| 法国中尉的女人是英国小说家约翰·福尔斯的代表作，自1969年问世以来，因其极高的艺术价值，遭到了评论家们的普遍存眷，法语毕业论文，并于1981年被好莱坞搬上了银幕。它被誉为一部优良的后古代主义小说，因其试验性的叙事手段也被称为“元小说”创作的范例。小说用20世纪的口气，讲述了一个产生在19世纪英国维多利亚时期的瑰异的情绪故事，男主人公查尔斯和被称作“法国中尉的女人”的女主人公萨拉历经各种选择和抗争，终究解脱了世俗成见和社会约束，走上了自在之路。评论家们从传统实际主义、新汗青主义、存在主义、女权主义、精力剖析批驳、互文性等多个方面动手，对小说停止过深刻地商量，这些商量无疑对我们进一步研究该小说具有必定的弗成或缺的启发意义。本论文则从“元小说”的视角动身，重点对“元小说”视阈下法国中尉的女人的叙事技能和战略作一深刻过细的商量与研究。起首，本文从元小说创作建构与解构的实质特色动手，将法国中尉的女人的元小说的叙事分为两年夜层，即建构层与解构层。在这两年夜叙事层中，建构层是指作者用戏仿、拼贴和短路的叙事技能建构出一个“真实”的维多利亚时代的汗青气氛和故事梗概；而在解构层，我们看到作者经由过程运用时空改变、叙事视角的多变及叙事声响的多重混杂等战略对小说建构出的真实世界停止崩溃，经由过程裸露故事的虚拟性来减弱作者的威望性，进而付与读者以更年夜的自在空间。随后，笔者则侧重对文本的建构与解构之功能停止了深刻地商量，即作者福尔斯认识到说话只是一种技能和手腕，其实不能真实无误地再现真实，相反倒是制作虚伪的主要序言，所以作者运用说话游戏，在年夜量运用“造真”手段的同时又有意设下圈套来裸露其小说的虚拟实质，经由过程这二者的融会以凸显作者激烈的自我认识。这不只表现出这部著作“元小说”的根本特质，法语论文范文，同时也经由过程不肯定的说话打造出的不肯定的故工作节转达出的不肯定的主题，导致整部小说折射出后古代主义“不肯定性”的特点。最初，本文从微观上对法国中尉的女人元小说叙事给读者带来的启发赐与了通知。全文旨在经由过程如许的研究办法让读者对法国中尉的女人这部著作有更进一步的懂得，特殊是对元小说叙事有更深一层的思虑和辩证性的熟悉，为加倍客不雅、周全地熟悉元小说创作手段供给必定的赏析、自创与支持。 Abstract: The French Lieutenant's woman is a representative of the British novelist John Fowles, since its inception in 1969, due to its high artistic value, was the extensive concern of the critics, and in 1981 was Hollywood onto the screen. It is regarded as an excellent post - ancient novels, because of its experimental narrative method is also known as the "meta fiction" of the creation of examples. The novel with the tone of the 20th century, tells the story of a generated in 19th century Victorian strange emotional story, the hero Charles and called "the French Lieutenant's Woman" the heroine Sarah after a variety of choices and struggle, after all, free worldly prejudice and social constraints, on the road to freedom. Critics from the traditional realism, new historical principle, existentialism, feminism, energy analysis of multiple aspects of criticism, intertextuality and hands-on, the novel stopped deeply discuss and discuss these without doubt to our further research of the novel has certain Eph or lack of inspiration. This paper is from the perspective of "meta fiction", focusing on of "meta fiction" from the perspective of the French Lieutenant's Woman "narrative skills and strategies as a profound and meticulous discussion and research. First of all, this article from the construction and Deconstruction of the creation of the original works, the French Lieutenant's woman's narrative into two years, that is, the construction and deconstruction layer. In the eve of the two narrative layer, the construction layer refers to the parody, spell paste and short narrative skills construct a "real" Victorian historical atmosphere and the outline of the story; and in layer deconstruction, we see the author through the process of using the space-time change, narrative perspective of changeable and narrative voice multiplex mixed strategy of the novel construction of real-world crash stop, through the virtual process exposed the story to weaken the authority of the and give readers with more free space. Subsequently, the author focuses on the construction of the text and deconstruction function to stop the deeply discuss, namely Fowles understanding to speak just a kind of skill and wrist, in fact is not true and correct to reproduce the real, instead it is making false preface, so by the said game, in a large number of application "true" means at the same time also intends to set a trap to bare the novel virtual essence, through the fusion of the two in order to highlight the intense self-awareness. Which not only reflect the basic character of the works "meta fiction", but also through process does not certainly talk to create the certainly not stories convey not sure of the subject, resulting in the whole novel reflects the ancient doctrine "not sure". At first, this article from the micro to the "French Lieutenant's Woman" narrative to the reader to bring the inspiration of the notice. The purpose of the paper, through the process of such research methods allow readers to further understand of the French Lieutenant's Woman "of the works, especially of metafiction narrative layer of deeper thinking and dialectical of familiar, double objectively and thoroughly familiar with meta fiction creation means supply certain appreciation, own and support. 目录: |
