| 绘画著作中对女性的表示渊源已久，其内在情势与文明意蕴随时期而变迁。19世纪中叶法国油画著作中的女性开端具有了自我认识。本文以其时绘画中的女性为切入点，将其文明意蕴和精力特点的演化置于汗青文明语境下加以考核，目标在于研讨女性抽象在19世纪中叶法国油画中产生改变的启事。媒介部门经由过程对女性抽象文献材料和研究状态的梳理，确立本文的研究偏向和选题意义，并对行文思绪作一解释。文章主体部门由3章构成。第1章起首对绘画中女性抽象的传统界说停止追根溯源，懂得它的汗青情况。追溯进程由古希腊到文艺中兴到18世纪末，法语毕业论文，使分歧时代的女性抽象成绩的前因后果清楚的彰显出来。第2章分两条线索整顿19世纪中叶法国油画中女性抽象的新特点，法语论文题目，即题材规模的扩展和新的文明意蕴的涌现。第3章阐述女性抽象在19世纪中叶产生改变的启事。女性抽象在19世纪中叶法国油画中所显示出的自我认识跟其时的时期精力亲密相干，环绕政治平易近主与社会阶层等方面，迁就变更发生的缘由停止研讨。结语部门对绘画中女性抽象的研究空间作了解释，表达了对女性抽象成绩进一步存眷的期许。 Abstract: The representation of women in painting has long been a long time, and the inner situation and the meaning of civilization change with the times. In the middle of the nineteenth Century, women in the French oil painting began to have a self understanding. This paper in the meantime painting women for starting point, its cultural implication and energy characteristics of the evolution in the historical and cultural context to be assessment. The aim is to explore Abstract women notice of change in the middle of the 19th century French paintings. Media sector through the process of women's abstract literature materials and research status of the comb, to establish the research of this paper and the significance of the topic, and the line of text thoughts for an explanation. The main body of the article consists of 3 chapters. The first chapter first to abstract painting in the traditional definition of women stop back, know its history. Traceability process from ancient Greece to the Renaissance to 18 century end, the causes and effects of the different age of the female image results clearly demonstrate. The second chapter is divided into two clues to rectify the nineteenth Century French oil painting in the new characteristics of women, that is, the expansion of the scale of the subject matter and the emergence of new cultural implications. The third chapter describes the women's abstract in the middle of the nineteenth Century to produce a change of notice. Abstract women in the middle of the 19th century French painting shows self-awareness with timed period energy is closely related to the surrounding political plain near the main and social class, to accommodate the change causes to carry on the discussion. The conclusion of the Department of painting in the study of women's abstract space for explanation, expressed the expectations of further attention to women's abstract achievements. 目录: 摘要 4-5 Abstract 5 前言 6-8 第1章 19世纪前西方绘画中的女性形象 8-16 1.1 古希腊雕像中的女性形象 8-10 1.2 中世纪绘画中的女性形象 10-11 1.3 文艺复兴至18世纪末油画中的女性形象 11-16 第2章 19世纪中叶法国油画中的女性形象 16-22 2.1 新的女性题材范围 16-18 2.2 新的文化意蕴 18-22 第3章 19世纪中叶法国油画中女性形象转变的缘由 22-27 3.1 政治民主与女性形象 22-23 3.2 社会阶层与女性形象 23-25 3.3 科学态度与女性形象 25-27 结语 27-28 参考文献 28-29 致谢 29 |
