法国中尉的女人:一部非女性主义小说[法语论文]

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英国作家约翰·福尔斯是现代英国文坛颇负盛名的作家。他的代表作法国中尉的女人自1969年问世以来,为福尔斯博得了很年夜的声誉,同时也在评论界及读者中惹起了激烈的反应。纵不雅有关该小说的评论,很多评论家以为小说的女主人公萨拉是一名女权主义的代表人物,本文测验考试借用女性主义文学批驳实际,特别是采取保守女权主义有关父权制的阐述,来商量男性作家在处置两性关系时所采用的立场和立场,文章以为,虽然作者塑造了多重身份于一身的萨拉,但是对萨拉缺少正面清楚的描写,读者对于萨拉的懂得完整来自查尔斯及论述者等的直接论述,光鲜地反应出作者所强调的男性认识和男性视角。小说的故工作节集中环绕查尔斯睁开,而萨拉的真实面貌却一直覆盖于奥秘面纱的面前,她乃至没有真实的话语权,在故工作节的成长中只是充任“催化剂”,为查尔斯带来欣喜,并促使他赓续走向成熟。因此,无声的萨拉只是小说的中间人物,而不是女配角。而小说的三重开头则重要表现出作者的存在主义不雅点,并不是表现了萨拉真正取得自在。借用女性主义文学批驳实际,文章以为,虽然福尔斯自以为保护女性好处,自以为是一名女权主义作家,但是男权社会根深蒂固的作用使他弗成防止地成为不屈等两性关系的认同者,因此在如许的认识指点下创作的小说也会是一部非女性主义小说。

Abstract:

John Fowles, a British writer, is a famous writer in modern English literary circles. His masterpiece, "the French Lieutenant's Woman" since its inception in 1969, Fowles won a great reputation, but also in the critics and readers to provoke a fierce reaction. Longitudinal indecent comments about the novel, many critics thought the novel's heroine Sarah is representative of a feminist, this paper test the use of feminist literary criticism of the actual, especially take conservative feminism about patriarchy elaboration to discuss the male writers in the disposal of the relationship between men and women of the stand and the stand, thought the article, although the author creates multiple identities in a body of Sarah, but Sarah lack positive clear description, readers about Sarah know complete from Charles and discussed and the direct discourse, bright reflect author stressed male and male perspective. Novel so the working section around open Charles, and Sarah's true face has been covered in front of the mystery. She doesn't even have a real say, in the growth of the stories just acted as a "catalyst", Charles joy, and led him to the ceaseless maturity. Therefore, the silent Sara is only the middle of the novel, not a supporting actress. And the three beginning of the novel is an important manifestation of the author's existentialism, not the performance of Sara's real freedom. Using feminism literary criticism practice, thought the article, though Fowles thinks women's benefits protection, thinks of himself as a feminist writer, but rooted in the patriarchal society enable him Eph to prevent a relationship of unyielding identity, so in such knowledge under the guidance of the creation of novels will is a non feminist novel.

目录:

Acknowledgements   7-8   Abstract   8   Abstract in Chinese   9-10   Chapter One Introduction   10-16       1.1 A brief Introduction to Fowles\'Life and Literary Career   10-12       1.2 The Summary of The French Lieutenant\'s Woman   12-16   Chapter two Literature Review   16-22       2.1 International Study   16-21           2.1.1 The Theme of the Novel   16-17           2.1.2 The Analysis of Sarah   17-19           2.1.3 Narrative Techniques   19-21       2.2 Domestic Review   21-22   Chapter Three An Account of Radical Feminism Theory   22-31       3.1 Feminist Theory   22       3.2 Feminist Criticism   22-24       3.3 Radical feminism   24-28           3.3.1 Representative Feminist Critics and her View   26           3.3.2 Key terms on Feminist Criticism   26-28               3.3.2.1 \"Patriarchy\"   26-27               3.3.2.2 Otherness   27-28       3.4 Major Characteristics of \"New Women\"   28-31           3.4.1 Challenges to traditional roles of woman   28           3.4.2 Challenges to traditional marriage   28-29           3.4.3 Challenge to the traditional image   29           3.4.4 Challenge the relationship between male and female   29-31   Chapter four Unequal Contrast between male and female Characters   31-48       4.1 The Mystery of Sarah   32-41           4.1.1 The Image of Sarah   32-40               4.1.1.1 The role of Inferiority   34-40                   4.1.1.1.1 Sarah\'s behaviors   34-36                   4.1.1.1.2 The Absence of Sarah\'s Voice   36-38                   4.1.1.1.3 Sarah\'s Intention   38-40           4.1.2 Male Imagination of Sarah   40-41       4.2 Sarah as the Role of \"Catalyst\"   41-46       4.3 Summary   46-48   Chapter Five Narrative Strategies   48-61       5.1 Narrative Device in Characterizations of male and female   48-54           5.1.1 The Real Protagonist:Charles   49-51           5.1.2 The Central Figure:Sarah   51-54       5.2 The Triple Endings   54-61           5.2.1 The Credibility of Three Endings   55-58           5.2.2 The Failure of Sarah\'s Final Freedom-The third ending   58-61   Chapter Six Conclusion   61-63   Bibliography   63-69   攻读硕士探讨生阶段发表论文   69  

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