| 李健吾以奇特的“印象式文学批驳”而为人们熟知,但是,对于文学创作,他不只在散文、小说、诗歌、戏剧等范畴都有建树,并且还得过一些“年夜家”的赞誉与好评。纵不雅其平生,李健吾与戏剧的缘分不解,从最后的登台演戏到后来的创作戏剧、导演戏剧、研究戏剧、揭橥戏剧评论等,我们可以看出他对戏剧的爱好。恰是这份对戏剧的酷爱,敦促着他在戏剧创作范畴里赓续地耕作。中国古代文学史中常说起的戏剧有这不外是春季、梁允达、十三年、村长之家、以身作则、芳华、黄花、贩马记等,这是他三四十年月的收成。研究者普通把他二十年月的戏剧归为晚期创作,三四十年月的戏剧为成熟期创作。研究者较多存眷的是其成熟期的创作,并且年夜多是从人道的视角去解读。现实上,从人道的角度切入人生,也确系李健吾戏剧较为奇特的特色。本文重要商量李健吾戏剧与法国文学的关系。李健吾成熟期的戏剧显著地遭到过法国文学的作用,特殊是福楼拜、莫里哀的作用。这类作用在必定意义上促进了李健吾戏剧的特性特点,并使其具有了较为长远的价值。本论文共分五部门引言扼要概述了李健吾在文学创作方面的造诣小说、诗歌、散文、戏剧、文学评论、本国文学翻译等都有所触及,并被著名人士所夸奖。因为他的喜好,他的勤恳,他的创作可谓作品等身。引言部门还简略剖析了李健吾戏剧已经被研究界历久弃捐的缘由。第一章重要从李健吾的肄业阅历,商量李健吾对法国文学的接收。留法时代,李健吾曾访问福楼拜旧居,研究福楼拜作品。他从法国文学中寻觅到了本身对文学、特殊是对戏剧的灵感。恰是这类灵感推进了他的戏剧创作,李健吾对法国文学的研究由有时变成一种必定。第二章重要从李健吾戏剧美学思惟的潜变与戏剧实际的深化两个方面,阐述法国文学对李健吾戏剧创作的作用。李健吾的戏剧美学思惟,后期着重于人生,成熟期看重对艺术的寻求;李健吾戏剧的焦点,是对真实人道的出现,是对幻想的追随;他所说的“老实”,是主体在生涯中所体验到的情感“老实”。李健吾戏剧实际的深化,重要表示为对莫里哀悲剧不雅念的接收,这使李健吾戏剧中增长了一种奚弄的滋味。第三章重要阐述李健吾戏剧创作成熟期的戏剧特性。李健吾戏剧中的人物性情具有多面性、庞杂性、活动性和诗意化的特色。他不只能令人物平面地出现在读者(不雅众)眼前,并且常给人以诗意美的感到;李健吾的戏剧擅长对人物作精力剖析。他接收了福楼拜描摹人物病态心思的手段,能深刻人物魂魄深处,提醒人物的心思状况;李健吾的戏剧在构造方面,接收了莫里哀善于的“三一概”构造特色,并重视运用偶合、误解、乔装等技能,以增长剧作的兴趣性;李健吾的戏剧在说话方面,受莫里哀的作用,构成了繁复、平庸、本质的作风。繁复是指微言年夜义,平庸是指人物对话说话的生涯化,本质是指说话全体上的朴实天然,不锐意砥砺。这些都使他的戏剧具有了奇特的特性。第四章侧重剖析李健吾戏剧确当下价值。在现今这个已被法式化、符号化了的世界里,人愈来愈向着“单向度的人”演化,人道经常被决裂,人的实质经常遭到摧残。而新发蒙的目标恰是要完成一种救赎,即用此岸的幻想和崇奉、用真善美注入“平常沉溺”的人类,令人能完成如海德格尔所说的“诗意的栖居”。李健吾的戏剧对此有启发价值。 Abstract: Li Jianwu to peculiar "impression of literary criticism which is known, however, about the literary creation, he not only in the field of prose, fiction, poetry, drama and other have achievements, and also had some" big house "acclaim and praise. Longitudinal indecent in his life, Li Jianwu and drama of fate puzzled, from the last stage acting to later drama and theatre director, study drama, exposing a drama review etc., we can see his love for the theater. It is the love of the theater, to urge him to stop farming in the drama category. In the history of ancient Chinese literature often talk about the drama is "nothing more than that is the spring", the Liang Yunda, "the thirteen years", "home of the village", "lead by example", "Youth", "yellow", the horse traders in mind, "and so on. This is his 40 years of harvest. The researcher of the twenty years of his drama is returned to the late creation, thirty or forty years of drama for the mature creation. Researchers are more concerned about the creation of their mature period, and most of them are from the perspective of humanity to interpret. In reality, from the perspective of human life, it is indeed Li Jianwu drama more unique characteristics. The relationship between Li Jianwu's drama and French literature is discussed in this paper. The drama of Li Jianwu's maturity was significantly influenced by French literature, especially the influence of Moliere and Gustave Flaubert. This kind of influence promotes the characteristic characteristic of Li Jianwu "s drama in a certain sense, and it has a more long-term value. This thesis is divided into five parts: introduction briefly summarizes the Li Jianwu in literary attainments novels, poetry, prose, drama, literature review, national literary translation has touched, and was praised by famous people. Because of his preferences, his presence, his creation is famous. The Department also briefly analyzed the Li Jianwu drama has been laid down the reason research for a long time. The first chapter from the Li Jianwu study experience, with Li Jianwu on the French literature reception. France era, Li Jianwu visited the former residence of Gustave Flaubert, on Gustave Flaubert's works. From French literature, he found his inspiration for literature, especially for drama. It is this kind of inspiration to promote the creation of his plays, Li Jianwu's study of French literature from the sometimes become a kind of inevitable. In the second chapter, the influence of French literature on the creation of Li Jianwu's drama is expounded from two aspects: the latent change of Li Jianwu's drama aesthetics thought and the deepening of the drama. Li Jianwu dramatic aesthetic thought, late focuses in life, maturity value of art seeking; the focus of Li Jianwu drama is the emergence of true humanity, for fantasy follow; what he said was "honest" is the main experience in the life the emotion "honest". Li Jianwu drama practice deepening, the important representation for the reception of Moliere tragedy, which make Li Jianwu drama grew a Xi Nong taste. In the third chapter, the characteristics of the mature period of Li Jianwu's drama creation are expounded. Characters in Li Jianwu's plays have many characteristics, which are multidimensional, complex, active and poetic. He can not only make people appear in the plane in the eyes of the audience, and often give a poetic beauty of the feeling; Li Jianwu's drama is good at the character for the analysis of the energy. He received the means of Flaubert portray character morbid thoughts, profound character of the soul, to remind the figure of the psychological condition; Li Jianwu drama in structure, receive the good Moliere "Trinity concept structure characteristics, and pay attention to the application of coupling, misunderstanding, disguise and other skills, in order to increase the interest of the plays; Li Jianwu drama in speaking, by Moliere, constitute the complicated, mediocre, the essence of style. Complex is dissatisfied with the eve of the righteous, mediocrity is refers to the career of the dialogue of the characters speak, nature refers to all the simple and natural to speak, not keen temper. All of these make his plays a unique character. The fourth chapter focuses on the current value of Li Jianwu's drama. In nowadays has been French, the symbol of the world, people become more and more toward the "one-way" evolution, humanity is often break, the essence of people often destroyed. And the goal of new enlightenment is precisely to complete a kind of salvation, namely fantasy of the shore and of faith, the true, the good and the beautiful into "ordinary addiction" of human, it is able to complete, as Heidegger said "poetic dwelling." Li Jianwu's plays are instructive. 目录: |
