| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 拉赫玛尼诺夫是俄国浪漫派作曲家之一，同时也是钢琴家和批示家。《理想小品集》Op。3是拉赫玛尼诺夫创作的首套钢琴合奏著作，包括有五首小曲，每首小曲作风各别又内含联系关系。这虽是作曲家钢琴合奏著作创作的开始，但却为拉赫玛尼诺夫往后钢琴著作的创风格格打下了稳固的基石。同时，因为它涵盖了诸多吹奏技巧，从钢琴吹奏与教授教养偏向的角度动身，又不掉为作为面向钢琴吹奏者和进修者，俄语专业论文，俄语论文题目，使其精确掌握拉赫玛尼诺夫全体音乐作风和吹奏特点的一套典范著作，具有极高的研究意义。本文经由过程对拉赫玛尼诺夫《理想小品集》Op。3停止剖析研究，由此论述其全体音乐作风的奠基和成长，和在吹奏技法上对全体音乐作风的掌握成绩。 Abstract: Rachmaninoff is one of the Russian romantic composer and pianist, but also family instructions. "Ideal" essays Op. 3 is the creation of Rachmaninoff's first piano ensemble works, including five songs, each of the first songs style severally contain. Although this is the composer works at piano ensemble, but Rachmaninoff later piano works creation style has laid a solid foundation. At the same time, because it covers a lot of playing skills, from piano playing and teaching bias angle set out, without losing the as for playing the piano and learning, the precise control of Rachmaninoff all musical style and playing characteristics of a classic works, it has high research significance. In this paper, through the process of "ideal" Op essays of Rachmaninoff. 3 analysis research, which discusses the whole music style foundation and growth, and the playing techniques of the music style of the master record. 目录: 中文摘要 4 Abstract 4 引言 5-8 上篇 8-21 第一节 拉赫玛尼诺夫整体音乐风格的成因 8-10 第二节 《幻想小品集》Op.3 体裁特征的奠定与发展 10-12 第三节 《幻想小品集》Op.3 的体裁特征及演奏情绪提要 12-16 第四节 《幻想小品集》Op.3 音乐语言的贯穿与演奏所需的形象联想 16-21 下篇 21-33 第一节 旋律 21-24 第二节 特征音型 24-27 第三节 音程与和弦 27-29 第四节 结构力度层次的对比与音响效果 29-33 结语 33-34 主要参考作品及文献 34-36 附录 36-38 |
