| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 在俄罗文雅化成长史中，“白银时期”的古代主义艺术集团“艺术世界”占领侧重要的位置。恰是“艺术世界”将古代主义引入了其时的俄国文艺界，打破了实际主义作风占领主导的局势。“艺术世界”晚期曾否决车尔尼雪夫斯基“艺术为生涯办事”的美学实际，以为“艺术与生涯有关”。但在1905年反动后，相当部门的成员又开端认可艺术与生涯的接洽。“艺术世界”提出的“艺术自在”美学思惟源于西欧的后印象主义、俄国文学的意味派和德国的哲学。这类美学思惟的流传为俄国前锋派的繁华奠基了基本。别的，在曩昔对于“艺术世界”的研究中，常常对于其“既倡导新艺术义回想曩昔”觉得奇异，以为自相抵触。但如果停止周全综合的剖析，便能看到个中的公道的地方。“艺术世界”的运动处于19与20世纪之交，也处于俄国文明从“单声部”走向“多声部”的节点。它接洽了俄国的曩昔，又开启了俄国的将来。并且，俄语论文，该集团在向西欧推介俄国艺术的事业中做出了不朽的进献。但因为认识形状的缘由，在很长一段时光里，俄语论文范文，它的价值没有获得周全的熟悉和客不雅的评判。在苏联时代，“艺术世界”提倡的艺术被归为反平易近主艺术或是贵族艺术。跟着苏联的崩溃、认识形状禁锢的废除，“艺术世界”的位置和价值获得从新的熟悉与评价。壮大的文明应该具有包涵性。不管是实际主义照样古代主义，都在分歧层面知足着平易近众的精力文明需求。“艺术世界”不只勇于立异，具有“西望”的全球视野，还容身于平易近族传统，继续和发扬本国文明。是以，研究“艺术世界”，对于丰硕平易近族精力、扶植文明强国，无疑是具有自创意义的。 Abstract: Occupy an important position in the growth of the elegance of the Russian culture Shi Zhong, "the silver age", the modernism art group "art world". Exactly is "art world" ancient doctrine introduced during the Russian literary and art circles, break the realism style occupied the dominant situation. "Art world" late had rejected the Chernychevsky "art for life work of aesthetics, that" art and life ". But in the 1905 Revolution, the members of the Department began approached quite recognized art and life. "Art world" proposed "artistic freedom" aesthetics thought source in Western Europe Post Impressionism, Russian literature that pie and German philosophy. This kind of aesthetic thoughts spread for the Russian avant-garde prosperous foundation. Other, in the research about "art world", in the past, often on the "not only advocated the new art memories of the past" feel strange that self contradict. But if you stop a comprehensive analysis, we can see the place. The movement of the "world of art" in the turn of the 19th and 20th century, also in Russian civilization from the "single voice" to "polyphonic" node. It approached Russia's past, and opened the future of russia. Also, the group in the promotion of Russian art career in Western Europe to contribute the immortal. But because of the reason recognizes the shape, in a very long period of time, its value didn't get comprehensive familiar and objectivity of evaluation. In the Soviet era, "world of art" advocated art was in opposition to democracy is a noble art or art. Is obtained from the new knowledge and evaluation followed the collapse of the Soviet Union, understanding the abolition of imprisonment of shape, "art world" position and value. The growth of civilization should have the inclusion of sex. Regardless of realism or the ancient doctrine, in different levels with contentment public civilization energy demand. "Art world" not only dare to innovation, with a global vision "Xiwang", also taken shelter in the traditional ethnic, go ahead and develop national culture. Is to discuss "art world", on the fruitful plain near national spirit, foster civilized power is undoubtedly has significance. 目录: 论文摘要 6 Pe3H)Me 7-9 导论 9-13 第一章 运势而生的“艺术世界” 13-21 一、“艺术世界”出现的历史背景 13-14 二、“艺术世界”成立的初衷和直接动力 14-16 三、“艺术世界”出现的必然性 16-21 (一) 俄罗斯文化发展的传统--“西望” 17-18 (二) 俄国文学引领其它艺术门类的传统 18-19 (三) 艺术发展的内在需要 19-21 第二章 “艺术世界”的美学思想和创作实践 21-32 一、美学主张及其渊源 21-26 (一) 美学主张的提出 21-22 (二) “艺术世界”美学思想的来源 22-24 (三) 从“再现艺术”走向“表现艺术” 24-26 (四) 现实主义的回归和现代主义的坚持 26 二、艺术主张的现实体现 26-30 (一) “为了艺术而艺术” 27-28 (二) 学院派到巡回展览画派,再到“艺术世界”的蜕变 28-29 (三) 现实主义的回归 29 (四) 俄国古代文化的复兴 29 (五) 多个艺术门类的“百花齐放” 29-30 三、“艺术世界”历史使命的完成 30-32 第三章 “艺术世界”的历史价值和作用 32-38 一、各艺术门类间的互动和作用 33-34 二、“艺术世界”历史影响众说 34-35 三、不朽的光辉 35-38 结语 38-40 附录 40-42 参考文献 42-44 后记 44 |
