| 法国中尉的女人是现代英国有名作家约翰·福尔斯最为有名的著作。小说1969年一问世就取得了贸易和艺术上的伟大胜利。小说因其精彩的写作技能一对维多利亚时代小说的模拟，不肯定的开头一贯串一直的奥秘气氛，和浓重的存在主义气味而被以为是后古代小说的范例。然则分歧于年夜多半后古代作家割裂传统的偏向，法语论文范文，福尔斯在试验写作中恰好自创了传统文学的写作手段，这恰是小说的胜利的地方。本论文着眼于小说中后古代叙事战略的运用，经由过程“莎拉”这一后古代抽象在传统文本中发生的张力，商量后古代技能与传统文本的互相作用，法语论文，强调这些技能的应用在胜利推翻传统的维多利亚文本的同时，也强化了小说中对小我自在的追随这一主题，从而建构起意义与情势的奇妙同一。论文共由六部门构成引言部门引见了法国中尉的女人的创作配景，对二战后英美文学界的特点及其所面对的创作窘境停止了剖析，指出福尔斯著作中传统文学和后古代特点的两重表现，引入本论文的写作目标。第一章从小讨情节构造动手，经由过程剖析男主人公查尔斯·史弥森的生计窘境和他和莎拉·伍德拉夫的奥妙关系商量了小说对小我自在这一主题的存眷。第二章聚焦于小说中古代叙事技能的运用。重要商量叙事视角的灵巧运用胜利制作了莎拉·伍德拉夫的奥秘性、不肯定性等等后古代特点，同 Abstract: The French Lieutenant's woman is one of the most famous works of John Fowles, a famous writer in modern England. The great victory of trade and art was achieved in 1969. Novel because of its wonderful writing skills a of a Victorian novel simulation, certainly not at the beginning of a throughout the aura of mystery, and strong existentialism smell and is thought to be hind the paradigm of ancient novels. But most of the differences in the old writers cut the traditional bias, Fowles in the test writing just to create a traditional literary writing means, this is just a place for the victory of the novel. This paper focuses on Application of ancient narrative strategies in the novel, through the process of "Sarah" the ancient abstract in the traditional text of tension, after consultation with the modern technology and traditional text influence each other, emphasizing the use of these skills in Shengli overthrow traditional Victoria sub text at the same time, also strengthened the novel to the ego free follow the theme, thus construct the significance and situation of the wonder and magic of a. Paper is composed of six parts constitute preface introduces the creation background of the French Lieutenant's woman, of British America after the World War II essay academic characteristics and facing the creation dilemma to carry on the analysis, pointed out that the double performance of Fowles's works in the traditional literature and the characteristics of ancient, introduced the writing goal. First chapter from please plot structure hands. Through the analysis of the livelihood of the dilemma of the hero Charles Smison and secret relationship he and Sarah Woodruff discuss the novels of individual liberty, the subject of concern. The second chapter focuses on the application of the ancient narrative skills in the novel. The clever application of the narrative point of view to discuss the success of the application of Sarah Woodruff's secret, not sure, and so on after the ancient characteristics of the same 目录: Introduction 8-15 Chapter One The Tension Between Two Worlds 15-25 1.1 A Story Concerning Individual Freedom 17-19 1.2 Charles Smithson in the Existential Predicament 19-25 Chapter Two Mystification: The Way to Freedom 25-45 2.1 Mystery: From the Prison of Known To the Dark Unknown 26-27 2.2 Sarah‘s Mystification from the Triple-layering of Point of View 27-45 2.2.1 The Narrator’s Outside Point of View: The Deprivation of Narrative Authority 29-33 2.2.2 The Other Characters‘ Unreliable Gossips: Mystery as a Weapon to Subvert the Tradition 33-34 2.2.3 Charles’s Limited Point of View: From the Known to the Unknown 34-39 2.2.4 A Swarm of Mystery: The Subversion of Charles‘s Fixed Knowledge 39-45 Chapter Three Freedom from Fictionality 45-60 3.1 ATale within a Tale: Sarah’s Voice in the Narrator‘s Self-reflexive Narrative 46-51 3.2 Sarah’s Fiction-making vs. Narrator‘s Arrangement of Three Endings 51-60 Chapter Four "The French Lieutenant’s Woman": An Undefinable Woman with Her Self 60-71 4.1 Sarah‘s Resistance to be Read 61-64 4.2 Fiction-making as a Way to Freedom 64-66 4.3 Fowles’s Feminist Ideas Represented in Sarah 66-71 Conclusion 71-76 Bibliography 76-79 作者在读期间科研成果简介 79-80 声明 80-81 Acknowledgements 81 |
