近代法国沙龙中的音乐与音乐家探讨[法语论文]

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用时三百多年的法国沙龙传统,对法国文明生涯的简直各个方面(包含东方传统的艺术音乐)均发生了伟大而深远的作用。从17世纪在法国涌现,至20世纪中期灭亡,沙龙传统反应了每一个世纪中下层阶层的理念及需求。沙龙在其时的贵族和下层阶层生涯中处于中间位置,这些社会精英经由过程本身的各类运动和文明不雅念,法语论文题目,在社会礼仪、说话、哲学、文学、艺术、政治的方面饰演了兴趣主宰者的脚色,从而为法国的文明成长做出了直接的进献。沙龙同音乐之间也有着亲密的接洽。沙龙女主工资音乐家供给了经济和情绪支撑;沙龙女主人及其常客是"音乐会和沙龙音乐会的重要听众;沙龙是音乐家展现本身的专业技巧以发生更多贸易效应和社会承认的幻想之地。经由过程考核在每一个世纪的沙龙中颇具代表性的音乐家、音乐曲目和乐器等,可以看出法国沙龙传统,在增进音乐和音乐家成长方面充任了主要的脚色,曾经成为在法国流传音乐文明的基本力气之一。虽然沙龙从未被看做是音乐成长的核心地带,法语论文范文,然则,在沙龙三百多年的汗青中,它同音乐之间漫长而积极的接洽,解释了我们须要对其停止严正的汗青性重审。虽然不是一切沙龙都应当获得如许的评价,然则基于某些沙龙的风格不高而责备一切音乐沙龙为价值不高的,是不相符汗青现实的。

Abstract:

With 300 years of French Salon tradition, the career of French civilization almost all aspects (including traditional Oriental Art Music) occurred great and far-reaching influence. From seventeenth Century in France, to the end of the middle of the fall of twentieth Century, the salon tradition reflects the concept and needs of the lower classes in every century. Salon in privileged aristocrats and lower class career in the middle position, the social elite through the process itself of all kinds of sports and cultural indecent read, in social etiquette, talk, philosophy, literature, art, politics played interest dominate their role, thus for the growth of French civilization in made direct contribution. Sharon also has a close connection with music. Salon hostess wages musician to provide financial and emotional support; salon hostess and patron is "an important audience of concerts and salon concert; Sharon is musicians to show their professional skills to more trade effects and the social recognition of fantasy. Through the assessment process in every century salon in fairly representative of the musicians, the music and musical instruments, you can see the French Salon tradition, in promoting growth of music and musicians has acted as an important role, has become one of the music culture and the basic force gas circulated in France. While salon has never been seen as the core zone of the growth of music. However, in the salon for more than 300 years of history, it with the music between long and positive contact, explain why we need to stop the solemn history review. Although not all salons should get such an evaluation, but based on the style of some salon is not high and blame all music salon for the value is not high, is not consistent with the reality of history.

目录:

内容摘要   4-5   Abstract   5   绪论   7-10       一、选题理由及探讨目的   7-8       二、探讨近况及价值   8-9       三、探讨措施及文章结构   9-10   第一章 法国沙龙传统概论   10-20       第一节 沙龙的定义、起源、目的与类型   10-13       第二节 沙龙与女性   13-16       第三节 沙龙、音乐与社会分层   16-20   第二章 法国巴黎沙龙中的音乐与音乐家   20-41       第一节 17 世纪的沙龙与音乐   20-25           1、沙龙与传统赞助制度   21-22           2、音乐公众与音乐趣味   22-24           3、代表性音乐家、音乐风格、体裁和乐器   24-25       第二节 18 世纪的沙龙与音乐   25-31           1、音乐赞助形式、音乐家地位和音乐生活形态的转变   26-27           2、沙龙对音乐风格、体裁和形式的作用   27-29           3、重要的沙龙,及其代表性音乐家、曲目和乐器   29-31       第三节 19 世纪的沙龙与音乐   31-41           1、沙龙与中产阶级   32-33           2、沙龙音乐会与公众音乐会   33-35           3、女性、钢琴与沙龙   35-37           4、代表性曲目、音乐家和音乐沙龙   37-41   第三章 法国沙龙文化传统对音乐艺术的作用   41-49   结语   49-51   参考文献   51-54   后记   54  

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