| 约翰福尔斯是英国现代最出色的小说家之一，法国中尉的女人是他所创作的最优良的一部小说著作，评论界对这部小说的构造、体裁、写作技能及其深入的主题停止了详实的商量。这部小说胜利的基本缘由在于其将文学传统和艺术立异偏重。自在主题是这部小说的焦点，福尔斯不只经由过程男女主人公的自在选择商量人类的存在主义自在，并且在小说叙事层面上存眷作者、小说人物及读者的自在，法语论文范文，是以他将存在主义的主题及自在的叙事形状融会进一部对于自在的小说中，从而获得了内容和情势的同一。除男女主人公的存在主义自在外，本文将重点从作者、小说人物及读者三个方面商量福尔斯若何建构自在叙事话语的成绩。福尔斯经由过程联合传统及后古代叙事的一些措施，好比象万能视角、作者参与、时期毛病、开放性终局等等在叙事中消解了作者天主般的相对威望，付与了小说人物及读者自在，同时又未损失其作为作者所具有的叙事自在，法语论文题目，从基本上转变了传统的作者一人物及作者一读者关系。福尔斯的文学理论既冲破了实际主义的约束也冲破了某些试验主义著作的浮浅，为小说创作开拓一条新路，对现代小说成长具有主要启发①在文本中作者权利和人物自在可以双管齐下。②在文本中作者和读者处于对等的位置，恰是二者的协作才使艺术著作具有性命力。③艺术改革不是对传统的完全抛弃，而是对传统的传承和超出。 Abstract: John Fowles is one of the most outstanding writers in modern England. "The French Lieutenant's Woman" is the best novel written by him. Critics have made detailed discussions on the structure, genre, writing skills and the theme of this novel. The basic reason of this novel victory lies in its literary tradition and artistic innovation emphasis. Freedom is the focus theme of this novel, Fowles not only through the process of the hero and heroine of the freedom of choice to discuss the existential freedom, and pay close attention to the author, in the narrative aspect of fictional characters and the reader is free, he will be in the existential theme and free narrative shape into a comfortable mix on novels in order to obtain the content and the form of the same. In addition to the hero's existential freedom, this article will focus on the author, the novel characters and the reader to discuss the three aspects of Fowles's how to construct the free narrative discourse. Fowles through some process combined with traditional and ancient narrative, such as a universal perspective, the author participated in the opening period, problems, etc. in the final narrative deconstructs the relative prestige as the author of God into the novel, the characters and the reader at the same time without the loss of freedom, as the author has narrative freedom from basically change the traditional author of a character and author reader relationship. Fowles's literary theory not only broke the realism constraint also broke through some experimental productions of the superficial, novel creation pioneer a new way, with the main inspiration in the text of the rights of authors and characters of modern novels can both free growth. In the text, the author and the reader is in a position to be equal, and it is the collaboration of the two that makes the work of art. The reform of the art is not completely abandoned, but on the tradition and beyond. 目录: Abstract (English) 5 Abstract (Chinese) 6-8 Introduction 8-14 Chapter One Authority and Freedom 14-26 Chapter Two Narrative Freedom and Existential Freedom 26-41 Chapter Three The Reader’s Freedom 41-57 Conclusion 57-60 Notes 60-61 Bibliography 61-63 |
