| 18世纪,轻盈幽美、精细豪华的洛可可作风在法国风行,并敏捷作用到欧洲各地。洛可可艺术作风在巴洛克作风的基本上树立,同时它的构成又与其时法国风行的对中国艺术的推重有着直接的关系。中国艺术品经由过程频仍的海内商业被源源赓续地销往法国,使得法国下层社会对中国宫庭艺术发生了浓重的兴致,社会配景、布道士停止的思惟文明流传等身分,都为18世纪法国洛可可作风在绘画、工艺美术、修建园林等艺术范畴遭到中国艺术的作用供给了有益的前提。注释内容共四章,第一章对选题的目标、意义,和之前学者的研究情形作一梳理,并将本论文研究内容及研究办法作一概述。第二章在18世纪法中两国的社会、文明配景下,对洛可可作风的时代停止规定,并对其艺术作风特色停止归结,为下文睁开阐述作铺垫。第三章阐述中国艺术对法国洛可可作风的作用,也是本文的重点,将从题材内容、线条、颜色、外型、空间等五方面临法国洛可可作风在绘画、工艺美术、园林修建艺术等方面表示出来的中国元素停止具体的剖析和例证。第四章从社会政治、商业来往、布道士的思惟文明流传、审美文明认识、哲学不雅等方面临中国艺术对洛可可作风发生作用的身分停止了剖析,并得出结论：洛可可艺术作风的构成遭到了中国绘画、修建园林、工艺美术等范畴潜移默化的作用,这不是有时的,法国对统一时代的中国清代宫庭文明和审美的崇尚,加上海内商业的流畅来往所带来的艺术品的珍藏与再发明,布道士作为文明使者促使两国停止的思惟文明、审美文明认识的交换,这些身分使得18世纪的法国洛可可作风遭到中国艺术的作用成为必定,并在这一进程中接收中国元素,使艺术著作付与了中国情调。 Abstract: In eighteenth Century, light, beautiful luxurious Rococo style in France fine fashion, and agile influence to all parts of europe. Rococo art style in the baroque style of the basic set, and its composition and with France in the popular of Chinese art held in high esteem has a direct relationship. Chinese art through the process of frequent domestic commercial was steady stream continuously sold to France, the French underworld strong interest to the Chinese court art, social background, missionaries stop ideological civilization spread the element such as, in France in the 18th century Rococo style in painting, arts and crafts, building garden art category by Chinese art influence the supply of the advantageous condition. There are four chapters, the first chapter on the topic of the objectives, significance, and previous studies of scholars to make a comb, and the content of this paper and research methods to make an overview. In the second chapter, their social and cultural background in the 18th century, era of Rococo style stop provisions that and the art style, features attributed, for open below this pave the way. The third chapter expounds the influence of Chinese art of French Rococo style, is also the focus of this paper, from five subjects, lines, color, shape and space facing French Rococo style in painting, arts and crafts, garden building art represented the Chinese yuan (stop concrete analysis and examples. The fourth chapter from the social politics, business, the missionaries thought civilization spread, aesthetic understanding, civilization philosophy and other aspects of the impact of Chinese indecent art of Rococo style of the identity of the analysis, and draws the conclusion: the style of Rococo art is influenced by the Chinese built gardens, painting, arts and crafts and other categories of subtle sometimes, this is not the French of the unification era China in Qing Dynasty palace culture and aesthetic advocate in Shanghai, and commercial flow brought from art collection and re invention, the preacher as the messenger of civilization exchange to promote bilateral stop thinking of civilization, civilization aesthetic understanding, the identity of the eighteenth Century French Rococo style affected by China art become inevitable, and receives the China elements in this process, the works of art into the Chinese mood. 目录: 中文摘要 8-9 ABSTRACT 9-10 第一章 引言 11-15 1.1 探讨目的及意义 11 1.1.1 探讨目的 11 1.1.2 探讨意义 11 1.2 国内外探讨近况与不足 11-13 1.3 本论文拟解决的问题、探讨内容和探讨措施 13-15 1.3.1 拟解决的问题 13 1.3.2 探讨内容 13-14 1.3.3 探讨措施 14-15 第二章 概述 15-19 2.1 18世纪中外美术交流的时代背景 15 2.2 18世纪的法国与中国 15-16 2.3 洛可可风格的时期划定 16-17 2.4 洛可可风格的艺术特点 17-19 第三章 中国艺术对法国洛可可风格的作用 19-51 3.1 题材内容 20-40 3.1.1 人物 20-27 3.1.2 动植物 27-33 3.1.3 风景 33-35 3.1.4 风俗 35-37 3.1.5 器物 37-40 3.2 线条 40-42 3.3 色彩 42-43 3.4 造型 43-48 3.5 空间 48-51 第四章 中国艺术对法国洛可可风格产生作用的因素 51-59 4.1 社会政治 51-53 4.2 贸易往来 53-54 4.3 思想文化传播 54-55 4.4 审美文化意识 55-57 4.5 哲学观 57-59 结语 59-61 参考文献 61-63 攻读学位期间取得的探讨成果 63-64 致谢 64-65 个人简况及联系方式 65-67 |
