| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，德语论文范文，内容请直接查看目录。） 二十世纪的德国,历尽灾祸。在阅历过战斗与决裂的浸礼以后,1990年10月3日,久经分袂的德国国民,终究从新走到了一路。柏林墙的坍毁,成为环球注视的年夜事宜,更成为德国汗青上一个主要的转机。德国同一以后,两种认识形状互相碰撞,阅历太短暂的狂喜以后,柏林墙的后遗症逐渐浮出水面,社会抵触层见叠出。实际的柏林墙已倒,一堵看不见的“柏林墙”却静静地在原器械德国民心中堆砌起来。“一个全新的德国”被质疑,若何完成小我层面的真正同一,也逐步成为全社会评论辩论的热门话题。视社会批评为己任的德国片子创作人员,面临日趋凸起的社会成绩没法置若罔闻,开端反思轨制和人道,力图在片子中表达年夜众的精力诉求,追求清除两德国民心思鸿沟之法。一年夜批反应同一的片子被搬上荧幕,而柏林墙也顺遂成章地成为德国政治题材片子中的一个“胎记”,深深地雕刻在德国国民的记忆中,又好像一个不肯去揭开的伤疤,记载了一个平易近族的魔难史。但是,一贯擅长反思汗青的德国人,对柏林墙的检查和审阅也出现出日趋成熟的趋向。从开端纯东方视角的《逃出柏林》、《桑尼小径》到后来宽容超脱地商量柏林墙面前疾病的《再会,列宁!》及《他人的生涯》(译成：《窃听风暴》),柏林墙在片子中的抽象越发鲜活起来,人们对柏林墙及那段汗青的熟悉也愈来愈感性。本文以跨文明实际中的“文明主题”实际为根据,商量柏林墙这一“胎记”在《再会,列宁!》及《他人的生涯》两部片子中分歧的表示情势,并借助其分歧抽象剖析片子所表达的主题及收回的社会呼吁。若何以艺术性视角激起平易近众对政治成绩的反思,对于异样面对同一成绩的其他国度,具有非常名贵的自创感化。 Abstract: Germany in twentieth Century, suffered a disaster. In October 3, 1990, the experience of fighting and break a German national Baptist, respectively, will come from the new one. The Berlin wall collapsed, as the world watched big issues, more become a major turning point in German history. Germany with a later, two kinds of knowledge shape collide with each other, after the experience is too short to ecstasy, the aftermath of the Berlin Wall gradually surfaced, social contradictions emerge in endlessly. The actual Berlin wall has fallen, an invisible wall of Berlin, but quietly in the German people of the original equipment piled up. "A new German" was questioned, how to complete the personal level of the real identity, but also gradually become a hot topic of the whole society to review the debate. As social criticism is the responsibility of the German film creation personnel, facing the increasingly prominent social problems can't turn a deaf ear, beginning reflection rail system and humanitarian, trying to in the film in the expression of energy demands of the masses, the pursuit of German national psychological gap clearance. A large number of reaction with a film to be moved on the screen, and Berlin Wall was smooth and become German political theme in the film a "birthmark", deeply engraved in the memory of the German national, like a refused to to uncover the scar, the records of the trials and tribulations in history of a plain near family. However, has always been good at reflecting the history of the Germans, the inspection and review of the Berlin wall also appears to be increasingly mature trend. From the beginning of pure Oriental view of "escape from Berlin", "Sonny path" to later tolerant and aloof to discuss the Berlin Wall before disease "goodbye, Lenin!" and "others career" (translated: "bugging storm"), the Berlin Wall in the film abstract more and more fresh, people's understanding of the Berlin wall and that period of history is also getting more and more emotional. The cross culture theory of "civilized" theme actual to discuss the Berlin Wall this "birthmark" in "goodbye, Lenin!" and "other people's career, two film differences said the situation, calling for and with the help of the abstract bifurcation analysis of the film the expression of theme and recovered the social. If the art of how to arouse people's reflection on the political achievements, the same with the same score of other countries, has a very valuable reference. 目录: 摘要 2 Abstract 3-4 Inhaltsverzeichnis 4-6 1. Einleitung 6-8 2. Die Kulturthemenforschung im Rahmen der interkulturellen Germanistik 8-15 2.1 Kulturthemen 8-11 2.2 Kulturthema Grenze 11-14 2.3 Bezug der Masterarbeit zum Kulturthema Grenze 14-15 3. Bestimmung zu den Begriffen 15-22 3.1 Die Berliner Mauer 15-18 3.2 Die Wende,Nachwendezeit und Wendeliteratur 18-20 3.3 Berliner Mauer-Film 20-22 4. Daten und Methoden 22-28 4.1 Beschreibungen der ausgewahlten Filme 22-25 4.1.1 Uberblick uber den Film,,Goodbye Lenin!\" 22-24 4.1.2 Oberblick uber den Film,,Das Leben der Anderen\" 24-25 4.2 Methoden der Analyse 25-28 4.2.1 Semiotische Analyse 25-27 4.2.2 Emotionsanalyse 27-28 5. Analysen ausgewahlter Filmausschnitte 28-66 5.1 Filmausschnitte aus,,Goodbye Lenin!\" 28-44 5.1.1 Semiotische und emotionale Analyse im Film 28-40 5.1.1.1 Klischees des Alltagslebens in der ehemaligen DDR 28-31 5.1.1.2 Begegnung mit dem Kulturschock bei der Akkulturation 31-40 5.1.2 Die Erscheinungsform der Berliner Mauer im Film 40-42 5.1.3 Grund: Entstehung der Ostalgie 42-44 5.2 Filmausschnitte aus,,Das Leben der Anderen\" 44-66 5.2.1 Semiotische und emotionale Analyse im Film 44-60 5.2.1.1 Wahrheit der Herrschaft der ehemaligen DDR 44-50 5.2.1.2 Wiedergeburt eines,,guten Menschen\" 50-60 5.2.2 Die Erscheinungsform der Berliner Mauer im Film 60-64 5.2.3 Grund: Umdenken von der Politik zur Humanitat 64-66 6. Resumee 66-69 Literaturverzeichnis 69-74 Primarliteratur 69 Sekundarliteratur 69-72 Internetquellen 72-74 Publikation wahrend des Masterstudiums 74 攻读学位期间的探讨成果 74-75 Danksagung 75-77 |
