| 法国女钢琴家、作曲家塞西莉·路易斯·斯蒂芬妮·夏米娜德（Cécile LouiseStephanie Chaminade,1857-1944）于1886年创作的音乐会演习曲Op35,是她独一的一套“题目性”的“音乐会演习曲”，这套著作一向活泼于音乐会上。著作中“侧重抒发小我情绪”、融入“法公民族音乐特点”，“美感与技巧偏重”等特点，既突显出浪漫主义的典范作风和法国音乐的特点，法语论文，又带有作曲家凸起特性。对于钢琴吹奏者（特别中高等水平的）来讲，这套集“音乐”与“技巧”与一体的音乐会演习曲，可以或许使人愉悦地练习钢琴吹奏技巧，更能晋升演习者技巧和音乐性相联合的吹奏技能。我力争经由过程对这套著作的深刻研究，为更多钢琴专业进修者供给进修的曲目，并为进修者的“技巧”与“音乐”的练习供给必定参考，进一步推行这套优良的著作。 Abstract: French pianist, composer Cecily Luis Stephanie Chaminade (C cile LouiseStephanie Chaminade, 1857-1944) in the 1886 creation of the song "Op35" concert exercises, she is only a "topic" "concert Etude", this product has always been active in concert on intercropping. In the work, the emphasis is to express personal emotion, and the integration of the "law" and "national music", "aesthetic feeling and skill", which not only highlights the romantic style and the characteristics of French music, but also has the characteristics of the composer's uplift. In terms of piano players (especially in the higher level), this set of "music" and "skills" and one of the concert exercises, you can make people happy to practice piano playing skills, but also to promote the exercise skills and musical performance of the combined skills. I will try to provide a reference for the further study of this work, and provide a reference for the further study of the professional training of the piano, and further promote the work of this fine. 目录: 中文摘要 4-5 Abstract 5 引言 6-9 第一章 夏米娜德的音乐会练习曲的一般性历史梳理 9-13 一、夏米娜德的生平及其音乐创作 9-10 二、“音乐会练习曲”及夏米娜德的音乐会练习曲 10-13 第二章 夏米娜德音乐会练习曲各乐章音乐略论 13-30 一、谐谑曲 13-15 二、秋 15-17 三、纺织工 17-20 四、热情 20-22 五、即兴曲 22-26 六、塔兰泰拉 26-28 七、小结 28-30 第三章 夏米娜德音乐会练习曲各乐章演奏技术探讨 30-41 一、谐谑曲中的右手双音与跳音训练 30-31 二、秋中“如歌的”的连奏及右手声部控制与音色层次的处理 31-33 三、纺织工中的流畅性训练 33-35 四、热情中的震音训练 35-36 五、即兴曲中的左手扩张与右手声部训练 36-38 六、塔兰泰拉中的流畅性与节奏训练 38-39 七、小结 39-41 结语 41-43 参考文献 43-44 附录 44-48 |
