| （摘要内容经过系统自动伪原创处理以避免复制，德语论文题目，下载原文正常，德语专业论文，内容请直接查看目录。） 本论文重要研究20世纪上半叶德国诟谇木刻的成长及其对中国的作用。中国古代木刻开端于20世纪30年月。而之前的木刻都是复制木刻,并没有真正表现出木版自己的魅力。这段时代是中国木刻年夜量进修自创国外木刻并成长出具有本身特点的主要时代。此时德国诟谇木刻表示出的尖利性与社会批评性正相符其时中国社会的须要和木刻成长的须要。该时代德国诟谇木刻在整体上有着原始灵敏的力气,存眷人类的苦楚,表达措施富有豪情而激烈。在鲁迅师长教师的引进下,德国诟谇木刻传入中国,极年夜的作用了其时中国的诟谇木刻作风形状。个中作用最为激烈的是凯绥·珂勒惠支。珂勒惠支因其本身遭遇的苦痛而使著作德外具有一种悲忿之情,种抗争精力,而且非分特别能惹起中国人们的共识。她的著作饱含慈母之爱关心同胞,也如匕首般锋利地刺痛仇敌。她的著作最为顺应其时中国的社会状态。中国艺术家们深受其作用。从中国早期古代诟谇木刻著作里便可以看到许多珂勒惠支的影子。而中国的艺术家们并不是全盘接收珂勒惠支和其他德国表示主义的诟谇木刻,而是有选择的停止了接收,并渐渐融入了中国特点的元素。中国的新兴木刻丰硕了德国诟谇木刻的技法,延展了其说话情势,使德国诟谇木刻在中国这片地盘上取得了重生,首创了中国古代木刻的途径。 Abstract: Effect of half German black and white woodcut of Chinese on the growth and the important research in twentieth Century. Beginning in twentieth Century 30 years China ancient woodcut. But before the woodcut is copied woodcut, and no real wood show their charm. This period of time is a large number of foreign advanced Chinese woodcut woodcut and grow out of the main characteristics of the times. At this time the German black and white woodcut showing sharp and social critical is consistent when Chinese society need and wood growth needs. The era of German black and white woodcut as a whole has a strength of the original sensitive, pay close attention to the human suffering, expression method passionate and intense. In the introduction of Mr. Lu Xun, German black and white woodcut was introduced into China, greatly affected the meantime China's black and white woodcut style shape. The effect is most intense, Kathe kollwitz. Kollwitz due to its suffered the pain of the works of Germany, with a grief to his love, kind of fight spirit and presumptuous to cause Chinese people's consensus. Her works are full of motherly love for compatriots, such as dagger sharp stinging enemies. Most of her works are in the state of Chinese society at that time. Chinese artists are deeply influenced by them. From the early black and white woodcut Chinese ancient works we can see many Kollwitz shadow. And artists in China is not completely to receive Kollwitz and other German doctrine of black and white woodcut, but choose to stop receiving, and gradually integrated into the Chinese elements. Chinese woodcut rich German black and white woodcut techniques, the extension of the language forms, German black and white woodcut rebirth on this piece of land in China, initiated the way of ancient Chinese woodcut. 目录: 摘要 2-3 Abstract 3 引言 5-6 第1章 德国该时期的整体状况 6-12 1.1 德国的社会状况、表现主义诞生的背景 6-7 1.2 德国该时期的主要版画家及著作 7-9 1.2.1 凯绥·珂勒惠支 7-8 1.2.2 其他表现主义画家 8-9 1.3 德国版画的题材内容及主要技法 9-10 1.4 德国黑白木刻在当时及后来的作用 10-12 第2章 中国该时期的整体状况、受到的作用 12-22 2.1 中国当时的社会状况,中国社会对新型版画的需要 12-14 2.1.1 中国当时的社会状况、版画状况 12-13 2.1.2 中国当时对德国黑白木刻的需求,新兴版画的兴起 13-14 2.2 中国的主要版画家及著作 14-19 2.2.1 国统区版画家及著作 16-17 2.2.2 解放区版画家及著作 17-19 2.3 中国新兴木刻的题材内容及主要技法 19-20 2.4 中国新兴木刻对中国后来版画发展的作用 20-22 结论 22-24 参考文献 24-25 攻读学位期间的探讨成果 25-26 致谢 26-27 |
