| 作为艺术中的一个汗青活动，写实主义起源于19世纪的法国。这场活动有三个重要代表人物，他们分离是米勒，库尔贝和杜米埃。他们的支撑者、有名作家、平易近间艺术研究首创者尚弗勒里将1848年定为写实主义的开始，这一年恰逢法国年夜反动，也是尚弗勒里初识库尔贝的日子。写实主义夹在浪漫主义与意味主义之间，是19世纪40年月至70、80年月欧洲的艺术主流，从法国漫延到欧洲列国和亚洲地域，而且其作用一向延续到明天。文章第一章重要是对画面情势构造的解读和对19世纪法国写实主义绘画的组成情势剖析，第二章从颜色构造方面来剖析19世纪法国写实主义绘画的特点和纪律；第三章是联合我国油画成长现状来从正面论述法国写实主义绘画的深远作用。写实主义艺术活动的目的是在对现代生涯过细不雅察的基本上，对实际世界停止客不雅、真实、无成见地描写与再现。强调汗青与经历实际之间的接洽，是写实主义的典范世界不雅。汗青画不该以古典现代为题材，宣传永久的价值与幻想，而应当把焦距瞄准实际中的通俗人生涯，诚如新汗青不雅提倡者丹纳所说，法语论文范文，“去摈弃轨制及其机制实际，摈弃宗教及其实际系统，去尽力不雅察人们在工厂，在办公室，在农田中的生涯状态，连同他们的天空、野外、衡宇、服装、垦植和饮食，正如我们达到英国或意年夜利时会连忙留意到人们的面庞、姿态、途径和客店，陌头漫步的市平易近、喝酒者。”这类新的汗青不雅念，年夜年夜地拓展了画家们表示的题材规模。但写实主义画家们成心有意间在画面构造方面做出的测验考试和尽力，却异常值得我们去研讨和继续。如米勒在他的晚钟里对于画面构造的设计，可谓无懈可击，有人妄图把画面里的独轮车、小篮子、锄头从人物旁稍稍移动和交流一下地位，成果都达不到原本的画面后果。可见米勒对“多样同一”的情势纪律运用的何等奇妙；库尔贝的奥尔南的葬礼冲破了后人在画面构造上的循序渐进，法语毕业论文，他保存了“宏伟作风”所转达的气概而没有落入其准绳的泥潭，画中没有豪杰的姿态，也没有中间，但人物各有各的视野，沉溺于各自的思路当中，似乎整幅著作没有经由锐意的构图，但是构造却照旧奥妙、严谨人物之间的间隙在饰带般的结构中归纳了迟缓的挽歌般的节拍。写实主义具有两层寄义一是指艺术的创作办法；二是指艺术的写实手段。19世纪法国写实主义美术二者兼而有之。今朝对19世纪法国写实主义绘画的研究曾经许多，但年夜都是在研究写实主义的批评性和题材特点范畴的，本文重要是从几个具有代表性的画家的画面构造动手，找出该时代著作在画面情势构造和颜色的表示性方面的奇特性。尽人皆知，19世纪法国写实主义美术家们成长了美术著作的写实技法，特殊在景致画中对表示光线和空间感，做了富有结果的摸索，但很少有人去存眷他们在画面构造方面获得的造诣，而且他们在这方面所作出的测验考试和进献是有目共睹的。纵不雅美术成长史，19世纪法国的写实主义美术活动是法国文艺史上辉煌的篇章，它对欧洲列国及我国的文艺活动作用深远，为现现代绘画的成长拓宽了理念，首创了平易近主艺术的新阶段。 Abstract: As a historical event in the art of realism originated in France in the nineteenth Century. This event has three important representatives, they are separated by Miller, Courbet and Daumier. Those who support them, a famous writer, plain near the inter art research initiative Shangfuleli will 1848 set as the beginning of realism, this year coincides with the French Revolution, but also Shangfuleli acquaintance of Gustave Courbet. Realism clip in Romanticism and symbolism between, in the 19th century, 40 years to 70, 80 years Europe's mainstream art, spread from France to the countries of Europe and Asia region. Moreover, the impact continues to this day. In the first chapter, the important thing is to screen situation structure interpretation and the 19th century French realist painting composition situation analysis, the second chapter from the aspects of color are constructed to analyze the 19th century French realist painting characteristics and discipline; the third chapter is to unite China oil painting develops the current situation from the far-reaching influence of the positive aspects of French realist painting. Realism art activity is in, on the basis of the modern career meticulous observations, to the real world stop a guest indecent, true, without prejudice to the description and representation. The connection between history and experience that the world is a model of realism indecent. Historical paintings should not to modern classical theme, publicity of lasting value and fantasy, but should focus aimed at actual popular career, as new history indecent advocates Dana said, "to abandon rail system and mechanism, to reject religion and its actual system to try not to observations in the factory, in the office, state of career in the field, together with their sky, field, Heng Yu, clothing, Ken diet and graft, as we reach England or Italy will quickly noticed that people face, posture, the way and the inn, the streets to stroll the city residents nearly, drinkers." This kind of new history, the eve of the artist to expand the scale of the subject matter. But realism painters mean intentionally in frame structure to make the test and the effort that is unusually worth us to explore and continue. As Miller in his "curfew" on the screen structure design, can be described as perfect, people attempt to screen in the wheelbarrow, small baskets, hoe from the side of the figure slightly mobile and communicate your position, the results are not up to the original picture of the consequences. Visible Miller of diversity with a "situation discipline how wonderful; Courbet's" funeral of Ornans "break the descendants in the picture constructed step by step he saves the" grand style "conveyed by the spirit and not fall into the quagmire of its principles, painting no hero posture, there is no intermediate, but each person has the vision, indulge in their thinking seems to the whole work no through the composition of the forge, but gap formation was still secret, rigorous between characters in ribbon like structures summed up the slow elegiac beats. Realism has two layers of meaning refers to a way of artistic creation; the two refers to the art of realistic means. In nineteenth Century the French realism art combination of the two. Currently on the 19th century French realist painting research has many, but mostly in research realism with critical features of theme category, this paper is from several representative painter picture constructed hands-on, find out the times works in picture situation structure and color representation of the peculiarity of. Well-known, 19th century French realist artists grow art painting technique, special in the landscape painting of light and space, made fruitful exploration, but few people to concern they get in the picture structure of attainments, and they make the test and contribution is obvious to all. The longitudinal indecent art history of growth, in France in the 19th century realism art activity is a French literary history of a glorious chapter, far-reaching impact on European countries and China's literary and artistic activities, for the growth of modern painting broadened the concept initiated a new stage of democratic art. 目录: |
