| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，俄语论文网站，下载原文正常，内容请直接查看目录。） 俄国意味主义涌现于19世纪末，以后成长成为俄罗斯古代主义诸派别中最年夜的派别。安德烈·别雷是俄罗斯白银时期一名具有严重作用的意味主义实际家、小说家、诗人。他在俄国文学史，特别是意味主义文学史上的主要位置不容疏忽而且已获得公认。但是他的著作异常难明，长篇小说《彼得堡》也不破例，不只个中有年夜量的意味抽象，俄语毕业论文，并且具无意识流作风。本论文的目标是经由过程剖析小说中的意味抽象来懂得著作并懂得作家及其重要的意味主义不雅。全文由媒介、三个篇章及结论构成。作为意味主义作家，安德烈·别雷以为，人和世界被看做处于平常生涯和存在这两种天然景象的接壤处。平常生涯世界是实际的世界，是和睦谐的、恶的、被逝世亡包抄的世界，它与存在的世界，即永久的世界，协调的美的世界绝对立。而作家可以运用意味抽象艺术地转达出永久的世界的机密。从全体看，小说《彼得堡》就是一个包罗万象的意味的综合体。本论文从两个方面剖析个中的意味抽象可见世界和弗成见世界。可见世界包含小说的人物、空间、色彩；弗成见世界包含小说的构造和小说中的氛围。 Abstract: Russian doctrine emerged at the end of the nineteenth Century and grew to become the largest faction of the Russian ancient doctrine. Andre Bely is a serious impact on the Russian Silver period means that the real home, novelist, poet. He is in the history of Russian literature, especially in the history of literature, the main position of the literary history can not be ignored and has been recognized. But his work is unusually difficult to Ming, novel, "St. Petersburg" is no exception, not only medium with large amount of abstract means, and has no intention of stream of consciousness style. The aim of this thesis is to understand the work and understand the meaning of the writer and its important meaning through the process of analyzing the meaning of the novel. The full text consists of three chapters and the conclusion. As a writer of the mean, Andre Bely thought that man and the world were seen in the common life and the existence of these two kinds of natural scene of the border. Ordinary life world is the actual world, is disharmonious, evil, death dead surrounded the world, it and the existence of the world, namely permanent world, coordination of the United States the world definitely sets. The writer can apply the meaning of the abstract art to convey the secret of the permanent world. From the whole, the novel "Petersburg" is a means to cover and contain everything. This paper analyzes the meaning of the abstract from two aspects of the world and the world of. The visible world contains characters, space and color of the novel, and the world contains the structure of the novel and the atmosphere in the novel. 目录: 摘要 3 Автореферат 4-6 Введение 6-12 Глава Ⅰ О символизме 12-19 1.1 Символизм в России 12-15 1.2 Основная символическая идея в романе А.Белого 《Петербург》 15-19 Глава Ⅱ Символика видимого мира в романе 《Петербург》 19-39 2.1 Персонажи 19-27 2.1.1 Аблеуховы 19-23 2.1.2 Дудкин и Липпанченко 23-25 2.1.3 Лихутины 25-27 2.2 Пространство 27-32 2.2.1 Город Петербург 27-30 2.2.2 Медный всадник 30-31 2.2.3 Кариатида 31-32 2.3 Цвет 32-39 2.3.1 Красный и зеленый цвета 32-35 2.3.2 Черный,серый и белый цвета 35-36 2.3.3 Другие цвета 36-39 Глава Ⅲ Символика невидимого мира в романе 《Петербург》 39-52 3.1 Своеобразие структуры романа 39-44 3.1.1 Контраст 39-41 3.1.2 Многопространство 41-43 3.1.3 Повествователь 43-44 3.2 Атмосфера 44-52 3.2.1 Звук 45-49 3.2.2 Тень и бездна 49-50 3.2.3 Призрачность 50-52 Заключение 52-55 Литература 55-58 Послесловие 58 |
