As an integrated whole, landscape is realized under a certain economy conditions. It should meet the need of the society, coincide with the rule of nature, follow the principle of ecology, and as the same time, it also belongs to the category of art. If landscape works have lasting vitality, they must be those which can balance these factors. They are closely linked with the times soul, absorb the historical spirit, but not imitate the existing style. They accord with the principle of science, and reflect the demands of society, the development of technology, the new ideas of aesthetics and tendency of values. In today‘s social life of people, in fact, difficult to judge the value of today‘s works, after all, from us the more recent things, the more difficult it will determine which is sustained brilliance, and what are only the short-term Guoyanyunyan fashion. We have enthusiastic about the many ideas, it seems very one-sided, and some people have to stay away from the eye works, has undergone the test of time, but flashing a lovely light. Although it is difficult to fully and objectively analyze the development trend of landscape design, but in the past, modern or future, every designer in the process of practice can not be avoided some of the most basic issues, the treatment of these issues with the attitude, Different times depending on the context of landscape designer of the concept and ideas, will determine the performance of the works form, thereby affecting the vitality of the works. Traditional and modern Almost every designer had been the face of the relationship between traditional and modern confusion. Early Modernism tends to be more antagonism between the two, but today, more and more people are aware of the inevitable link between the two. And cultural transformation, development and change the landscape, but also in the past accompanied by the denial of inheritance and carried out in a new form of a landscape, always on the garden and its history is inextricably linked to culture . Any designers are in certain social soil to grow up, even if their billed as the most avant-garde designer, can not evade their works in the sediments of a specific culture traces.However, the value of traditional values, is not to ignore the social progress and the development of technology, blindly imitating the past. The best imitation can only have a fake, not authentic. Good design is not the traditional shallow imitation, but rather a long garden where traditional and modern life needs and aesthetic value of a good combination, and on this basis to increase refining works. This is all outstanding contemporary works in the landscape can be deeply appreciate. These works, no matter how modern form, we have a little taste, is easy to see that they are the traditional transmission of information.
Citroen park in Paris (Parc Andrē-Citroën, 1992 for completion, G. Clement, P. Berger, A. Provost, JP Viguier, JF Jodry design), the Atlantic Ocean Park (Le Jardin Atlantique, 1994 completed, Franois Brun, Michel Péan design) layout of the plane and the 17th century Le Notre (Andre Le Ntre) of the garden a considerable number of links. Even from La Villette Park (Parc de la Villette, 1991 for completion, Bernard Tschumi designed) so hung Deconstruction label inthe works, can also see the impact of the traditional French garden. - Profile flower bed garden is a traditional Western elements, today, in the hands of different designers, after re-interpretation of modern design practices, can have completely different version.Kempinski Hotel Airport Munich Garden (Garden of Kempinski Hotel, 1993 completed, Peter Walker design), the classical garden flower bed with the minimalist design re-mix composition, created a green, pleasant venues. Utrecht, the Netherlands VSB headquarters Garden (1995 built, Adriaan Geuze design), the 200-meter-long red ribbon Cyclovirobuxine Lei of rubble and form a narrow strip of ground subsidence of the garden. Yake Bo Ya Weici Plaza, New York (Jacob Javits, 1996 built, Martha Schwartz design) to the French Baroque garden flower bed for the creation of the prototype, benches and grass Qiu, street lights, shop, railings and other elements of the unexpected Way combination, by a simple form of access to a wealth of the square space.In these works, landscape designers in the past not to pursue the form of copy, but the history of the garden will be the spirit of cultural absorption over, they converted to adapt to new conditions on the appropriate means of expression. These landscapes are a product of society today, modern science and technology and thinking, modern art, gardening and the level of people‘s way of life in the environment are fully displayed. Only those who represent the cultural essence of the contemporary era works, it has a lasting charm and vitality.
Will combine traditional and modern another layer of meaning lies in the fact that the new landscape design should not only show the contemporary social needs and protect their re-creation of a city or historical value of the lot is also playing an increasingly important role. Bali Bei Seoul park (Parc Berce, 1997 for completion, Bernard Huet, Marylène Ferrand, Jean-pierre Feugas, Bernard Le Roy, Ian le Caisne, Philippe Raguin, such as design), retained the original brewery on the site of the Argyle Street area network consisting of Grid system, wine cellar and 500 old trees, and other traces of history, and these historical information and modern design elements superimposed coincidence,A historical and practical dialogue. Park awareness of past life memory, so that this regional development of the city‘s historical continuity. Venice Fretto Plaza (Plaza Feretto, 2000 built, Guido Zordan design) through the fine stone pavement, rich ground elevation changes, and the square surrounding the church and cultural center, shops and houses new and old building of a harmonious Relations, and maintain the standard of the old city centre, then a change in plastic rich and full of human touch of the Italian tradition of urban space. And social landscape |
