| 约翰·福尔斯是英国最出色确当代小说家之一。他最有名的小说法国中尉的女人讲述了男女主人公萨拉和查尔斯阅历了各种选择和抗争,解脱了社会约束和世俗成见,终究走上了自在之路。这是一部优良的后古代主义小说,并且它的创作进程深受存在主义,特别是萨特式存在主义思惟的作用。福尔斯不只在小说叙事层面上今后古代主义叙事技能来存眷作者,读者和小说人物的自在,并且经由过程男女主人公的自在选择商量人类的存在主义自在。本文运用存在主义,特殊是萨特的存在主义来解读这部小说。存在主义是一个庞杂的哲学派别,本文仅拔取了萨特哲学中的几个根本不雅点角,如萨特的文学不雅,人类的焦炙,与他者的关系,及自在选择,来作为阐述视角,从小说的叙事和主题两方面停止解读。起首,法国中尉的女人是一部典范的后古代主义小说,由于它所运用的后古代主义叙事技能恰是后古代特点不肯定,开放性,多重性的表现。经由过程运用后古代主义叙事技能,作者,读者和小说人物被付与了更多的自在去选择。在这里,后古代主义叙事技能与存在主义文学不雅完成了完善的联合。除此以外,小说的主题也表现了存在主义自在。在这部小说中,束缚和对自在的追随是最主要的主题,这个主题恰好是经由过程男女主人公来表现出来的。在这部门,本文将采取上文提到的萨特存在主义的几个根本不雅点来剖析小说的两个重要人物,萨拉和查尔斯。经由过程从叙事和主题两个方面剖析,解释了存在主义思惟渗入渗出在小说的各个方面。福尔斯在宣传存在主义自在主题的同时,也将其表现在叙事技能中,完成了主题与叙事的完善联合。 Abstract: John Fowles is one of the most outstanding contemporary British novelist. His most famous novel "the French Lieutenant's Woman" tells the story of the heroine Sara and Charles experienced a variety of choices and struggle, free of social constraints and secular prejudices, eventually embarked on the road of freedom. This is a fine after the ancient novels, and its creation process by existentialism, especially the influence of existentialism thoughts of Sutter. Fowles not only in the narrative level in ancient narrative skills to concern the authors, readers and characters of the novel itself, and through the process of the hero and heroine of the freedom of choice to discuss the existential freedom. The application of existentialism, Sutter's existentialism is special to interpret this novel. Philosophy of Sartre's existentialism is a complex of schools of philosophy, this article only choose a few fundamental indecent point angle, such as Sartre's literary indecent, human angst, relationship with others, and free to choose, as the angle of view, from the two aspects of the narrative and theme of the novel to stop reading. First of all, "the French Lieutenant's Woman" is a model of ancient novels, due to its application after the ancient narrative skills is just after the characteristics of uncertainty, openness, multiplicity of performance. Through the process of application of ancient narrative skills, the author, the reader and the characters of the novel was given more freedom to choose. Here, after the ancient narrative skills and Existentialist Literature indecent completed a perfect combination. In addition, the theme of the novel as well as existential freedom. In this novel, and the freedom is bound to follow the main theme, the theme is just through the process of the hero and heroine for the show. In this section, two important characters of this paper will take the above mentioned Sutter existentialism fundamental point of view to analyze the novels of Sara and Charles. Through the process from the two aspects of narrative and thematic analysis, explains the ideological infiltration of Existentialism in the novel aspects. Fowles in the theme of existentialism. At the same time, also its performance in the narrative skills, complete the perfect theme and narrative of the united. 目录: ABSTRACT 6-7 摘要 8-9 ACKNOWLEDGEMENTS 9-12 Chapter One INTRODUCTION 12-15 Chapter Two LITERATURE REVIEW 15-19 Chapter Three THEORETIAL FRAME 19-25 3.1 Existentialist freedom 19-22 3.2 Postmodernism 22-25 Chapter Four THE COMBINATION OF EXISTENTIAL LITERARY VIEW AND POSTMODERN NARRATIVE 25-37 4.1 Existential Literary View and Its Embodiment by Fowles 25-28 4.1.1 Sartre's Existential Literary View 25-27 4.1.2 The Embodiment of Existential Literary View by Fowles 27-28 4.2 Postmodern Narrative Techniques 28-34 4.2.1 The Intrusive Narrator 29-32 4.2.2 The Open Endings 32-34 4.3 Existential Literary View Finding Expression in the Postmodern Fiction 34-37 Chapter Five THE EXISTENTIAL THEMES IN THE FRENCH LIEUTENANT'S WOMAN 37-57 5.1 Anguish of human 37-44 5.1.1 Sarah's Anguish for Freedom and Independence 38-41 5.1.2 Charles's Anguish for Freedom 41-44 5.2 The Relationships with Other People 44-50 5.2.1 Sarah's Relationship with Other People 45-48 5.2.2 Charles's Relationship with Other People 48-50 5.3 Choices of Freedom 50-57 5.3.1 Sarah's Choices 50-53 5.3.2 Charles's Choices 53-57 Chapter Six CONCLUSION 57-60 BIBLIOGRAPHY 60-63 |
