用解构主义理论解读法国中尉的女人[法语论文]

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约翰·福尔斯是世界文坛颇负盛名的英国作家。他的平生作品颇多,个中最著名的是法国中尉的女人这部长篇小说。对于这部小说,之前的很多批驳家们都是运用女性主义、存在主义和汗青角度来解析,运用叙事学实际来解析的评论其实不多。叙事学是二十世纪六十年月新兴的一个文艺批驳实际,这个新兴的文学批驳实际代表着现代小说实际成长的新偏向。本篇论文就是运用叙事学的实际来剖析该著作的叙事节拍和叙工作境,目标在于用一种更新的眼力来观赏这部著作的艺术魅力。该论文分为四个部门,第一章引见了约翰·福尔斯的生平和文学造诣,重点引见了叙事学涌现和成长。第二章是运用经典叙事学中的时距实际和巴赫金所提出的复疗养论来研究该著作的节拍。该小说不只在时光上构成了一动一静的节拍,并且在空间上互相瓜代。第三章研究该小说的叙工作境。叙事人称,叙事聚焦和叙事措施是叙工作境最主要的三个方面。法国中尉的女人运用的是第三和第一人称的作者叙工作境。聚焦措施重要运用的是内聚焦。叙事措施上福尔斯重要采取展现的措施,尽可能少运用讲述的措施。最初一章对该论文停止了总结。该论文以叙事学中最主要的时距,复折衷叙工作境实际来研究该小说。从以上剖析可以看出,故事在有张有弛地进步,读者追随男主人公一步一步走进女主人公的心坎世界,恰是因为以上叙事技能的胜利运用,读者能力深入懂得男女主人公心坎世界的抵触,懂得他们对于固有不雅念的保持和对自在的寻求。如许的叙事技能使得故事具有吸引力,人物的描绘也力透纸背,从而有益于主题的升华。约翰·福尔斯不愧是现代文学的大师。

Abstract:

John Fowles is a famous English writer in the literary circles of the world. His works are many, among which the most famous is "the French Lieutenant's Woman" this novel. About the novel, before many experts criticize is application of feminist, existentialism and historical point of view to analyze and application of narrative theory to analytical comments, not much. Narratology is the nineteen sixties emerging a literary criticism practice, this emerging literature criticism actually represents the modern novel actually grow new bias. In this thesis is the application of narratology to analyze the works of narrative rhythm and the classification of the working environment, the goal lies in with a newer eyesight to watch the artistic charm of the works. This paper is divided into four parts, the first chapter introduces the life of John Fowles and literary attainments, focusing on the emergence and development of narrative. The second chapter is the study of the rhythm of the work by the time interval between the classical narrative theory and Bakhtin's theory of rehabilitation. The novel not only in the time which one stationaryplatform beats, and alternating each other in space. The third chapter discusses the narrative work environment of the novel. The narrative person, the narrative focus and narrative method are the main three aspects of the work environment. The French Lieutenant's woman is the author of third and first person. The important application of the focusing method is internal focusing. Fowles important narrative method to take the method to show, as little as possible the application of the method. In the first chapter, the thesis is summarized. This paper takes the most important time distance in the narrative study, and studies the novel by the complex and the narrative work condition. From the above analysis it can be seen that story in more or less progress, readers follow the protagonist step by step into the heroine's heart world, is precisely the victory applications because of the above narrative skills, readers understand conflict with the hero and heroine heart world, understand him on inherent indecent to maintain and to seek for freedom. Such narrative skills make the story attractive character portrayed is forceful and is useful to the sublimation of the theme. John Fowles is indeed a master of modern literature.

目录:

摘要   4-5   Abstract   5   Table of Contents   6-8   Chapter One Introduction   8-15       1.1 John Fowles' Life and Literary Career   8-9       1.2 Literature Review of John Fowles' The French Lieutenant's woman   9-12       1.3 Introduction of Narratology   12-15   Chapter Two Narrative Rhythm in The French Lieutenant's Woman   15-30       2.1 Time interval   15-22           2.1.1 Scene   16-18           2.1.2 Pause   18-20           2.1.3 Ellipsis   20-21           2.1.4 Summary   21-22       2.2 Polyphony   22-30           2.2.1 The Narrative Voices Between the Characters   24-25           2.2.2 The Conversation Between the Author and the Personages   25-26           2.2.3 The Narrative Voice Between the Narrator and the Readers   26-27           2.2.4 The Narrative Voice Between the Writer and the Literary Creation Itself   27-30   Chapter Three Narrative Situation in The French Lieutenant's Woman   30-42       3.1 Narrative Person   30-34           3.1.1 Narrators in The French Lieutenant's Woman   31-33           3.1.2 The Transformation of Narrative Situation   33-34       3.2 Focalization Pattern   34-40           3.2.1 Internal Focalization   35-39           3.2.2 External Focalization   39-40       3.3 Narrative Ways   40-42   Chapter Four Conclusion   42-44   Bibliography   44-47   附录   47  

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