| 法国中尉的女人(以下简称法)是英国后古代主义作家约翰·福尔斯的一部滞销小说。本文侧重从后古代叙事角度评析福尔斯的法的创作艺术。笔者以为福尔斯的小说创作应当放在后古代语境下评价。在法这部小说中，因为作者模拟了维多利亚小说情势，本文还将商量维多利亚实际主义小说叙事的一些特色。本论文分为五个部门：绪论部门回想了法的创作配景和国际外对法的接收状态和研究状态。在简略地引见著作内容的同时，解释了本论文的选题来由及批驳立场。第一章：两个分歧本体世界的张力。这是这篇小说叙事的一年夜特色。写作与浏览法的二十世纪与法中虚拟的十九世纪是两个分歧的时期。作者重要是经由过程时期误置手段来制作张力。这里的时期误置是经由过程以下几个技能：一是将一个有古代思惟和心思的女主人公萨拉放置于19世纪；二是在十九世纪的语境中频仍提到二十世纪。再一个手腕就是让二十世纪的论述者与他虚拟的十九世纪的人物一路涌现在故事中。法的别的一个论述特色就是有两个平行、类似的论述层：写作的作者与浏览的读者(同时期)处于统一个层面；说谎的萨拉与钻骗局的查尔斯处于统一个层面。这两个层面分歧，前者处于20世纪的实际世界，后者属于虚拟的19世纪维多利亚时期。然则论述者(福尔斯)—读者与萨拉—查尔斯与之间有一种相反相成的关系，从而使得法的叙事构造出现多元化。萨拉与查尔斯玩游戏：她时而是荡妇，时而是圣女。论述者与读者玩游戏：他时而是一无所知的天主，时而是平淡的伧夫俗人。游戏的成果是读者与查尔斯取得自在，找回了“自我”。这类类似性进一步混杂了两个分歧世界的界限，增强了论述的不肯定性。第二章：维多利亚论述和古代论述。这两种作风在相互争取论述掌握权，然则风趣的是：真实的论述掌握权既不在维多利亚的论述，也不在古代的论述，而在于它们之间。法单凭维多利亚论述或古代论述都不克不及成其为法。维多利亚的论述特色重要是实际主义的。传统实际主义的三年夜特色：实际错觉，关闭论述和话语品级。本章重点阐述了十九世纪实际主义小说的天主式全知论述、作者介人插话等技能。十九世纪实际主义创作的一个主要特色是“念头论”，即若何使著作更相符实际逻辑，法语毕业论文，更有真实感。这个维多利亚声响就是遵守这些传统。古代论述的声响重要是后古代主义的。古代主义的重要特色是高度的审美自发认识和对实际主义表述的废弃。后古代主义文学创作也具有古代主义的一些特色，但比拟之下更重视“自我映照”。所今后古代小说平日被叫做“元小说”或“自恋小说”。法中的古代论述更多的是一种“自我映照”，使得这篇小说具有很浓的“元小说”或“自恋小说”的特色。再一个差别是：古代主义创作的主导价值是新鲜，尔后古代主义则爱重温曩昔。在这部小说里，论述作风模拟了实际主义、逾越了古代主义，法语论文题目，最初归落于后古代主义．第三章：汗青、虚拟和互文性。本章商量了汗青与虚拟文学的关系偏重点论述了这部小说中的互文性这一文本战略。这是后古代主义创作的一个主要特色。法具有汗青小说的特色。然则法又是一部虚拟著作，是在十九世纪汗青配景下虚拟的一个故事。法｝）中的汗青与虚拟的联合组成了这部小说的互文性，而这类互文性反过去成了这部小说的最成成绩的一种论述战略。法这部小说经由过程把客不雅论述性（也就是汗青）转化为客观论述门虚拟入从而发生了它的实际化后果，具有实际小说的特色。这类形式在把汗青转化为故事的进程中强化了论述性的功效，组成了互文性，使得我们不只想到曩昔汗青的现实情形，还想到汗青在其他文本中的表示措施。这类互文性极年夜地拓宽了读者的浏览与想象自在，既解构了维多利亚天主式论述威望，也解构了古代论述的试验性与自发性。法中的互文性重要表示在：借用和模拟维多利亚时期的小说和迷信文本情势。就象一个单词或一小我，任何论述都不是孤立的岛屿。法与其说是一部“内转向”的自发性小说，还不如说是一部如许的小说：它向外自创其他的论述文本和貌似中立现实增强了价值的表示办法。最初的结语部门扼要地总结了法的后古代叙事，并对约翰·福尔斯一些有关的创作思惟作出评论。 Abstract: The French Lieutenant's Woman "(hereinafter referred to as the" method ") is the UK ancient writers John Fowles a bestselling novel. This article focuses on the creation of Fowles's "law" from the perspective of post ancient narrative. The author thinks that Fowles's novels should be evaluated in the post ancient context. In the novel of "law", because the author simulated the situation of Vitoria novels, this paper will discuss some of the characteristics of the narrative of the Vitoria actual novels. This paper is divided into five departments: the introduction of the "law" and the creation of the "law" of the "law" of the receiving state and research status. In the brief introduction to work at the same time, this thesis explains the reason and position of criticism. The first chapter: the tension of the world of the two differences. This is a major feature of the narrative of this novel. Writing and browsing the "law" in twentieth Century and "the law" in the virtual nineteenth Century is the two differences between the period. The author is important to make the tension by means of error in the process. The period here is by the process of the following skills: first, an ancient thought and the idea of the heroine Sara placed in nineteenth Century; two in nineteenth Century is still mentioned in the context of twentieth Century. Another wrist is to let the twentieth Century's discussion with his virtual nineteenth Century figure of the way in the story now. The other one elaborates the characteristic is to have two parallel, similar to discuss: level reunification of the author's writing and browsing readers (and) in; lie Sarah and drill scam Charles in same level. These two levels are different, the former is in the actual world in twentieth Century, the latter belongs to the virtual nineteenth Century Vitoria period. However, the arguer (John Fowles) - readers and Sarah, Charles and have a complementary relationship, which can lead to the diversification of the narrative structure. Sara Charles: play games with her but a slut, sometimes is a saint. The arguer and readers play a game: but he is absolutely ignorant of God, sometimes dull. Husband earthling. The outcome of the game is that the reader and Charles get at ease and get back to the "self" ". This kind of similarity is further mixed with the boundaries of the two different worlds, and enhanced the uncertainty of the discourse. The second chapter: Vitoria exposition and ancient exposition. These two styles of work in the fight for the right to master, but interesting is: the real right to master the discussion is not in Vitoria, nor in the ancient exposition, but in between them. "Law" alone with Vitoria or ancient exposition can not be able to become the "law". The characteristics of Vitoria's exposition are of practical importance. The traditional realism of three major features: real illusion, close discussion and discourse level. This chapter focuses on the nineteenth Century novels of realism, the author discusses the omniscient God type dielectric interposed skills. An essential feature of the 19th century realism creation is the "idea" theory, that is how to make the work more in line with the actual situation of logic and more realistic. The sound of Vitoria is to keep these traditions. The sound of ancient discourse is important in the post ancient doctrine. The important characteristic of the ancient doctrine is a high degree of appreciation of the aesthetic spontaneity and the abandonment of the realistic representation. After the creation of ancient literature also has some of the characteristics of the ancient doctrine, but more emphasis on self reflection". In the future, the ancient novels are called "meta fiction" or "narcissism" ". In the "law", the ancient discourse is more of a kind of "self reflection", which makes this novel has a very strong feature of "meta fiction" or "narcissism novel". Another difference is that the dominant value of ancient writing is fresh, and then the ancient doctrine of love and the past. In this novel, the style of discourse has been discussed in the style of realism, which has surpassed the ancient doctrine, and was originally classified into the post ancient doctrine. The third chapter is the history, the virtual and the. In this chapter, we discuss the relationship between history and virtual literature, and discuss the strategy of the text in this novel. This is one of the main features of post - Ancient creation. "Law" has the characteristic of historical novel. But the "law" is also a virtual work, is in nineteenth Century with the history of the virtual reality of a story. "}) in history and virtual joint composed of the novel from the perspective of intertextuality, and this kind of intertextuality anti past the novel the grade of a deals with strategy. "Law" this novel through the process of the guest discourse (that is, history) into an objective discussion of the door into the virtual reality of its consequences, with the characteristics of the actual novel. This kind of form in the historical transformation story in the process of strengthening the discussion of the effect, the composition of the intertextuality, allows us to not only think of the past history of the reality of the situation, thought history in other text representation. This kind of discourse has greatly broadened the reader's browsing and imagination. It has not only the deconstruction of the Vitoria Catholic discourse authority, but also the experimental and spontaneous. The important representation of the "law" in the process of borrowing and simulating the novels and scientific texts in Vitoria. Just like 目录: |
