| 吉普赛平易近族，法语论文题目，是一个交错着浪漫与传奇、魔难与聪明的平易近族，他们坐在年夜篷车上浪迹天际，有着自成一体的风气习气，是古代文明社会的局外人。如许一个平易近族，在文学世界中获得了作家们的爱好，在19世纪派别浩瀚、名家年夜师层见叠出的法国，不管是浪漫主义名匠雨果，照样有名的实际主义小说家梅里美，和波德莱尔依据同名画创作的诗歌波希米亚人，他们描写的吉普赛人物抽象维妙维肖、深刻人心。本文起首引见了吉普赛平易近族的流落的汗青，并剖析了国际外对于文学著作中吉普赛抽象的研究现状，经由过程剖析19世纪法国文学中爱斯梅拉达、卡门等抽象来阐释四个特色：她们俏丽的表面使人赞叹；平生的命运多与恋爱连累；而且不遵守传统品德不雅念；酷爱自在，神往自在。因为法国文学与政治的慎密接洽，19世纪法国动乱的政局，社会阶层构造重组，使作家们处于“政治夹缝”当中，承当了更多的时期与政治的义务，其时的法国跟着物资的丰硕、阶层的改变，思惟也涌现变更，加上传统法国文学的作用和作家独有的平易近族特征，法语论文题目，使法国作家创作出的吉普赛抽象命运加倍跌荡放诞，人物更具有沾染力。在对著作人物的剖析中，我们还应留意到文学著作中的吉普赛抽象和真实吉普赛人的差异点，雷同的地方是都具有种族认识和宿命认识，都从心坎深刻酷爱本身的种族，都善于占卜，具有奥秘颜色；分歧的地方是纯洁认识和纯洁认识，现实的吉普赛人爱清洁，看重贞操，文学著作中吉普赛人却被描绘的邋遢肮脏，多情放纵。这是作家们为表达心坎的思惟与感触感染，宣泄他们的情绪，不谋而合的选择经由过程略论其他平易近族人物抽象、描述阔别平常的异国生涯来抒发，他们将真实的吉普赛人抽象经由艺术加工以后，使创作出来的抽象成为作家自我言说的一种表征，是作家自我心坎的投射。 Abstract: Gypsy peoples is a crisscross of romance and legend, tribulations and wise peoples. They sit on the eve of the caravan roaming in the sky, with one of the habit is an outsider to the ancient civilization. Such a plain near family, in the literary world won the writers' hobbies, France in the 19th century faction is vast, the eve of the famous division emerges in endlessly, whether it is romantic Mingjiang Hugo, still famous realistic novelist Merimee and Baudelaire according to the eponymous painting in poetry "La Boheme", describe their Romany characters Abstract lifelike, deep in the hearts and minds of the people. Firstly, this article introduces the driftage of the gypsy ethnic history, and analyzes the international on literary works in gypsy abstract research present situation, through analysis of 19th century French literature in Esmeralda, Carmen, abstract interpretation four characteristics: they pretty surface makes people praise; the fate of life multi love and complicity; and do not comply with traditional moral indecent Nian; love of freedom, longing for freedom. Because contact cheek by jowl French literature and politics, political situation of unrest in France in the 19th century, social stratum structure reorganization, the writers in the midst of a "political cracks", bear the more time and political obligations, at that time France followed materials rich, class change, thinking but also the emergence of change, and traditional French literature and writers unique ethnic characteristics, French writer created the gypsy Abstract fate diedang Fangdan doubling, the character is more infectious. In the analysis of the characters in the work, we should also pay attention to the similarities and differences of literary works in the gypsy abstract and real Gypsies, similar place is has about race and fate consciousness, are from the bottom of my heart deeply love own race, are skilled in divination, has the mysterious color; differences is pure knowledge and pure awareness, realistic Gypsy love clean, value virginity, Gypsies in literary works has been portrayed in the dirty, amorous indulgence. This is writers to express the heart of thought and feeling, giving vent to their emotions, happen to coincide the selection through the analysis of other plain near family character abstract, description after an absence of the usual exotic career to express, they will be real Gypsies abstraction through art processing to the creation of abstract become writers self speech a characterization and is the projection of the writer's own heart. 目录: 摘要 5-6 Abstract 6-7 引言 9-12 第1章 形象创作的历史背景 12-18 1.1 受到的迫害 12-13 1.2 政治夹缝 13-15 1.3 思想变革 15-18 第2章 吉普赛形象的文学记忆 18-28 2.1 对美丽的构建 18-21 2.1.1 “天使化”的爱斯梅拉达 18-20 2.1.2 “妖魔化”的卡门 20-21 2.2 对情爱的着迷 21-24 2.3 对传统道德的挑衅 24-25 2.4 对自由的极致追求 25-28 第3章 文学形象与现实形象的差异 28-34 3.1 二者的相同 28-31 3.1.1 种族意识 28-29 3.1.2 宿命意识 29-31 3.2 二者的不同 31-34 3.2.1 纯净意识 31-32 3.2.2 贞洁意识 32-34 第4章 作家的自我投射 34-42 4.1 法国作家的鲜明个性 34-37 4.2 作家的异域知识为契入点 37-39 4.3 自身欲望的展示和变形 39-40 4.4 本土与异域的关系 40-42 结语 42-43 参考文献 43-45 致谢 45-46 |
