| 约翰·福尔斯是现代英国文坛享有很大声望的有名小说家。他所创作的小说到处颂扬，雅俗共赏。个中法国中尉的女人于1969年问世后因其极高的艺术造诣，取得了学术界的广泛赞誉并被公以为是他的代表作。评论家们从后古代主义、传统实际主义、新汗青主义、存在主义、女权主义等各个方面动手，对小说作了深刻的商量。无疑这些商量对我们进一步的研究小说是具有启示感化的。在浏览了小说和各类评论以后，我们不难发明，评论家们疏忽了对小说中存在的不肯定性，这一后古代主义重要的审美特点的研究。作为二战前面临小说各类情势曾经干涸的说法的小说家，福尔斯也认识到其时的小说创作正面对着严格的挑衅，那就是若何用新的创作手段来表示战后东方社会的实际及人们的生计体验。福尔斯对传统的文学采用继续并试图超出的立场，采取后古代主义的不肯定性实验创作了法国中尉的女人。小说中的人物抽象、情节和主题的不肯定性不只相符人们对周边世界不肯定的感触感染，并且也为二战后小说的成长供给了新的前途。本文分引言，第一章，第二章，第三章和结语五个部门。引言部门一方面引见了法国中尉的女人所获得的文学造诣和评论家对小说的各个方面的研究。另外一方面简述了二战后东方的社会配景和文学的特点及所面对的创作窘境，并商量了后古代主义的不肯定性和法国中尉的女人中表现的人物抽象、情节和主题的不肯定性。第一章剖析了法国中尉的女人女主人公萨拉和论述者抽象的不肯定性。法国中尉的女人这本小说充满着奥秘不定的身分。萨拉的真实自我和真实身份一向处于不肯定、奥秘化的状况，她是一个无人能解的谜。固然小说的论述者，男主人公查尔斯和小说的其别人物的对萨拉从各个方面都有论述和评论辩论，然则他们依然不克不及对萨拉有肯定的熟悉。而论述者抽象的不肯定性表示在一方面他是传统的全知万能的论述者，对文中的维多利亚的人物具有完整的控制，法语论文题目，法语论文题目，自在自负的引见小镇上人物的前因后果，褒贬人物的行动。而另外一方面论述者却不时的从幕后跳出来对他正讲述的故事评论几句。并且论述者还作为人物涌现，身份赓续变更，并与传统的论述者辩论，打破了全知的论述者的抽象。第二章商量了法国中尉的女人的情节的不肯定性。福尔斯运用了时空交叉和开放式的开头的写作技能，将真实生涯的腾跃性和不肯定性无机的展现出来。时空交叉表现在福尔斯在发明了一个让读者以为真实的维多利亚时期的同时却搀杂了20世纪罕见的事物。同时福尔斯自出机杼的给读者供给了开放性的三个分歧的开头让读者去思虑，选择，而不是像普通的传统小说的开头那样给出一个因果关系的年夜廓清。第三章评论辩论了法国中尉的女人的主题的不肯定性。传统的小说都有其惨淡经营的独一的主题，而福尔斯在用立异的手段创作出不肯定的人物抽象和情节的时刻，难以让读者获得一个肯定不变的统率全文的主题。从不肯定的人物抽象和情节读者可以剖析得出福尔斯对压制的维多利亚时期的激烈鞭挞和萨拉和查尔斯对自在寻求。结论部门指出法国中尉的女人中人物抽象、情节和主题的不肯定性不只表示了战后东方社会的信息技巧和年夜众传媒等的疾速成长实际给人们带来的不肯定感触感染，也为战后的英语小说的成长供给了一个选择。 Abstract: John Fowles is a famous novelist who enjoys a great reputation in the modern English literary circles. He is the author of the novel full of praise, tastes. Medium, "the French Lieutenant's Woman" in 1969 appeared due to its high artistic attainments, gained wide acclaim from academia and was acknowledged to be his masterpiece. Critics have made a profound discussion of the novel from the following aspects, such as the post ancient doctrine, the traditional realism, the new history, existentialism, feminism and so on. Undoubtedly these discussions on our further study of the novel is a revelation of the impact of. After reading the novel and all kinds of comments, we are not difficult to find, the critics have neglected the uncertainty of the existence of the novel, this is an important aesthetic characteristics of the study of ancient times. As before World War II face novel forms once dry novelist, Fowles also recognize the meantime novels positive toward the stern challenge, that is how to use new creative means to represent the actual postwar Oriental society and people 's living experience. Fowles used to continue and try to go beyond the traditional literary position, take the post of the ancient doctrine of uncertainty in the creation of the French Lieutenant's woman. The characters in the novel, the plot and the theme of uncertainty, not only in line with the people around the world are not sure of feeling, but also for the post World War II, the growth of the novel provides a new future. This paper is divided into five parts: introduction, the first chapter, the second chapter, the third chapter and the conclusion. Introduction on the one hand, the French Lieutenant's woman, the literary attainments and the critics of the various aspects of the novel. Also briefly introduced the uncertainty of after World War II, in the east of the social background and literary characteristics and face creation dilemma, and discuss the post modernism and the French Lieutenant's Woman "the character image, plot and theme of the not sure of. In the first chapter, I analyze the uncertainty of the abstract of the heroine Sara and the French Lieutenant's woman. The French Lieutenant's woman is a mystery. Sara's true self and true identity has always been in a state of uncertainty and mystery, and she is a mystery that no one can understand. Although the novel's discourse, male hero Charles and the novel's other characters on Sara from all aspects of the discussion and criticism, but they still can not have a certain familiarity with Sara. And discusses their abstract not sure that on the one hand he is traditional omniscient omnipotent discussed. Characters of the Victoria has complete control. The antecedents and consequences of free self introductions of town, appraise the character of action. But on the other hand, the discourse has been jumping out from behind the scenes to comment on the story. And discussed also as a figure to emerge, identity and ceaseless change and debate with the traditional paper, breaking the omniscient author of abstraction. The second chapter discussed the uncertainty of the plot of the French Lieutenant's woman. Fowles applied cross time and space and open at the beginning of the writing skills, will prance of real life and uncertainty of the inorganic demonstrated. Cross time and space performance in falls in the invention of a let readers think that the real Victorian also is mixed with the 20th century rare things. Also falls from the Jizhu readers to supply the at the beginning of the opening of the three divergent for the reader to consider,, and not like traditional novels at the beginning of that give a causal relationship between big clearance. The third chapter comments on the subject of the French Lieutenant's woman. Traditional novels have only subjects dismally, and falls in with innovation creation means the abstract is certainly not the characters and plot moment that make it difficult for readers to obtain the full command of a positive constant theme. Certainly never character abstraction and plot readers can analyze falls to suppress the Victorian intense lash and Sarah and Charles quest for freedom. In part, as a conclusion, that in the French Lieutenant's woman characters in the image, plot and theme of the uncertainty denotes not only the postwar Oriental Society of information techniques and the eve of all the media and rapid growth has actually brought to people not sure feeling, also for the growth of the postwar English novel provides a choice. 目录: |
