| 沙龙音乐是法国浪漫主义时代一个奇特的音乐景象，它受沙龙文明的作用而发生，跟着沙龙文明的繁华而繁华，是以在沙龙文明中有着非常主要的位置。音乐表演是沙龙里最频仍的运动之一，这就成了很多专业作曲家停止创作和表演生涯的一部门。李斯特在沙龙里以其魔法般的炫技博得了贵族和社会绅士如痴如狂的追捧，肖邦从一开端走进沙龙便一向是贵族的骄子，很多资产阶层评论家乃至把肖邦称作“沙龙作曲家”，约翰·巴普提斯特·范哈尔、西吉斯蒙德·塔尔贝尔格等等也都以创作和表演沙龙音乐而成名。但是，沙龙中集合着其时文明界、艺术界的绅士年夜家，他们的文明教养和艺术本质可谓是谁人时期中的佼佼者，而在个中流传的沙龙音乐为何经常被称为文娱音乐或平淡音乐？而为通俗年夜众或新兴的市平易近阶层、中产阶层演出的音乐会和歌剧为何却成了绝对美学价值更高的经典艺术？沙龙的配角一掌管人，是其时具有文雅气质、高尚教养的贵妇人或公主，她们是古代女性的前驱，她们也许在文学、哲学方面有所进献，为什么不曾为音乐史留下甚么？沙龙音乐的题材和曲目毕竟有甚么样的特点？他从创作到表演都有哪些社会功效和意义？这是近年来很多音乐学家和社会学家都在思虑的成绩，也是本文将在文献材料研究的基本上想要答复的成绩。本文以浪漫主义时代，巴黎的主要沙龙文明社团在法国社会文明情况中的成长为基本，法语毕业论文，以有名音乐家所停止的沙龙音乐的创作和表演为重要研究对象，力图在对法国沙龙音乐的成长作尽量客不雅、详实的研究基本上，提醒沙龙音乐在法国19世纪沙龙文明中，随同着法国其时社会的成长，法语论文题目，与社会文明情况之间的关系及其社会功效和美学价值。 Abstract: Music Salon is in the age of Romanticism in France a strange music scene, it by Sharon civilization influence, followed Sharon civilization flourishing and prosperous is to in the salon culture has a very important position. Music performance one of the salons of the most frequent movement, which became the many professional composers stopped writing and acting career department. Liszt in salon with its magic like virtuoso won the aristocrats and celebrities and frantic chase after hold in both hands, Chopin, from the very beginning entered the saloon and will always be the pride of the nobility, many bourgeois critics and the Chopin called "salon composer, Johann Baptist, Vanhall, Sigismund Talberg and so on also have to write and perform music salon and fame. However, salon set a meantime civilization, art circles of gentleman of the eve of the home, their education and civilization art essence can be described as is leader in those days, in medium to spread the music salon why is often referred to as entertainment or insipid music? But for the popular or the emerging city people's class, the middle class performances of the concert and opera why it has become an absolute aesthetic value of the classic art? Sharon supporting a person in charge, meantime is elegant, noble cultured lady or the princess, they are the precursor of the ancient women, they might be in the aspects of literature and philosophy contribute, why not have music history leave what? Sharon music theme and track after all, what kind of characteristics? What are the social functions and meanings of his creation to the show? This is in recent years a lot of music scientists and sociologists are thinking of the results, but also this paper will be in the literature and materials research basically want to answer the results. The romantic era, Paris of the main salon civilized societies in French social civilization development, famous musicians stop salon music creation and performance of important research object, trying to grow in the French Salon music as try to objectively, the detailed research basically remind Music Salon in the 19th century French Salon culture, along with France, in the meantime, the development of society, the relationship between culture and society and its social function and aesthetic value. 目录: 摘要 3-4 Abstract 4-5 前言 7-18 第一节 沙龙的起源与繁荣 10-14 第二节 法国沙龙的特征 14-16 第三节 浪漫主义时期巴黎重要的沙龙社团 16-18 第二章 法国浪漫主义时期沙龙音乐和音乐家 18-32 第一节 沙龙中的音乐创作和演出 18-20 第二节 沙龙音乐的特色及常用的体裁和曲目 20-24 第三节 肖邦、李斯特与沙龙音乐 24-30 第四节 福莱与沙龙音乐 30-32 第三章 沙龙音乐的社会功能及沙龙的意义 32-38 第一节 沙龙音乐的社会功能 32-35 第二节 沙龙对专业音乐创作的意义 35-38 结语 38-40 参考文献 40-42 后记 42-43 |
