 62-65 后记 65-66 |
