| 后古代主义一词来源于20世纪60年月纽约的艺术家和批驳家的说法,并在20世纪70年月由欧洲实际家成长而成。作为一场先辈的本钱主义文明活动,后古代主义曾经渗入渗出到诸多艺术范畴。后古代主义元小说自出生之日起便异军突进,蓬勃成长,表示了后古代主义作家们为打破文学传统、完成文学改革而所做的尽力。分歧于以往文学景象的是,虽然元小说的创作非常闹热,然则它却并不是一个有着配合纲要的文学派别,而是由分布于东方国度的诸多后古代主义作家自觉理论的成果。元小说的创作手段年夜都冲破了以往的包含实际主义、古代主义在内的文学传统,极具立异性。为懂得救后古代主义时代下的文学创作于窘境,让文学创作从新焕发艺术的光荣,很多作家为了在小说的创作手段长进行行之有效的改革,不只年夜胆测验考试了很多史无前例的论述手段,并且付与一些古已有之的论述手段以新的鲜活的性命。约翰·福尔斯是英国最负盛名的后古代主义作家之一。法国中尉的女人是约翰·福尔斯最为胜利的一部著作,评论界对其深入的主题及试验性的写作技能停止了具体商量。在这部著作中,福尔斯以20世纪为视角论述了一个产生在英国维多利亚黄金时代的恋爱故事,援用了年夜量的汗青细节,也被以为是一部汗青小说。本论文自创后古代主义和元小说的实际结果,联合福尔斯的艺术创作不雅念,剖析了法国中尉的女人中的后古代主义元小说的特点。论文主体分为四章。第一章归纳综合引见约翰·福尔斯和他的著作,同时陈说后古代主义文学的根本特点；和国际外学者对于后古代性和元小说的研究,和本文的研究意义和立异点,从而引出第二章中具体的后古代主义和元小说实际。第二章具体陈说元小说的界说、根本特色、尺度等实际成绩,深入评论辩论元小说的写作特色,包含戏仿、拼贴、时光错位等特色。尽人皆知,元小说是后古代主义文学的一部门,是以本章对后古代性的理念及特点停止陈说和剖析。后古代主义具有以下四个特色：从雄伟叙事的消逝到深度形式的削平；从用时走向共时；文本间性；文学中间的转换—读者与解读。第三章是本文的主体部门,重点剖析法国中尉的女人中的后古代主义元小说的特点。作者在法国中尉的女人中运用了置换、抵触、真假联合等推翻传统的手段。三重开头也是法国中尉的女人创作中的一年夜亮点,分歧于传统小说的关闭式开头,多重开头映照了生涯的各类能够性,从而反应了真实。另外,本章还将剖析法国中尉的女人中叙事者的身份和叙事角度,全知万能论述者经由过程其在空间、时光和心思方面的论述打造了一个“真实”世界,而具有自我反思认识的元论述者强调小说虚拟性,打破了这类“真实幻觉”。穿越在汗青和实际之间的“我”进一步击碎了“真实幻觉”,经由过程曩昔与如今的并置反应了小说的虚拟性。第四章总结了法国中尉的女人中的后古代主义元小说的叙事特色,偏重申了后古代文学和元小说的写风格格。总之,法国中尉的女人作为一部具有代表性的后古代主义元小说,打破了实际与虚拟的界线,表现了福尔斯对汗青与文学关系的思虑和对现代小说创作的审美思虑,不只为小说的成长注入了新的活气,也启示了人们对于汗青和实际生涯的思虑。 Abstract: After the ancient doctrine of the origin of the term in the 1960s New York artist and critic to say and 70 years in the 20th century by the European real growth. As a predecessor of the capitalist civilization activities, after the ancient doctrine has infiltrated into many arts. Post modernism novels since its birth, and sudden onrush, vigorous growth, said the ancient writers to break the traditional literature, completed the reform literature and the effort. Different from the previous literary scene, although the Yuan's novel creation is very jollification. However, it is and is not a have a common outline of literature faction, but by distributed in oriental country in many ancient writers consciousness theory outcomes. The creation methods of the yuan novels have broken through the traditional literary tradition, including the realism and the ancient doctrine. To understand saved the ancient era of literary creation in the dilemma, let literary creation from the new art coruscate glorious, many writers to undertake effective reform in means of the novel, not only to the eve of the biliary test exam many unprecedented discussion means, and entrusted to some ancient discussed means to new fresh life. John Fowles is one of the most famous post ancient writers in England. The French Lieutenant's woman is John Fowles's most successful work, and critics have stopped discussing the subject and the experimental writing skills. In this novel, Fowles to 20th century perspective discusses the a produced in the golden age of Victoria of the United Kingdom love story, citing a large amount of historical details, was also considered that is a historical fiction. Based on the actual results of the ancient doctrine and meta fiction, combined with Fowles's artistic creation, this paper analyzes the characteristics of the post ancient doctrine in the French Lieutenant's woman. The main body of the thesis is divided into four chapters. The first chapter summarized comprehensive introduction of John Fowles and his works and also Chen said after the ancient literature fundamental characteristics; and the domestic and foreign scholars on ancient and meta fiction research, and the research significance and innovation, which leads to the second chapter specific post modernism and meta novel actually. The definition of the second chapter specific Chen Yuan novels, the fundamental characteristics, scale and other practical problems, in-depth discussions of meta fiction writing features, contains a parody, fight stickers, dislocation time etc. characteristics. Well-known, meta fiction is the ancient literature of the Department is to the chapter on ancient philosophy and characteristics of stop Chen and analysis. Post modernism has the following four characteristics: from the grand narrative of the die to form the depth of the flattened; from time to total; intertextuality; transformation of literature in the middle of the reader and interpretation. The third chapter is the main body of this paper, focusing on the analysis of the characteristics of the "French Lieutenant's Woman" in the post ancient doctrine. The author in "the French Lieutenant's Woman" has used the replacement, the resistance, the true and false Union and so on to overthrow the traditional method. The beginning of the three is "the French Lieutenant's Woman" in the creation of a major bright spot, different from the traditional novel of the closed type, multiple beginning reflects the various types of career, which reflects the real. Also this chapter will also analyze the French Lieutenant's woman in narrative identity and narrative angle, omniscient universal arguer through its in space, time and effort on create a "real" world, and has self reflection awareness yuan the arguer stressed fictitious novel, break this kind of "real illusion". Crossing between history and reality in the "I" "realistic illusion" is further crushed, via the process in the past and now the juxtaposition of reaction the novel virtual. The fourth chapter summarizes the narrative characteristics of the post - ancient doctrine in the French Lieutenant's woman, and emphasizes on the application of the ancient literature and the writing style of the yuan. Anyway, the French Lieutenant's woman as a has representative of the ancient doctrine of metafiction, breaking the real and virtual boundary, the Fowles's thinking on the relationship between history and literature and on the creation of modern novels aesthetic thinking, not only the growth of novel injected new vitality into, but also an inspiration to people thinking about the history and real life. 目录: |
