| （摘要内容经过系统自动伪原创处理以避免复制，德语论文范文，下载原文正常，内容请直接查看目录。） 克里斯塔·沃尔夫是原平易近主德国的主要作家之一，两德同一后仍然活泼于德语文坛。她在六十余年的创作生活中所出现的丰硕的文学著作和奇特的美学理念一向是德语文学界存眷的核心。本文拔取了沃尔夫的《追想克里斯塔·T》（1968）、《童年范例》（1976）和《茫然无处》（1979）三部著作停止剖析。这三部著作配合组成了沃尔夫创作生活的过渡阶段。恰是在创作这三部著作的十年中，作家阅历了人生际遇的升沉、开端了认识形状的改变、构成了独具特点的创风格格。本文在剖析以上三部著作时，环绕个中的主体成绩睁开评论辩论。沃尔夫在其著作中一向存眷小我的主体成绩。“主体”这一概念反应的是人的心坎世界和内部世界之间互相映照、彼此顺应的关系，德语论文，而“主体”概念在东方哲学中的流变则折射出人熟悉本身和熟悉世界的角度和措施的变更。在沃尔夫的著作中“主体”包含两个条理：作者的主体和著作中人物的主体。在前一个条理中，作家或描写或评论，让读者时辰感触感染到作家的存在；在后一个条理中，作家借助著作中的人物、以文学为手腕，暗射作家自己对实际时而怅惘时而掉望的立场。两个条理彼此接洽，将主体成绩进一步深化，同时激发读者的思虑。这类创风格格是沃尔夫对其时风行的社会主义实际主义文学的超出，也是独具沃尔夫特点的“客观真实性”这一美学理念的详细表现。本文以文天职析为基本，联合文学社会学的办法，将作家和她的著作置于相干的时期语境中，以此为条件来剖析其著作。在平易近主德国极端强召集体的配景下，沃尔夫对小我在社会中处境和心态的存眷加倍不足为奇。 Abstract: Christa Wolf is one of the major writers of the original democratic Germany, Germany two same still active in German literature. She in the creative life of more than sixty years of fruitful literary works and unique aesthetic concept has always been a core concern for the German literature. This paper selects the wolf "remembered Krista T." (1968), "childhood paradigm" (1976) and the loss nowhere "(1979) three works to carry on the analysis. These three works together form the transition period of Wolf's life. Is precisely in the decade of the Ministry of works, the writer has experienced vicissitudes sink, beginning to recognize shapes change, constitute the unique characteristics of a wind princess. In this paper, the analysis of the above three works, the main results of the circle around the debate. Wolf in his works has always been concerned about the ego's main achievements. The concept of subject reaction is between people's hearts and inner world shine upon each other and adapt to each other relationship, and rheology of the concept "subject" in the Oriental philosophy reflects the familiar and familiar with the change of the angle of the world and the way. In the works of Wolf "the main body" contains two levels: the main characters and the main works of the author in the. In a structured, writer, or description or comment, let hour readers feeling infection to the writer's presence; in a coherent. Writers use works characters to literature as the wrist, allude to the writer himself to actual sometimes sadness sometimes fall at the position. Two levels of contact with each other, will further deepen the main results, while stimulating the reader's thinking. Such a wind Princess wolf of the current vogue for socialist realism literature beyond as well as unique characteristics of the wolf "objective truth" a concrete manifestation of the aesthetic concept. This paper to Wentian job analysis as the basic, combined with Sociology of literature, writer and her works is placed in a coherent period in the context, in order to analyze the works. In the plain near the main German extreme strong called under the background of collective, wolf to the ego in the social situation and mentality of the concern doubling is not surprising. 目录: Danksagung 4-5 内容提要 5 Abstract 6-8 1. Einleitung 8-12 1.1 Forschungsstand 8-10 1.2 Zielsetzung und Aufbau der Arbeit 10-12 2. Christa Wolf: Leben und Werk 12-23 2.1 Kurze Biographie der Schriftstellerin 12-14 2.2 überblick über ihre Werke 14-19 2.3 Christa Wolf und die literarische Konstellation der DDR 19-23 3. Entwicklung des Begriffs Subjekt“ 23-27 4. Das Subjektproblem in Wolfs Frühwerken 27-65 4.1 Das suchende Ich: Das Subjektproblem in Nachdenken über Christa T 27-40 4.1.1 Inhaltsangabe 27-29 4.1.2 Aufspaltung des Subjekts in drei Rollen 29-33 4.1.3 Die Chronologie st re.“ 33-36 4.1.4 Ein rastloser Mensch: Das Subjekt am Beispiel Christa T 36-40 4.2 Das verlorene Ich: Das Subjektproblem in Kindheitsmuster 40-50 4.2.1 Inhaltsangabe 40-41 4.2.2 Die Wirklichkeit auf drei Ebenen 41-43 4.2.3 Wechselspiel zwischen Vergangenheit und Gegenwart 43-47 4.2.4 Die unbewu te Nazi-Anh ngerin: Das Subjekt am Beispiel Nelly 47-50 4.3 Das verwirrte Ich: Das Subjektproblem in Kein Ort. Nirgends 50-63 4.3.1 Inhaltsangabe 50-52 4.3.2 Vorgeschichte der Erz hlung 52-57 4.3.2.1 Versch rfte politische Lage in der DDR 52-53 4.3.2.2 Gesellschaftliche Konstellation zur Zeit der Romantik 53-57 4.3.3 Die verwirrten Au enseiter: Das Subjekt am Beispiel Kleist und Günderrode 57-63 4.3.3.1 Kleist und Günderrode in der Literaturgeschichte 57-60 4.3.3.2 Kleist und Günderrode in Wolfs Erz hlung 60-63 4.4 Zusammenhang zwischen den Subjekten der drei Arten 63-65 5. Schlusswort 65-67 Literaturverzeichnis 67-70 |
