| 二十世纪中叶今后，英国文坛面对着艰苦的决定。英国小说家们挣扎在实际主义和古代主义二者之间。传统的实际主义小说在英国早已根深蒂固，而古代主义小说在小说情势上的年夜胆立异与试验也对英国作家发生了严重的作用。戴维·洛奇以为英国小说家们彷徨在小说的十字路口，法语论文题目，而约翰·巴思更是收回了“小说已逝世”的呼吁。面临批驳界对小说的各种质疑，约翰·福尔斯在小说的说话和手段长进行了一系列的改造和立异。作为一位六十年月的小说家，福尔斯虽从传统的实际主义小说中吸取营养，但厥后古代的写作手段却带给读者别致、奇特的浏览体验。福尔斯在传统小说的说话、构造和叙事上的试验，使陈腐、熟习的维多利亚小说取得了重生，并对后来小说家的创作发生了深远的作用。论文起首指出福尔斯在小说中采取元说话和反讽复原了说话的诗性实质。一方面，这类奇特的说话将维多利亚式的句式和对话和外来语奇妙地融会在一路，使熟习的说话变得别致、生疏。另外一方面，反讽式的说话加强了小说的兴趣性和可读性，进步了小说的可理性，并使读者取得新的审美愉悦。其次，福尔斯制作悬念和切题来加密小说的情节，撩拨读者的逆反心思，打破读者的接收定式。悬念能激起读者的猎奇心及其等待，并增长小说的难度；而切题则能保持读者的等待，并延伸审美进程。最初，福尔斯采取戏仿和元小说两种手段有意裸露传统实际主义叙事的诱骗性和虚拟性，法语论文范文，使读者与文本坚持必定的审美间隔，打破实际与虚拟的界线，让这部以维多利亚社会为配景的小说出现出别致和后古代的特色。笔者从生疏化的视角来解读福尔斯的代表作法国中尉的女人中的说话、情节和叙事手段。从生疏化角度解析小说，能使读者进一步懂得福尔斯看待传统和立异的立场，并惹起读者对小说情势和小说创作的思虑。 Abstract: In the middle of the twentieth Century, the British literary world is facing tough decisions. British novelists struggle between realism and the two. The traditional realism novels in the UK have already ingrained, and innovation and experiment in the form of bold novels of ancient novels of British writers had a serious impact. David Rocky thought that the British novelists were wandering in the crossroads of the novel, and John Bath was to recover the "novel has passed away" appeal. Facing various circles on the novel criticism questioned, John Fowles in the novel words and means for a long series of reform and innovation. Sixty years as a novelist, Fowles is from the traditional realism novels absorb nutrition, but the means of writing ancient later brings readers chic, unique browsing experience. Fowles test in traditional novels, the narrative structure and talk, the stale, familiar Vitoria novels achieved rebirth, and the later fictions has far-reaching influence. This paper points out that the essence of Fowles "s speech in the novel is to adopt the meta - speech and irony. On the one hand, this kind of strange talk will Vitoria sentence and dialogue and foreign language together in a wonderful way to become familiar with chic, strange talk. On the other hand, the irony of the speech strengthens the interest and the readability of the novel, advances the novel's rationality, and enables the reader to obtain the new esthetic pleasure. Secondly, Fowles produced suspense and pertinent to encrypt the plot of the novel, his readers rebellious thoughts, to break the reader's reception. The suspense can arouse the reader's curiosity and waiting, and increase the difficulty of the novel; and to the point is to keep readers waiting, and extends the aesthetic process. Initially, Fowles take the parody and meta fiction two means of intentionally exposed traditional narrative trick real and virtual, the reader and the text must adhere to the aesthetic interval, break the actual and virtual boundaries, so this to the Vitoria Society for the background characteristics of ancient novels and chic. The author interprets Fowles's representative works in the French Lieutenant's woman from the perspective of the new perspective, the plot and narrative means. From the perspective of new novel, enables the readers to further understand Fowles look at the traditional and innovative position, and arouse the reader of novels and novels about the situation. 目录: 摘要 3-5 Abstract 5-6 Introduction 8-21 Chapter One Defamiliarization of Language in The French Lieutenant's Woman 21-38 1.1 Defamiliarization in Literary Language 21-25 1.2 The Impeded Language:Metalanguage 25-32 1.3 The Ironic Representation of Language 32-38 Chapter Two Encrypting the Plot:Suspense and Digression 38-60 2.1 Encrypting Devices 38-42 2.2 Suspense:Breaking the Reader's Habitual Expectations 42-51 2.3 Digression:Interrupting the Continuity and Prolonging the Expectation 51-60 Chapter Three Laying Bare the Device:Parody and Metafiction 60-76 3.1 Laying Bare the Device 60-63 3.2 Parodying the Conventions of Omniscient Narration 63-70 3.3 Metafiction:Revealing the Fictional Illusion of Realism 70-76 Conclusion 76-80 Bibliography 80-87 Acknowledgements 87 |
