作 者：吴玲 任梦青 WU Ling, REN Mengqing （School of Oriental Language and Culture, Zhejiang Gongshang University, Hangzhou, Zhejiang, 310018） 机构地区：浙江工商学院东方语言文化大学日语语言文学,浙江杭州310018 出 处：《广西职业技术大学学报》2017年第5期101-105,共5页JOURNAL OF GUANGXI VOCATIONAL AND TECHNICAL COLLEGE 基 金：本文系2017年度浙江省哲学社会科学重点探讨基地课题“日本新生代动画导演细田守和新海诚著作探讨”（课题编号：15ZDDYZS09YB）成果. 摘 要：日本新生代动画导演细田守善于通过结婚生子等大众题材来营造氛围，而另一个广受关注的新生代导演新海诚则以描绘远距离恋爱纠葛著称。该文以这两住导演的八部长篇动画电影为中心，日语毕业论文，日语毕业论文，发现他们都喜欢用“约定”、“植物”、“动物”、“手”等象征物以及“共食”象征行为来表达情感，这些手法丰富了影片的情感表达方式，丰满了人物的个性，推动了情节的发展，引发了观众的共鸣。The Japanese Cenozoic animation director Mamoru Hosoda is skilled at creating atmospheres with common themes such as marriage and child birth, whereas another widely-known director Makoto Shinkai is famous for depicting long-term relationships and entanglements. This paper selects eight animation movies of these two directors as research objects and finds that they both like to use ＂appointments＂, ＂plants＂, ＂animals＂ and ＂hands＂ to express emotions, these techniques have enriched the expressing of emotions and characters＇ personalities, promoted the development of the plots and resonated with the audience. 关 键 词： 分 类 号：J954[艺术—电影电视艺术] |
