| 作为一名出色确当代英国女性作家，安·苏·拜厄特异常存眷女性成绩和女生命运。经由过程对拜厄特的两部小说占领：一部罗曼史和花圃里的童贞的周全过细的研读，本论文以法国后古代女性主义为实际依托来剖析拜厄特两部小说占领：一部罗曼史和花圃中的童贞中的叙事技能。全文共分六章。第一章简略引见拜厄特生平、本论文欲评论辩论的两部著作，拜厄特的三个叙事技能和国际外研究现状。第二章具体论述法国后古代女性主义实际，个中一些实际和拜厄特在两部小说中运用的三种叙事技能相分歧。拜厄特的叙事技能分离是对女性传统意向的追溯，对陈旧神话和童话故事的改写，和多种叙事角度和非线性叙事。第三章到第五章运用法国后古代女性主义的实际具体地剖析拜厄特的三个叙事技能。第三章经由过程剖析拜厄特运用表示女性抽象的传统意象，重要包含颜色意象和幽闭意象，提醒女性存在的边沿化。第四章经由过程论述拜厄特以全新的女性视角改写以传统男性视角论述的陈旧神话和童话故事，重构女性叙事。第五章，拜厄特一反传统男性叙事中的单一论述和线性论述，在占领中运用了多种女性论述角度，和在两部小说中运用了非线性的女性叙事办法。这类女性叙事办法付与女性话语权并以女性声响完成文学创作。最初，总结全文，经由过程对拜厄特两部小说中三个叙事技能的剖析，本论文试图展现拜厄特的女性主义偏向，法语论文网站，揭穿拜厄特对传统男性叙事作风的挑衅和推翻，和表达拜厄特对“女性写作”的神往。 Abstract: As an outstanding contemporary British female writer, Ann Sue Berget concern to women and girls fate scores. Through process of Byatt's two novels, the occupation: a romance "and" garden of virginity "of comprehensive and meticulous reading, this thesis to France after ancient feminism is based on actual analysis of Byatt's two novels" occupation: a romance "and" garden of virginity "narrative skills. The full text is divided into six chapters. In the first chapter, a brief introduction to Byatt's life, this dissertation wants to comment on the debate of the two works, Byatt's three narrative skills and international research status. The second chapter discusses France ancient feminist practical. Some practical and Byatt applied in the two novels of the three narrative skills is consistent. Byatt's narrative skills separation is back to traditional female intention, rewriting the old myths and fairy tales, and a variety of narrative angle and nonlinear narrative. The third chapter to the fifth chapter three narrative skills of practical application of French feminism after the specific analysis of byatt. In the third chapter, through the analysis of Byatt applies female image in the traditional image representation important contains images of color and claustrophobic, remind women are marginalized. In the fourth chapter, through discussion of Byatt's new female perspective to rewrite to traditional male perspective to discuss old myths and fairy tales, the reconstruction of female narrative. In the fifth chapter, Byatt is opposite to the traditional male narrative in single discussion and linear discusses, in the "occupy" applied multiple women's perspectives, and nonlinear feminine narrative approach applied in the two novels. This kind of female narrative way give female discourse and literary creation in the female voice. Initially, summarizes the full text, through the process of Byatt's two novels in three narrative skills analysis, this paper trying to show Byatt's feminist bias, expose Byatt's challenge to the traditional male narrative style and the overthrow of the, and expression of Byatt of "women writing" God to. 目录: ABSTRACT 4 摘要 5-6 ACKNOWLEDGEMENTS 6-9 CHAPTER Ⅰ INTRODUCTION 9-14 A.A brief introduction of Byatt and her two novels 9-11 B.Byatt's three main narrative techniques 11 C.Literature review 11-13 D.Thesis statement 13-14 CHAPTER Ⅱ FRENCH POSTMODERN FEMINIST LITERARY THEORY 14-19 A.Conception of women's time 15-16 B.Women's self-representation 16-18 C.Feminine writing 18-19 CHAPTER Ⅲ RETRACEMENT OF TRADITIONAL FEMALE IMAGES 19-34 A.The recurrence of color images:"green" and "white" 19-23 B.The cyclical enclosure images 23-28 C.Other female images:"water", "virgin", and "dream" 28-34 CHAPTER Ⅳ FEMINIST CONNOTATION OF THE PARODY OF THE OLD MYTHS ANDFAIRY TALES 34-48 A.Parody of the myth "Melusine" 34-38 B.Parody of the myth "The Judgment of Paris" in "The Threshold" 38-40 C.Parody of the fairy tale "Snow White" in "The Glass Coffin" 40-44 D.Parody of the myth "Astraea" 44-46 E.Parody of "The Garden of Eden" 46-48 CHAPTER Ⅴ MULTIPLI CITY OF FEMALE NARRATIVE PERSPECTIVES ANDNONLINEARITY OF FEMININE NARRATION 48-65 A.Multiplicity of female narrative perspectives in Possession 48-58 B.Nonlinearity of feminine narration 58-65 CHAPTER Ⅵ CONCLUSION 65-68 WORKS CITED 68-71 |
