| 因为十九世纪下半叶德奥艺术歌曲和法国艺术歌曲活着界艺术歌曲范畴中所占的主要位置，比拟欧洲国度对这一时代艺术歌曲的演唱与研究的累累硕果，国际在这方面还比拟落伍，重要存在两年夜成绩，其一演唱者很难掌握其著作的作风；其二相干的曲谱、论文、书本和音像材料很无限。因此，转变国际的落伍现状息争决两年夜成绩迫在眉睫。本文经由过程剖析比拟这一时代两个分歧地域的艺术歌曲的雷同的地方专业性、室内性、抒怀性和分歧的地方说话在艺术歌曲中的特色分歧；对平易近间音乐素材的接收水平分歧；所表示的平易近族性和内涵精力分歧，法语毕业论文，提出了重点掌握这两个分歧地域艺术歌曲的作风差异，对转变国际落伍现状息争决两年夜成绩可以或许起到积极的增进感化。 Abstract: Since the latter half of the 19th century German and Austrian art songs and the French artistic songs live art song category for the main position, compared to the fruits of the European countries on the art songs of the times singing and research, international in this area is still relatively backward, there two of the eve of the performance, the singer is difficult to grasp the style of his works; second coherent opern, papers, books and audio-visual materials is infinite. Therefore, the change of the international situation of the status quo of the status quo is imminent. This paper through the analysis compared the age differences between the two regional art songs of the same local professional, indoor, lyrical and differences of place to speak in art songs characteristic differences; of folk music material receiving different level; representation of the plain near family and mental connotation differences proposed master key similarities and differences of the two different regions of art songs style, to change the backward status information must the eve of the two grades can perhaps play a positive stimulative effect. 目录: 摘要 4-5 ABSTRACT 5 引言 6-8 第1章 在演唱与探讨德奥艺术歌曲与法国艺术歌曲方面，中国与欧洲之比较 8-13 1.1 艺术歌曲及这一时期作曲家的代表物 8-9 1.2 欧洲国家对这一时期艺术歌曲的演唱和探讨 9-10 1.3 国内的近况及存在的两大问题 10-11 1.4 近况和问题产生的原因 11-13 第2章 德奥艺术歌曲与法国艺术歌曲的风格差异之比较 13-36 2.1 什么是风格 13 2.2 德奥艺术歌曲与法国艺术歌曲的相同之处 13-15 2.3 德奥艺术歌曲与法国艺术歌曲的不同之处 15-36 结语 36-37 注释 37-38 主要参考文献 38-41 后记 41 |
