| 美术是一种社会景象，是一种社会事物。美术著作作为美术的物态表示情势，法语毕业论文，表现了一个平易近族集团或小我在某一详细汗青时代的心坎情绪。是以，美术著作可以或许组成汗青，再现汗青和表示汗青。题材是美术著作的组成身分，题材的选择和其所包含的意义组成了艺术家著作内容更深入的方面——主题的论述。汗青绘画在东方艺术史上占领极端主要的位置，在其成长进程中，有一种主题是艺术家们一直在寻求和表示的，即对于人道和品德的商量。这一主题的绘画，对特定汗青时代社会内容停止描写，常常可以表现必定的时期精力，具有深入的社会内在、普遍的社会心义和文明意义。18世纪末到20世纪初的欧洲世界产生了诸多严重的反动汗青事宜，个中法国的资产阶层反动活动是最普遍、最完全也是作用最深远的，其时的法国社会也再一次将高度的品德准则摆下台面，这一时代的绘画也借助“汗青”题材，再现和表示了谁人时代的汗青与社会状态，法语毕业论文，借以出现汗青画的文明意义。阅历了年夜反动与发蒙活动的法国社会，艺术家们对于创作题材的寻求也产生了变更，汗青画在这一时代到达了一个壮盛阶段。本文经由过程对其时几位优良年夜师的著作停止剖析，研讨18世纪末至19世纪法国汗青画的成长和改变。 Abstract: Art is a kind of social phenomenon, is a kind of social affairs. Works of art as the art of state said the situation, showing a plain near family group or individual in a specific historical era of heart emotions. Is, works of art can form history, reproduction of history and history said. The theme is composed of identity of art works, the theme selection and the significance, theme artist content more in-depth discussion. The history of painting occupies extremely important position in the history of Oriental Art, in its growth process, there is a theme of artists have been seeking and said, as a humanitarian and moral. The theme of the painting, the specific historical society content description, often show energy certain period, has social significance and cultural significance of profound social inherent and universal. At the end of the 18th century to the early 20th century European world produced many serious reactionary history matters, the Sino French bourgeois revolution activity is the most common and most completely is one of the most far-reaching, meantime French society also once again the high moral principle placed under the table, paintings of this period with "history" theme, reproduction and expressed the times historical and social status, so as to appear cultural significance of history painting. Experience on the eve of the reactionary and Enlightenment of French society, the artists on the theme of the creation of seeking also produced change, historical paintings at this time reached the a vigorous stage. This works in his several excellent mentors who process analysis, explore the end of the eighteenth Century to the nineteenth Century French history painting of growth and change. 目录: 内容提要 4-5 Abstract 5 第一章 引言 7-8 第二章 时代背景 8-10 一、18-19 世纪的法国 8 二、法国“沙龙” 8-10 第三章 历史画概述 10-15 一、历史画的发展 10-11 二、历史画的题材选择 11-15 第四章 19 世纪法国历史画 15-28 一、罗马式英雄的塑造 15-19 二、艺术与君王 19-20 三、人性的考验 20-22 四、艺术是追求自由的武器 22-25 五、现实主义的旁观者 25-28 第五章 19 世纪以来对于艺术与道德的讨论 28-30 结论 30-31 主要参考文献 31-32 图片目录 32-33 个人简介 33 |
