| 本文剖析了约翰。福尔斯在法国中尉的女人中在诠释认识形状，法语论文范文，塑造人物客观性 及提醒主题方面临各类后古代论述技能的运用。别的也从篇章体裁学的角度，运用斯伯博和韦尔森的说话学实际剖析了论述者使读者从启示式的说话形式转换到推论式的说话形式这一进程。福尔斯的小说其实不遵守实际主义的准绳，而是在废弃表示实际，法语论文题目，存眷美学自发方面更偏向于后古代主义。小说约请读者验证、比拟、对比实际主义维多利亚的叙事尺度与多重文本的平行成长中所表现的后古代论述技能的分歧的地方。论文举例解释了福尔斯在法国中尉的女人中是若何运用后古代主义的叙事技能的。在法国中尉的女人中汗青像叙事一样陈说，叙事像汗青一样睁开。汗青和论述的交互感化打破了二者的界线并使之相互包涵，突现了小说的认识形状。汗青的论述解构了传统的论述。是以也解构了传统的客观性的概念。法国中尉的女人既运用了描写性说话又运用了阐释性说话，但它其实不象实际主义小说那样具有再现性，而是偏向于隐喻性。从一开端作者就运用了高度隐喻性的说话，是为了使读者对文本停止启示式的浏览。然则在文本的最初，启示式的浏览从外部被解构，读者自愿采取推论式的浏览措施。由于斯伯博和韦尔森的认知说明实际认可读者在浏览中的活泼感化，它为进一步摸索作者、文本、论述者和读者之间的关系供给了很多有效的对象。传统的不雅点以为作者与文本之间是品级和专制的关系。作者付与文本的存在，是文本的一切者。法国中尉的女人突现了作者的隐约性、复调性和不肯定。福尔斯在他的小说中强调了作者与论述者的分别。现实上作者和读者配合介入了文本很多层面的构建。互文性强调了读者的感化，是使论述解脱作者的掌握的一种措施。读者和文本的互相感化代替了作者付与文本的单一寄义。在这本小说中福尔斯的知觉论述暗示了范畴、男性与女性的差别、精英与平易近众的差别、自在和时光等主题。 Abstract: This paper analyzes John. Fowles in "the French Lieutenant's Woman" in the interpretation of the understanding of shape, shape the character of objectivity and to remind the subject of various types of ancient times after the application of skills. Other from text genre science point of view and methodology application Sibobo and weiersen speak practical analysis discussed so that readers from the words of the form of enlightenment converted to inference words form the process. Fowles's novels are not in compliance with the principle of realism, but rather in the fact that the theory of aesthetics is more inclined to the post ancient doctrine. Novel invites readers to verify, analogy, comparison of actual Victorianism narrative scale and multiple text parallel growth in the performance of the ancient discusses the skills of differences. This paper explains Fowles's narrative skills in the French Lieutenant's woman. In the same statement "the French Lieutenant's Woman" in history as narrative, narrative history as open as. The interaction history and discusses the breaking the boundaries of the two and make mutual inclusion, the emergence of novel shape recognition. The discussion of history has been the deconstruction of traditional discourse. It is also a deconstruction of the traditional concept of objectivity. The French Lieutenant's woman has applied both descriptive and interpretive speech, but it is not as well as a realistic novel, but rather a metaphor. From the beginning, the author has applied a highly metaphorical speech, in order to enable the reader to read the text from the enlightenment. But at the beginning of the text, the revelation of the view from the outside is deconstruction, the reader will take the inference type of browsing method. As Si Bobo and Velsen's cognitive description of the actual recognition of the reader in the active role of the reader, it is to further explore the relationship between the author, the text, the reader and the reader to provide a lot of effective objects. The traditional view that between the author and the text is the relationship between grade and tyranny. The author has given the text, the text is all. "The French Lieutenant's Woman", the author demonstrated the faint polyphony and uncertainty. Fowles stresses the importance of the author and the author in his novels. In reality, the author and the reader coordination involved in the construction of many aspects of the text. The influence of the reader is emphasized by the author. It is a way to release the author's master. The text and the reader interaction instead of the single meaning of the author to the text. In this novel, Fowles's perceptual discourse suggests that the category, the difference between male and female, the difference between the elite and the public, and the theme of freedom and time. 目录: |
