| 在现代东方社会中，法语论文范文，后古代主义是一个普遍议论和写作的标题。但因为后古代主义是一个比拟广泛笼统的概念，至今无人给它下一个确实的界说。在后古代主义小说创作中，元小说是特殊惹人注视的小说情势之一，很多批驳家和学者对元小说停止了体系的研究。法国中尉的女人被评论家们归为元小说和后古代主义小说，本文拟从元小说角度来解读法国中尉的女人的后古代性，法语论文，同时经由过程详细的解读，加深对元小说实际和后古代主义根本特色的熟悉。本文引言部门简单剖析了试验小说在东方文学中的涌现，同时指出法国中尉的女人因其试验技能和构造被归为后古代主义小说和元小说。第一章初步商量了甚么是元小说，然后重点剖析法国中尉的女人的根本说话操作形式。第二章以元小说实际为参照，剖析法国中尉的女人的试验技能：开放情势、反讽戏拟、拼盘杂烩、随意率性时空等。第三章阐释法国中尉的女人的文本虚拟性和对维多利亚汗青的重构。第四章重点阐述法国中尉的女人的后古代性。结论部门总结全文，重申重要论点。 Abstract: In modern eastern society, post ancient doctrine is a common title of discussion and writing. But because postmodernism is a more general concept, no one has to do it a definition. In ancient novels, meta fiction is one of special arouses attention of the novel situation, a lot of criticism and scholars of meta fiction to stop the system research. The French Lieutenant's woman is critics classified as metafiction and ancient novels, this article from the perspective of metafiction to interpret the French Lieutenant's woman of ancient, also through the interpretation of the detailed process and deepen of metafiction practice and post modernism fundamental features of the familiar. The introduction of this article briefly analyzes the emergence of the experimental novel in the eastern literature, and points out that the French Lieutenant's woman is classified as a post classical novel and a meta novel because of its experimental skills and structure. The first chapter is a preliminary discussion of what is a meta novel, and then focus on the analysis of the French Lieutenant's woman, the basic mode of operation. The second chapter in Yuan novel practical as a reference, analysis of experimental skills in the French Lieutenant's Woman: open situation, irony, parody, collage chowder, arbitrary whims of temporal and spatial. The third chapter explains the virtual nature of the French Lieutenant's woman and the reconstruction of the history of Vitoria. The fourth chapter focuses on "the French Lieutenant's Woman" after the ancient nature. Conclusion section summarizes the full text, and reiterates important arguments. 目录: 中文摘要 3-4 Abstract 4 Table of Contents 5-7 Introduction 7-10 Chapter One: Metafiction and Its Primary Language Operating Mode 10-17 1.1 What is metafiction? 10-13 1.2 The primary language operating mode in metafiction 13-17 Chapter Two: Experimental Techniques in Metafictional Work 17-25 2.1 Open form 17-19 2.2 Parody 19-21 2.3 Collage 21-22 2.4 Anachronism 22-25 Chapter Three: The Fictionality of Text and the Reconstruction of History 25-35 3.1 The fictionality of text 25-28 3.1.1 Language as a medium of reality 25 3.1.2 The fictionality of text 25-28 3.2 The reconstruction of history 28-35 3.2.1 History as a context of the novel 28-29 3.2.2 The fictionality of historical narration 29-30 3.2.3 History as construct 30-33 3.2.4 History and fiction as porous genres 33-35 Chapter Four: The Postmodernity of The French Lieutenant‘s Woman 35-48 4.1 What is postmodernism? 35-36 4.2 The Postmodernity of The French Lieutenant’s Woman 36-48 4.2.1 Permutation 36 4.2.2 Contradiction 36-39 4.2.2.1 Victorian novel vs modern novel 37 4.2.2.2 Sarah’s resistance to masculine discouses 37-39 4.2.3 Short Circuit 39-44 4.2.3.1 Fictive vs factual 40 4.2.3.2 Subversion of conventions 40-41 4.2.3.3 The question of authorship 41-44 4.2.4 Play and Games 44-48 4.2.4.1 Sarah as a player 45-46 4.2.4.2 The reader as a player 46-48 Conclusion 48-49 Bibliography 49-52 Acknowledgements 52-53 原创声明 53 |
