| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 《安德烈亚斯》是胡戈冯霍夫曼斯塔尔存世的独一一部断片小说，德语毕业论文，也是集霍夫曼斯塔尔作风之年夜成之作。小说采取德国传统生长小说形式，参加古代小说身分，以达到目标地为论述终点，主人公安德烈亚斯回想他的路程，个中充斥想象、梦乡和回想，为评论供给许多的视角。历来评论家们将留意力集中于文中凸显的自我认同成绩和与此相干的双影人母题。自我认同成绩研究在心思学范畴的成长阅历了一个改变，以爱利克埃里克森为代表的心思学家们将自我认同看作是持续，同质的进程，而别的一些实际家提出自我认同进程是异质的，且这类不雅点逐步为人们所接收。因为异质的自我认同进程一直没法同一，异质决裂的自我常处于一种不安情感中。而19世纪末20世纪初的维也纳正处于传统向古代转型的过渡期，社会激烈转型期下人们的心坎世界也响应地产生着变更。在这类汗青配景下，作家著作中涌现的自我迷掉所带来的不安情感成为一种奇特的文学景象。维也纳作家霍夫曼斯塔尔所创作的《安德烈亚斯》中的主人公安德烈亚斯也带有一种谁人时期独有的不安感。安德烈亚斯在威尼斯的不安感重要受四周情况而触发，而产生在梦乡中的过道的情节更多的揭穿了他心坎深处不安感的深层缘由。在剖析安德烈亚斯的不安感时，双影人一家丁戈特希尔夫的主要性凸显出来。在戈特希尔夫身上，安德烈亚斯找到了自我的影子，德语论文题目，安德烈亚斯对戈特希尔夫的讨厌情绪同时也表示了他对自我的讨厌。戈特希尔夫赓续勾起安德烈亚斯童年的昏暗记忆，赓续迫使安德烈亚斯面临不胜的自我。他与另外一个双影人罗曼娜的相遇使安德烈亚斯临时解脱了一向随同他的不安感，发生了对另外一个自我的神往。而戈特希尔夫强奸女仆事宜完全转变了罗曼娜对安德烈亚斯的立场，而对于安德烈亚斯而言，神往的自我与实际之间有道没法超越的妨碍。安德烈亚斯如同身处门坎，死后是不胜自我的暗影，而同时一个新的自我仿佛在面前，却远在天边。本文以门坎这类带有意味意味的所在为线索，本文一步步研讨文本中主人公自我不安情感的表示和缘由和他是以发生的对另外一个自我的神往。 Abstract: "Andreas" is Hugo von Hofmannathal surviving from the only one part of a fragment of the novel, is a set of Hofmannsthal style big into work. In order to achieve the goal, the protagonist, the protagonist, is to discuss the destination in the form of German traditional novel forms, and to achieve the goal of the goal. The critics always concentrate on the highlights of the self identity achievement and the relevant double mother problem. Self identity research question in the mind science category growth experience has a change, with Erik Eriksson as representative of psychologists have the self identification as a continuous, homogeneous process, and some other theorists propose self identification process is heterogeneous and this kind of indecent point gradually for the people received. Because of the heterogeneity of self identification process has been unable to break the same, heterogeneous self often in an uneasy feeling. And at the end of the 19th century and early 20th century Vienna is in the traditional transition to a modern transition period, drastic social transition period the hearts of people in the world also responded to the estate with change. In this kind of historical background, the writer's work in the emergence of the self lost the feeling of anxiety has become a unique literary scene. Hofmannathal, the protagonist of the "Andreas" created by the Vienna writers, Andreas also has a unique sense of insecurity. Andreas in Venice uneasy sense of importance by around the trigger, and the plot of the aisle in the dreamland in more exposed his heart uneasy feeling the deep reason. In the analysis of Andreas's sense of unease, mainly of a double film Martin Gotthilf highlighted. In Gotthilf, Andreas found himself in the shadow of Gotthilf's hate for Andreas also expressed his dislike for self. Gotthilf continued to evoke dim memory of Andreas's childhood, forcing Andreas to be self face continuously. He and another two filmmakers Romana met Andreas temporary relief always accompanied his uneasy feeling, to also a self fascinated. And gotthilf rape maid matters completely transformed Romana to Andreas's position, and Andreas, charmed the self and between the actual Youdao can not go beyond the hindrance. Andreas like living in a threshold, after death is extremely self shadow, while at the same time a new self as if in front, actually far in the horizon. The to this threshold with mean that as a clue, this paper step by step explore the heroes in the text self uneasy representation of emotion and reason and he is also a self fascinated. 目录: |
