Leo Tolstoy (1828 - 1910), Russian critical realism literature the greatest representative, is one of the greatest writers in the world, his art theory for the age of 60, beyond the Russian Revolution of the three historical epoch, including Russia in the nineteenth century and early twentieth century, with two serious political matters: 1861, get rid of serfdom and the 1905 in 2017, for the first time in Russian bourgeois reactionary. Anna Karenina is the works of Tolstoy's works force prosperous era, "Anna Karenina" although say is a "family" of the novel, Tolstoy to Anna on a view of the majority of the social background, toward the deep side of the society to expand drove, he put Anna plastic forming a and right to political and aristocratic tradition, period atmosphere of harmony women abstraction, through the fate of the Anna comedy reminded of 19th century Russian underworld false and deceitful, religious cunning and deception, to the right of the cold and shameless. First of all, the patriarchal feudal thought and religious understanding is one of the comedy the murderer Anna destiny. In 1861 in Russia, capitalism in growth, but the feudal rule still dominate the, however serfdom remnants still exist, in the Russian society is long-standing patriarchal feudal thought and religious understanding still deeply poisoned people's thoughts. The golden rule of the lack of human czar of justice and ecclesiastical to refrain from people's true feelings, the Czar's judicial the shackles of the death of the patriarchal family counted as permanent stiff; the church that marry and divorce never grams less than to love and do not love to all things is the will of God. Not sacred occupation. In the novel the hostess Karenina's childhood and girlhood is spent in the religious teachings, the sixteen year old Anna obey volunteer aunt married Karenin than her big power at the age of twenty, constitute a family without love. Encounter aristocratic officers Vronsky, to love consciousness of Anna felt itself also has the power of love. However in her quest to free love at the same time, religious thought creed and Anna just awake love tit for tat absolute, made her the nature of love itself has been in doubt, she did not dare to determine action itself can accurately, always thought itself is guilty. She felt itself is guilty before God, in front of her husband itself is guilty, in front of his son itself is guilty. Did not save Anna's religious thought in her life at first, "God, forgive me!" "WP=34" the voice of the young beautiful life stop. Secondly, love and love the first burst is the direct reason of Anna's comedy of life. Anna's extramarital affairs have serious shortcomings, medium the most deadly is her love as life's only goal, as career of all, and cannot tolerate Vronsky seek own living space and career. She asked Vronsky after complete all dedicated to him, a moment also can not get away from her, she on the strength of love never contented, hate cannot make his love permanent warming. She to Vronsky like now that to love abandon everything, she put ward homestead base other wishes count is the transfer of the emotion itself. Like many women in the patriarchal society as Anna find myself in love, and love lost self. She relieved not to rely on love, and begin have to rely on love. As a vassal of the man in both before and after this point exactly the same. No independent personality and independent outside the relationship of self demand, women love more intense, more easily make the that she became subordinate products; and in order to maintain this kind of rely on condition she also believes that in order to protect the love, she could not continue to suppress the characteristics of itself, more loss of self. He is the only promising Anna make their effort to get rid of the fight of love is equal to the life of disillusion. Once again, Anna's innate temperament is also one of the reasons lead to the fate of her comedy. Kalenin's cold, and it is a soundless and stirless stubborn repression of Anna lively enthusiasm acquired essence. But Anna sought wonderful career and lust insatiable hunger is not quite dead lost, they lurk in her heart, gave birth, growth. The change of social thought also provides suitable for Anna 's growth. The doings are her to finish her, only to love and live, and these characteristics are rooted in the doings of her own, "obtained the promotion strength from this kind of characteristics". Anna had clearly said: "God gave me the formation of such a person, I need love, I need a career." This kind of lust makes Anna off arm all ran forward, no matter is still behind the deep mountains. After all, is precisely the lust of her career and other aspects of the, she also want to Vronsky only for her love and career. "The premise of the negligence warmly succumb to heart, consciously excited and to fight." Anna rich complex heart world of another main factor is inimical to the maternal love and love, Anna and son of the conflict. The son has to rely on her feelings, son became Anna's wish. Love and love cannot be together, it formed a great trauma and pain to Anna and "WP=35". Due to her passion was often maternal. She made love, got out of his son, the two conflict, oneself is a kind of comedy. The traditional idea of the impact of Russia include big humanistic thoughts rooted in the depths of the soul of Anna. She read a lot of books in the East; in diplomatic circles also received many new ideas. These new ideas are not spontaneous spontaneous in Anna's understanding of the roots. She is receiving the value of Oriental civilization and doctrine of indecent, was the Russian population activism standard bound: Anna seeking characteristics of bondage, to seek true love, seeking love and marriage of the same, she refused to colluding, she wants to eliminate not to fall in love in the marriage relationship. A new marriage. This annoyed all the underworld, they combined for her. Anna really is big in Russia grew up, because of the constraint of the traditional value concept and social virtues of Anna, in her heart of hearts has been staggered to a relentless self blame and heavy guilt sense. Anna seeking characteristics of bondage, embarked on the underworld, defection husband leave and abandon the son and decisively to find ways of individual well-being, with false moral stop the unremitting struggle. But in this gloomy cold, full of deception and lies in the society of Anna is to find a way. Anna into two cannot compromise values, in connotation and internal pressure did not process, step by step? 目录: |
