| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 尼古拉·瓦西里耶维奇·果戈理是俄国实际主义文学的奠定人，俄国文学天然派的开创者。他的创作与普希金的创作一路，奠基了十九世纪俄国批评实际主义文学的基本。果戈理创作的特色是擅长描写生涯，将实际与理想联合，其创作增强了俄国文学中的批评和讥讽偏向。果戈理为俄国小说的成长做出了伟大的进献，车尔尼雪夫斯基在《果戈理时代俄国文学概不雅》中称他为“俄罗斯散文之父”。屠格涅夫、冈察洛夫、谢德林、陀斯妥耶夫斯基等出色作家都遭到果戈理创作的作用。本论文的标题是《果戈理的说话特色与艺术作风》。全文由三部门构成：引言、包括四章的注释、结语和参考文献。引言简要概述了本选题的研究现状，研究客体和对象，俄语专业论文，研究目标和义务及立异的地方。注释共有四章：第一章《实际基本》论述了本论文的研究目的艺术作风的概念，引见了艺术作风最主要的表示情势即文艺说话的概念及其特征，解释了文艺说话的表示手腕--辞格的概念及类型，并引出作家的艺术作风，明白了论文的研究思绪。第二章《果戈理著作中的艺术作风》剖析果戈理几部代表著作中经由过程分歧的表示手腕所表现的分歧的说话特色和艺术作风：《狄康卡近乡夜话》中浪漫主义的艺术作风、《外衣》中荒谬的艺术作风、《钦差年夜臣》中滑稽的艺术作风，和《逝世魂灵》中讥讽的艺术作风，阐释了果戈理作为说话艺术年夜师的光鲜的、独具特点的艺术魅力。第三章《果戈理艺术作风的构成身分》从客观身分和客不雅身分两方面临果戈理艺术作风构成的缘由停止剖析。从客观上，指出作家的小我阅历及创作途径对其创风格格构成的作用。从客不雅上，指出俄罗斯十九世纪社会情况的变更对作家创作的艺术作风演化的作用，和普希金对其创作的作用。第四章《果戈理的创尴尬刁难俄罗斯及中国文学的作用》引见了果戈理的文学创尴尬刁难于十九世纪俄罗斯和中国文学和作家发生的作用，确定了艺术年夜师果戈理活着界文学史上占领的主要位置及发生的伟大感化，和为后世留下不朽的精力财富。结语对研究成果停止概述，并提出了进一步研究的远景。果戈理的创风格格是十九世纪俄罗文雅学和世界文学中一个使人赞叹的景象。果戈理的著作在十九世纪俄国文学史上占领侧重要的位置，俄语论文，并对其他作家的创作发生了深远的作用。 Abstract: Nicola Vasilyevich Gogol is a real Russian literature founder, pioneer natural School of Russian literature. His creation and the creation of Pushkin, the foundation of the nineteenth Century Russian criticism of the basic practical literature. Gogol is good at describing the characteristics of creative career, actual and ideal combination, enhance the creation of Russian literature criticism and ridicule bias. Gogol for the Russian novel growth made great contribution in the Gogol era, the Chernychevsky "indecent" in Russian literature referred to him as "the father of Russian prose". Turgenev, Xie Delin, Gontcharov, Dostoevsky and other writers have been created by Gogol. The title of this thesis is "Gogol's speech characteristics and artistic style". The full text consists of three parts: the introduction, including the four chapter of the notes, concluding remarks and references. The introduction briefly summarizes the research situation of this topic, research object and research object, goal and duty and innovation place. Note there are four chapters: the first chapter discusses the basic concept of "practical" the research purpose of art style, the art style the main form literary talk concept and characteristics, explains the literary talk said wrist concepts and types of speech, and draw out the writer's artistic style, see the thesis research ideas. The second chapter "art style" in the works of Gogol Gogol analysis of a few representative works through the process of differences in the performance differences between the wrist said speaking characteristics and artistic style: "evenings on a farm near dikanka" in romantic art style, "clothing" in the absurd art style, "the imperial Secretary" in the comic art style, and the death of "soul" in a sarcastic art style, explains Gogol as bright and unique characteristics of the art of speaking of the artistic charm of the eve of the division. The third chapter is "the constitution of Gogol" s artistic style "from two aspects: the objective factor and the guest" s status. Objectively, it is pointed out that the author's personal experience and creative way to the impact of the composition of the wind. On the view of the change of the social situation in Russia in nineteenth Century, it points out the influence of the change of the social situation in on the evolution of the artistic style of the writers. The fourth chapter "influence" and Gogol's embarrassment for Russian literature and China introduced Gogol's literary creation things influence Russia on nineteenth Century and China literature and writers, the art teacher Gogol occupied the world big literary history of the main position and great influence occurred, and left immortal energy wealth later. The conclusion of this research is to discuss the results of the research, and put forward the prospect of further research. Gogol's style is a record of amazing scene and world literature in the nineteenth Century Russian elegant. Gogol's works occupy the important position in the history of Russian literature in nineteenth Century, and have a profound impact on the creation of other writers. 目录: |
