Acknowledgements 4-5 摘要 5-6 Abstract 6-7 Introduction 10-18 1.T he Background of The French Lieutenant’s Woman 10-11 2.T he Life and the Works of John Fowles 11-13 3.R esearch on The French Lieutenant’s Woman 13-16 4. Objectives and Significance of the Study 16-18 Chapter One Multiple Points of View 18-33 1.1 The Traditional Narrative Perspective in The French Lieutenant’s Woman 18-24 1.1.1 Introduction to the Traditional Point of View 18-19 1.1.2 The Omniscient First Person and Third Person Narrators 19-24 1.2 The Modern Point of View in The French Lieutenant’s Woman 24-27 1.2.1 Introduction to the Modern Point of View 24 1.2.2 The Modern Limited Point of View 24-27 1.3 The Postmodern Point of View in The French Lieutenant’s Woman 27-31 1.3.1 Introduction to the Postmodern Point of View 27-28 1.3.2 The Postmodern Point of View 28-31 1.4 The Multiple Points of View 31-33 Chapter Two Multiple Narrative Structures 33-45 2.1 The Traditional Narrative Structure in The French Lieutenant’s Woman 33-37 2.1.1 Introduction to the Structural Patterns of the Traditional Novels 33-34 2.1.2 The Unity and Self-closure of the Surface Structure 34-37 2.2 The Postmodernist Narrative Structure in The French Lieutenant’s Woman 37-40 2.2.1 Introduction to the Postmodern Narrative Structure 37 2.2.2 The Discontinuity of the Deep Structure 37-40 2.3 Narrative Collage 40-44 2.3.1 Footnotes 41-42 2.3.2 Epigraphs 42-44 2.4 The Multiple Narrative Structures 44-45 Chapter Three Multiple Freedom Themes 45-53 3.1 Narrative Freedom 45-47 3.2 Social Freedom 47-50 3.3 Existentialist Freedom 50-53 Conclusion 53-55 Bibliography 55-60 |
