论安格尔的艺术观对十九世纪法国美术的作用[法语论文]

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19世纪对于欧洲来讲,不只在汗青上是一个巨大的转机,并且在艺术上也是一个主要的转机时代。重新古典主义、浪漫主义、实际主义到印象派都代表着一种变更,而且直到明天还作用着东方人的思惟、行动和生涯措施。安格尔作为新古典主义最初一名有作用的代表人物,在艺术说话上他保持素描的相对精准,小看即兴创作和零乱无序;在作风上,安格尔和他的后代所造就的高尚气质,古典艺术自己所沉淀的冷峻庄严的氛围,一直是新古典的作风特色。这类传统以安格尔为代表,深深的作用着十九世纪法国画坛。本文起首从安格尔的艺术生平停止整顿和研究。安格尔是新古典主义年夜师年夜卫的门生,固然其实不是年夜卫最心爱的先生,倒是年夜卫造诣的最年夜继续者。固然安格尔继续了年夜卫的艺术作风,但在青年时代的安格尔的绘画著作曾经注解他终究背叛了年夜卫所尊奉的若干艺术准则。从安格尔的生平引见中可以懂得他的艺术作风的构成和与年夜卫的艺术作风的心心相印。继而本节经由过程对19世纪美术的成长头绪停止整顿,总结其特色以此为今后章节的书写作铺垫。其次重要商量安格尔的艺术不雅和艺术不雅构成的缘由,在本章节中经由过程对安格尔的笔记和他与同伙手札交往的材料停止整顿和剖析,为总结安格尔的艺术不雅的构成供给了赞助。安格尔的艺术不雅念重要在对绘画中对天然的模拟;对幻想美的寻求;对绘画真实性的表达和画面情势的重视等方面中获得表现。在安格尔艺术不雅念的构成进程中遭到古希腊古罗马艺术、佛罗伦萨画派和人文主义和其生涯时期对他的作用,安格尔在50岁时开端博得声誉,并被推重为古典画派的首级,法语论文题目,是继先生年夜卫以后的新古典主义的引导人,法语论文,他受“幻想美”信条的陶冶,也在理论进程中创建了独有的作风,从而构成了本身的艺术不雅念。最初重要研究安格尔艺术不雅念对19世纪法国的作用,重要从对法国浪漫主义美术的作用,以德拉克洛瓦为代表,经由过程对两人艺术著作的比拟和剖析,寻觅配合特色,和安格尔艺术不雅念对德拉克洛瓦的作用;还有对印象派绘画的作用,个中有代表性的画家德加,固然印象派全体上是重视颜色在著作中的主要性,然则在印象派画家傍边德加已经拜安格尔为师,遭到安格尔的亲身指导,深受安格尔的作用,更重视画面的素描关系,雷诺阿的著作中异样也吐露出对安格尔的崇敬,在本章节傍边经由过程对它们著作的比拟剖析,寻觅共通的地方。十九世纪的批评实际主义美术和巴比松画派在构成本身的作风与不雅念的同时,在著作的构图、技法等方面也遭到安格尔的作用。本章节经由过程对这些画派著作的剖析和整顿来研究安格尔的艺术不雅与十九世纪法国美术之间的关系,对于我们更深入地懂得安格尔和19世纪的法国美术具有主要意义。

Abstract:

Nineteenth Century in Europe is concerned, not only in the history of a huge turnaround, and in the arts is also a major turning point in the times. To re - classical, romantic, and realism to the school of the - represents a kind of change, and until tomorrow will affect the thinking, action and career methods of the people of the East. Ingres as neoclassicism first name influential representatives, in the art of speaking he keep the sketch of the relatively accurate and underestimate improvisation and disorder; in style, Ingres and his descendants created noble temperament, the classical art is the precipitation of cold Jun solemn atmosphere has been neo classical style characteristics. This kind of tradition represented by Angell, deeply influenced the French painting in nineteenth Century. In this paper, from the beginning of Angell's art life to rectify and research. Angell is a neoclassical Nianye Nianye division Wei's protege, although is not Nianye Wei's most beloved husband, but Wei of the eve of the accomplishments of the most Nianye continues. Although Ingres to the big Wei's art style, but in youth Ingres paintings once notes he eventually betrayed some artistic principles enshrined in the eve of the Wei. From the life of Angell introduction can know his artistic style and artistic style of the soul of david. And then this section through the process of the nineteenth Century art of the development of a clue to stop the reorganization, summed up the characteristics of this book as a foundation for the next chapter. Secondly important discuss Ingres art indecent and art indecent a reason, in this section through the process of Ingres notes and his contacts with associates Shouzha material stop rectification and analysis, to summarize the composition of the Ingres art indecent supply the sponsorship. Angell's art is important to the painting of the natural simulation; the beauty of fantasy to seek; the authenticity of the painting and the picture of the situation of the importance of the performance of the performance. Read in the art of Ingres indecent composition process by influence of ancient Greek and Roman art, Florentine and humanism and its career period of his, Ingres at 50 years old started to win reputation, and was held in high esteem for the heads of classicism, is following the eve of Mr. who later neoclassical guide, he was "illusions that the United States" doctrine of the mold, in the process theory created a unique style, thus constituting a art itself indecent read. The first important research Angell artistic concept influence to France in nineteenth Century, from the important influence on French romantic art, represented by Delacroix, through the two art works for comparison and analysis, with the characteristics of artistic concept and Angell's influence on Delacroix; and the influence on Chinese impressionist painting. The representative painter Pedja, although all is the main emphasis of the Impressionist color in the works, but in the impressionist painter Pedja has been among the Bai Angel teacher, Angell's personal guidance, deeply influenced by Angell, a picture of the importance of the sketch relations, Renoir's works also reveal Angell's reverence, in this section sideways through the process of comparative analysis of their works, seek common ground. Nineteenth century criticism of realism art and the Barbizon school in the form of style and idea at the same time, Ingres in the works of the composition and technique has been. This chapter through the process of the painting works of analysis and rectification to the Relationship Research of Ingres art not Ya and the nineteenth century French art between, for us to more deeply understand the striker and 19th century French art is of major significance.

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