| 长笛的成长离不开19世纪后法国长笛吹奏家的进献。以巴黎音乐学院为焦点,法国造就出了一代又一代的优良的长笛吹奏家和教导家,这些吹奏家和教导家一代一代的继续和成长,逐步构成了我们如今所熟悉的法国长笛学派。法国长笛学派的构成,对世界长笛的成长起到了严重的感化。本文就法国长笛学派,法国长笛学派所请求的技巧成绩,和法国长笛学派对世界长笛成长做出的作用等成绩,做出一些阐述。本文包含引言,注释,和结论三年夜部门。注释第一章笔者对法国长笛学派停止了概述,第一节引见了分歧时代法国长笛音乐的主要作曲家及其主要著作。第二节引见了法国长笛学派的代表人物,古代法国长笛学派的引导人Paul Taffnel,他的先生Gaubert,和巨大的长笛吹奏家Jean Pierre Rampal及其吹奏作风。第二章具体阐述了法国长笛学派对于各项技巧提出的请求及其处理成绩的演习办法。第一节到第五节,文章分离阐述了吹奏姿态,音乐呼吸,音质,吐音,手指演习这五个长笛根本技巧的请求和演习办法。第三章,文章引见了法国长笛学派对世界长笛成长和中国长笛事业的成长做出的主要进献。 Abstract: Flute growth can not be separated from the nineteenth Century after the French flute playing home. Paris Music Institute as the focus, the French created a generation after generation of excellent flute and home and taught at home, these play home and teach the generation of the continued and growing, and gradually formed the French flute school we are now familiar with. The composition of the French flute school played a serious role in the development of the world's flute. In this paper, the French flute school, France, the French flute school requested the results, and the French flute school to the world to make the impact of the growth of flute and other achievements, make some elaborate. This article includes the introduction, the notes, and the conclusion of the three major departments. In the first chapter, the author summarized the French flute school. The first section introduces the major composers and their main works of French flute music in different times. The second section describes the French flute school representative figure, the ancient French flute school's Guide Taffnel Paul, his Mr. Gaubert, and the great flute playing home Pierre Rampal Jean and its playing style. The second chapter specifically describes the French flute school on the skills of the request and the results of the exercise of the exercise. The first section to the fifth section, the article describes the separation of the playing posture, music breathing, sound quality, voice, finger exercises, the five basic skills of the request and exercise methods. The third chapter, the article introduces the French flute school to the world of flute growth and the development of the Chinese flute career to make the main contribution. 目录: 论文摘要 4 引言 6-8 第一章 法国长笛学派概述 8-10 第一节 法国长笛音乐重要作曲家及其代表著作 8-9 第二节 法国长笛学派重要演奏家及其演奏风格 9-10 一、保罗·塔法内尔(Paul Taffanel) 9 二、马萨尔·莫伊斯(Macel Moyse) 9-10 三、让·皮埃尔·郎帕尔(Jean Pierre Rampal) 10 第二章 法国长笛学派对长笛技术的要求和解决措施 10-16 第一节 演奏姿势 10-11 第二节 音乐呼吸 11-13 第三节 音质 13-14 第四节 吐音 14-15 一、气吐 14 二、双吐中的ku 14 三、单吐 14-15 四、双吐 15 五、三吐 15 第五节 手指的灵活性 15-16 第三章 法国长笛学派关于世界长笛发展以及中国长笛发展的作用 16-18 第一节 法国长笛学派对欧美长笛发展的作用 16-17 第二节 法国长笛学派对中国长笛发展的作用 17-18 结语 18-19 参考文献 19 参考乐谱 19 |
