| （摘要内容经过系统自动伪原创处理以避免复制，德语论文范文，下载原文正常，内容请直接查看目录。） 德国新表示主义画家的艺术创作不雅念否决古代艺术中对传统绘画情势的否认和对社会实际的冷淡，在继续了晚期德国表示主义传统的同时，德语毕业论文，加倍重视表示手段的立异和冲破。德国新表示主义绘画艺术以富有活泼的绘画性及原谅高度的精力性内容为艺术特色，它的涌现对世界绘画艺术的成长发生了很年夜作用。本文从四个部门对德国新表示主义绘画艺术创作不雅念停止研究。第一部门从德国新表示主义绘画艺术创作不雅念发生的实际基本和汗青文明与实际配景等几个方面动手，胪陈了德国新表示主义绘画艺术创作不雅念的构成身分。第二部门经由过程对德国新表示主义代表画家的艺术作风与著作的剖析和商量，重点论述了德国新表示主义绘画艺术创作不雅念的整体组成。第三部门在对德国新表示主义绘画艺术创作不雅念组成归纳综合的基本上，进一步阐释了德国新表示主义绘画艺术创作不雅念的特色。第四部门总结阐述了德国新表示主义绘画艺术创作不雅念对世界绘画艺术的成长、和对欧洲与现代中国艺术家发生的作用。 Abstract: The new German said painter of the artistic creation indecent read ancient art in the traditional painting situation deny veto and the social actual cold, to continue the German late said tradition at the same time, to redouble their attention to express means innovation and break through. Germany's new art of painting to the rich and lively painting and the spirit of a high degree of energy content for the artistic characteristics of the emergence of the world's art of painting has a great influence on the growth of the world. This article from the four departments of the new German art of painting art creation ideas to stop research. First department from Germany said the new modernism drawing art creation indecent read the occurrence of basic theory and history of civilization and the actual background and so on several aspects to begin in the new German said modernism drawing art creation idea formative factors. The second section analyzes and discusses the art style and the work of the German new representative painter by the process, and mainly discusses the whole composition of the German new art of painting. The third sector in the German new representation of the art of painting art creation of the composition of the comprehensive summary of the basic, to further explain the new German art of painting the characteristics of the art of painting. The fourth section summarizes the development of the art of painting in Germany and the influence of the development of the art of painting in the world, and on the occurrence of European and modern Chinese artists. 目录: 摘要 6-7 Abstract 7 引言 8 一、德国新表现主义绘画艺术创作观念的形成 8-14 （一） 历史文化因素 9-10 （二） 现实背景 10-11 （三） 理论基础 11-14 二、德国新表现主义绘画艺术创作观念的构成 14-25 （一） “德意志”的创作观 14-17 （二） “纯绘画”的创作观 17-25 三、德国新表现主义绘画艺术创作观念的特点 25-30 （一） 个体伸张 25-27 （二） 精神诠释 27-28 （三） 现实批判 28-30 四、德国新表现主义绘画艺术创作观念的作用 30-35 （一） 对欧洲艺术家的作用 30-31 （二） 对绘画艺术发展的作用 31-32 （三） 对当代中国艺术家的作用 32-35 结语 35-36 注释 36-37 参考文献 37-38 致谢 38-39 附：本人在读研期间科研论文、论著及获奖情况一览表 39 |
