本文研究的是英国维多利亚时代的两部小说一简·爱和还乡中的巴黎抽象。在简·爱中,巴黎女人瓦朗被描写为一个具有巴黎特征的淫荡的情感骗子,轻佻、浅陋、风流等昏暗品德则被算作是巴黎的招牌。而在还乡中,巴黎又成了女主人公神往的美妙家园,由于那边有品德上的无束,法语论文范文,法语论文题目,精力上的自在,可以给她带来活气与豪情。因而,在英国人的想象中,存在着两个巴黎一个是充斥各种罪行的品德天堂,另外一个则是代表先辈文明和自在、豪情的人世地狱。但是,简·爱中对法国品德的鄙夷其实不是基于英国人的明哲保身。现实上,英国的放纵和品德伪善有甚于法国。简·爱对法国抽象的塑造是一种有偏向性的“设想”,文中运用了一些惊人而谨严的言说战略来确定英国文明,抬高法国文明。其目标是出于殖平易近争取时公民性扩大的须要。而还乡中对法国的神往确切源自英国国际的约束。这里巴黎作为自在寰宇的意味涌现,表现了帝国式微时代英国人对实际的不满,和对自在、协调生涯的神往。简·爱与还乡中看待平易近族文明的分歧立场,反应了两种平易近族主义不雅。一种是消极的,它一味强调本平易近族文明的优胜性,并自觉排挤其他平易近族的文明。简·爱中对法国巴黎的塑培养是出自如许的心思。而另外一种则是积极的平易近族主义,它强调本平易近族文明的特色,但其实不排挤其他平易近族的文明。它认可分歧的平易近族文明,并重视其间的差别,愿望经由过程这类差别来更好的熟悉自我,反思自我。还乡中的法国抽象正反应了这类积极的平易近族主义。 Abstract: This paper is a study of the British Vitoria times of the two novel "Jane Eyre" and "the return of the native" in Paris abstract. In Jane Eyre, Paris woman varens is described as an emotional cheat with the sensuality of the characteristics of Paris, frivolous, shallow and romantic etc. dim character is counted as the signs of Paris. And in the return of the native, Paris became the heroine charmed wonderful home, because there is a moral free beam and free energy can bring vitality and passion for her. Therefore, in the British imagination, there are two Paris one is filled with all kinds of crimes of moral heaven, the other is a representative of advanced civilization and freedom, the feelings of the hell on earth. However, "Jane Eyre" in France is not based on the character of contempt of British worldly-wise and play safe. In fact, Britain's indulgence and moral hypocrisy is better than france. "Jane love" on French abstract shape is a biased "Imagine". In this paper applied some amazing and cautious speech strategy to determine the British civilization, raise the French culture. The goal is for the colonial expansion of the need for citizens. And "the return of the native" in France with exact from the British International constraints. Here in Paris as a means of free universe emerged, the Empire declined era, the English of dissatisfaction with the actual, and for freedom and harmonious life longing. "Jane Eyre" divergence and "see" the return of the native peoples of civilization, reflects two kinds of nationalism indecent. One is negative, it only emphasizes the superiority of this nation's civilization, and the exclusion of other ethnic cultural consciousness. "Jane Eyre" in the French Paris plastic culture is such thoughts from. And the other one is positive nationalism, it emphasizes the ethnic characteristics of civilization, but in fact do not exclude other nation's civilization. It recognizes differences of ethnic culture, and the importance of in the meantime difference, wishes through this kind of difference to better understanding of self and self reflection. "The return of the native" in France is the response to this kind of abstract positive nationalism. 目录: 中文摘要 4-5 英文摘要 5 引言 7-10 第一章 巴黎形象 10-21 第一节 “罪恶的城市”——以简.爱为例 10-12 第二节 “全世界美丽的中心”——以还乡为例 12-16 第三节 巴黎形象的特点 16-21 第二章 塑形的文化背景 21-30 第一节 性放纵 23-25 第二节 道德伪善 25-26 第三节 思想束缚 26-28 第四节 英法殖民争夺 28-30 第三章 塑形的文化心理 30-42 第一节 帝国的骄傲与扩张——简.爱的塑形心理 31-34 第二节 帝国的怀疑与反思——还乡的塑形心理 34-37 第三节 深层心理内涵——民族主义 37-42 结语 42-44 参考文献 44-46 后记 46-47 |