西班牙青年手风琴作曲家戈尔卡·艾默萨室内乐著作创作的探讨Research on the creation of Gorka Amasacenero's works in the Spanish youth accordion composer 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 戈尔卡·艾默萨（Gorka Hermosa1976-）是西班牙现代极具才干的音乐家。他具有手风琴吹奏家、作曲家、教员、出书商等多重身份。他所创作的手风琴合奏著作如：软弱（Fragilissimo）、格尔尼卡（Gernika）现在也是一再涌现活着界各年夜主要手风琴竞赛和音乐会中，特别是在欧洲，他的著作已被普遍归纳，倍受追捧。他无疑是近几年来为数不多的演而优则创的典范代表，是现今世界手风琴原创音乐的重生力气和国家栋梁。今朝，西班牙语论文，国际外对于这位作曲家、吹奏家的专题研究为零，笔者将经由过程收集采访Gorka自己的情势，获得有关其最新创作、教授教养理念、表演等方面的第一手材料，并汇集整顿与Gorka相干的表演报导、音乐专辑、音乐会视频、著作创作的报刊评论等，对其吹奏、创作和教授教养这三年夜方面停止周全体系的梳理、归结、总结、研究。本文研究的宗旨在于弥补国际外对于西班牙现代青年手风琴作曲家这一研究范畴的空白。本文共分为四个部门：绪论，简叙本论文创作启事、材料搜集情形、论文研究办法和预期目的等。第一章，生平综述。在体系梳理Gorka生闰年表的基本上，依据其吹奏、创作和教授教养这三个绝对平行又有交集的职业生活为线索停止实际总结。第二章，以Gorka创作生活为切入点，对其室内乐著作停止分类，并对个中一部室内乐著作：Neotango concerto op.8及其室内乐代表作Anantango停止详细剖析，从而引伸到对其室内乐著作吹奏作风的掌握下去。结语，西语毕业论文，总结Gorka在吹奏、创作与教授教养上值得自创进修的处所。 Abstract: Gorka Amesa (Gorka Hermosa1976-) is a Spanish contemporary talented musician. He is playing the accordion, composer, teacher and publisher of multiple identities. He is the author of the accordion ensemble works such as weak Fragilissimo, Guernica (Gernika) now also repeatedly emerged alive bound each of the eve of the main accordion competitions and concerts, especially in Europe. His works have been a generalization, highly sought after. He is undoubtedly in recent years, the number of play and an excellent record of a typical representative, is today the world original accordion music rebirth strength and the pillar of the state. Today, at home and abroad about the composer, playing home seminar is zero, the through process collected by interviewing gorka's own situation, access to the latest creation, teaching concept, performances, etc. first hand materials and pooled rectification and gorka coherent table play reports, album and concert video, works of Journalism and, on the playing, writing and teaching the three big stop system comprehensive comb, sum up and summarize, research. This study aims to blank on the Spanish modern young accordion composer this research field for international. This paper is divided into four parts: the introduction, the thesis briefs the material collection notices, research methods and expected, etc.. The first chapter, life review. In the carding system gorka students leap year table, according to the playing, writing and teaching the three absolute parallel and intersection of professional life as a clue to stop summary of the actual. The second chapter, gorka creation to life as the starting point, the chamber music classification, and of a medium chamber music works: Neotango Concerto Op.8 and chamber music representative for Anantango carries on the detailed analysis, which is extended to the mastery of the chamber music playing style to. The conclusion, summarize the Gorka playing, creation and teaching worth created a study place. 目录: 摘要 4-5 Abstract 5 第1章 绪论 8-10 1.1 本课题探讨缘由 8 1.2 本课题国内外探讨近况与资料收集 8-9 1.3 本课题探讨措施及预期目标 9-10 第2章 戈尔卡·艾默萨生平概述 10-20 2.1 手风琴演奏艺术的成长经历 11-13 2.1.1 跟随欧洲名师学艺，技艺的飞速提高 11-12 2.1.2. 屡获佳绩，开启职业演奏家之路 12-13 2.2 手风琴著作的创作 13-16 2.2.1 按创作目的及著作风格为依据的阶段性著作分类 13-14 2.2.2. 专辑的录制与发行 14-16 2.3 手风琴教学与探讨 16-20 2.3.1 主要的教学理念及教学成果 16-17 2.3.2 手风琴理论书籍、文章及乐谱的出版 17-20 第3章 戈尔卡·艾默萨室内乐著作解析 20-29 3.1 按作曲风格为依据的原创室内乐著作分类 20-23 3.1.1 古典自由低音手风琴著作改编曲 20-22 3.1.2 融合了摇滚、伊比利亚和巴斯克民族音乐元素的新探戈著作 22-23 3.1.3 弗拉门戈风格的巴赫著作 23 3.2 室内乐著作 Neotango concerto Op.8 解析 23-25 3.2.1 Neotango Concerto Op.8 的创作背景 23-24 3.2.2 九个不同的版本 24-25 3.3 室内乐代表作 Anantango 演奏风格的把握 25-29 3.3.1 Anantango 的基本风格 25-26 3.3.2 Anantango 的演奏要 点 26-27 3.3.3 Anantango 演奏版本 整理 27-29 结语 29-30 参考文献 30-31 附录 31-41 致谢 41 |
