作 者：张小玲 机构地区：中国海洋学院外国语大学日语专业 出 处：《中国比较文学》2017年第1期146-159,共14页Comparative Literature in China 基 金：本文系国家社科重大项目＂二十世纪东亚抗日叙事文献整理与探讨＂（编号15ZDB090）的阶段性成果. 摘 要：摘要：《开往中国的慢船》作为村上春树早期短篇小说，日语毕业论文，因为其中明显涉及中国因素，日语论文，故被一些论者认为是与中国联系很深的一部著作。但通过对这部著作前后3个版本的对比以及与《作为记号的美国》一文的互文性比较，我们可以发现，这部著作里隐藏的美国文化符号和中国符号同等重要。两者互相呼应，共同构成文本中的“他者”形象。然而．这种“他者”形象却具有符号化的致命缺陷，这个文本也由此具有象征近代史上日本确立自身文化身份过程中所走过的偏执道路的强烈隐喻意义。As an early short story of Haruki Murakami, A Slow Boat to China is regarded by some scholars as a work of close connection with China due to the obvious Chinese fac- tors in it. But after comparing the three different versions of this work as well as its inter- textuality with The United States as Signs, it can be found that the American symbols hid- den in this work is as important as the Chinese ones. They echo each other to constitute the image of ＂the other＂ in the text. However, the image of ＂the other＂ has a fatal flaw of symbolization, and this work, therefore, contains a strong metaphor alluding to the para- noid road Japan has taken in the process of establishing its cultural identity in modern history. 关 键 词：符号化 分 类 号：I712.074[文学—其他各国文学] |
